Dickens did an excellent job of making us worry about Ebeneezer Scrooge's redemption in A Christmas Carol, but why is it we never worry about the ghostly Jacob Marley? We rarely, if ever, give a thought to Marley's motive in returning from the grave to redeem his penury partner.
Dickens did an excellent job of making us worry about Ebeneezer Scrooge's redemption in A Christmas Carol, but why is it we never worry about the ghostly Jacob Marley? We rarely, if ever, give a thought to Marley's motive in returning from the grave to redeem his penury partner.
Dickens did an excellent job of making us worry about Ebeneezer Scrooge's redemption in A Christmas Carol, but why is it we never worry about the ghostly Jacob Marley? We rarely, if ever, give a thought to Marley's motive in returning from the grave to redeem his penury partner.
It's always amusing to get a peek behind the scenes to see how art is made, but rarely do audiences get to see a production such as Jane Martin's Anton in Show Business that combines razor-sharp wit with close-to-the-bone theatrical reality.
It's always amusing to get a peek behind the scenes to see how art is made, but rarely do audiences get to see a production such as Jane Martin's Anton in Show Business that combines razor-sharp wit with close-to-the-bone theatrical reality.
It's always amusing to get a peek behind the scenes to see how art is made, but rarely do audiences get to see a production such as Jane Martin's Anton in Show Business that combines razor-sharp wit with close-to-the-bone theatrical reality.