Anton Chekhov News

Classic Stage Company, under the leadership of Artistic Director Brian Kulick and Executive Director Greg Reiner, will present its 2014 Annual Gala, MUSICAL MASTERWORKS, Monday evening, May 12 at the Hudson Theatre at the Millennium Broadway Hotel (145 West 44th Street). Tony Award-winner and CSC Associate Director John Doyle will helm an evening of memorable numbers from iconic American musicals-a rich and vital heritage that CSC has begun to explore with last season's critically-acclaimed production of Passion and the upcoming production of Rodgers and Hammerstein's Allegro.

On Tuesday, March 18, 2014, Asolo Repertory Theatre announced its 2014-2015 season and the third season of its ambitious five-year American Character Project, an in-depth exploration of the soul of this country's people, past and present. Producing Artistic Director Michael Donald Edwards and FSU/Asolo Conservatory for Actor Training Director/Asolo Rep Associate Artistic Director Rep Greg Leaming presented both season line-ups to more than 350 patrons in Asolo Rep's Mertz Theatre.

People's Light & Theatre has announced its 40th Anniversary Season that celebrates the passion and artistry that created and sustained our company. The season includes one world premiere, two regional premieres, and one Philadelphia premiere. Nationally acclaimed artists Mary McDonnell, David Strathairn, and Victor Williams will join longtime company members and various newcomers on our stages. They will perform iconic works by August Wilson, Anton Chekhov, and Neil Simon, new plays by Bruce Graham, Bill Cain, and Jessica Dickey, and our new holiday panto by Pete Pryor and Samantha Bellomo. We will transport audiences to Merlin's Middle Ages, Ranyevskaya's changing Russia, 19th & 21st Century Gettysburg, and Lou's Bar in today's South Philly.

The Old Vic today announced its programme for Summer/Autumn 2014. The CQS Space, The Old Vic in the round, will be home to the whole season of productions, continuing after Other Desert Cities which opens this month. The plays will be performed in the round, a transformation of The Old Vic's auditorium first seen for the award-winning 2008 production of The Norman Conquests. The season of productions is supported for the fourth consecutive year by Bank of America Merrill Lynch.

Parson's Nose Theater (PNT) presents Anton Chekhov's masterpiece with their usual comedic twist in this weekend's Readers' Theater Series production of The Seagull: A Tragicomedy.

Real-life mother and son Tony and Emmy Award nominee Kate Burton (The Corn is Green, The Cherry Orchard, Hedda Gabler at the Huntington) and Morgan Ritchie (The Corn Is Green) play mother and son onstage together for the first time when they return to the Huntington Theatre Company for a lush new production of Anton Chekhov's passionate classic The Seagull. Huntington favorite Maria Aitken (The Cocktail Hour, Betrayal) will direct the Paul Schmidt translation of the classic of world drama about love, missed connections, and what it means to be an artist. Performances of The Seagull continue at the Avenue of the Arts / BU Theatre through April 6, 2014 at the BU Theatre. Check out a behind the scenes look below, and hear what audiences are saying about the show. Watch the videos below!

Toronto gets one more blast of snow as I settle in at Berkeley Street Theatre Upstairs to watch blustery Chekhov characters spend a summer holiday in the Russian countryside. A group of actors called The Chekhov Collective formed a year ago and began developing this production of The Seagull using the methods of Michael Chekhov, nephew of Anton Chekhov. The Seagull, which is heavy on theme and light on levity, is a self-referential play wherein Chekhov's characters examine what makes good theatre, good art, and good life.

The Public Theater will begin previews for the world premiere of THE LIBRARY on Tuesday, March 25, written by award-winning writer Scott Z. Burns. Directed by Academy Award winner Steven Soderbergh, THE LIBRARY will run through Sunday, April 27, in The Public's Newman Theater, with an official press opening on Tuesday, April 15.

The Chekhov Collective brings Anton Chekhov's The Seagull to Toronto in a new production running March 7 - 23, 2014 at the Berkeley Street Theatre Upstairs. Opening in Toronto amidst several other productions nationwide, this production boasts the implementation of The Chekhov Technique, a unique acting method.

Real-life mother and son Tony and Emmy Award nominee Kate Burton (The Corn is Green, The Cherry Orchard, Hedda Gabler at the Huntington) and Morgan Ritchie (The Corn Is Green) play mother and son onstage together for the first time when they return to the Huntington Theatre Company for a lush new production of Anton Chekhov's passionate classic The Seagull. Huntington favorite Maria Aitken (The Cocktail Hour, Betrayal) will direct the Paul Schmidt translation of the classic of world drama about love, missed connections, and what it means to be an artist. Performances of The Seagull continue at the Avenue of the Arts / BU Theatre through April 6, 2014 at the BU Theatre; Opening Night is tomorrow, Wednesday, March 12. Check out a first look below!

The upcoming year at Redhouse Arts Center is a big one as they gear up to celebrate their 10th anniversary season! Starting this summer, Redhouse Arts Center will bring an exciting variety of performances to the Central NY area.

Round House Theatre Producing Artistic Director Ryan Rilette today announced the lineup of plays for company's 2014/15 season. During the new season, Round House will produce a modern American classic, a new musical, two contemporary comedies, a potent new drama, and a compelling new version of a classic on its Bethesda stage. One production is an American premiere and four productions are D.C. area premieres.

Trinity Repertory Company's Education Department has announced the winners of their third annual Write Here, Write Now! Student Playwriting Competition. This year's winning plays and playwrights are: After the Horror Movie by Mimi Heath, Lincoln School in Pawtucket, Grade 11; The Basket Case by Spike Sommers, Wheeler School in Warwick, Grade 12; Welcome to Me by Kelsey Wilson, Rockville High School in Vernon, CT, Grade 12; The Sacrifice by Quinn Bornstein, St. Johnsbury Academy in Barnet, VT, Grade 12.

Classic Stage Company, under the leadership of Artistic Director Brian Kulick and Executive Director Greg Reiner, today announced plans for its 2014/2015 Season. The upcoming season for the esteemed off-Broadway company begins in October with Rodgers & Hammerstein's ALLEGRO, directed by Tony Award-winner and CSC Associate Director John Doyle. ALLEGRO marks the second installment of CSC's Musical Theater Initiative, which launched last year with the company's hugely-successful production of Stephen Sondheim and James Lapine's Passion, directed by Doyle. Considered one of Richard Rodgers' and Oscar Hammerstein II's most personal and groundbreaking works, ALLEGRO was their third collaboration and first premiered on Broadway in 1947.

In conjunction with its upcoming production of Anton Chekhov's passionate classic The Seagull, Huntington Theatre Company will host a number of special post-show conversations. Admission to onsite post-show events is free with a ticket to The Seagull, available at huntingtontheatre.org/seagull, by phone at 617 266 0800, or in person at the BU Theatre (264 Huntington Avenue) and Calderwood Pavilion at the BCA (527 Tremont Street) box offices. Tickets start at $25. Performances begin Today, March 7, 2014 at the Avenue of the Arts / BU Theatre.

With bold, vibrant and hilarious dialogue, Anton Chekhov captures the divine comedy of everyday life, exposing our foibles and self-deceptions in all their glory. Join a cast of manic mothers, desperate daughters, paranoid paramours and hassled husbands for this stunning evening of world theater. 4 by Chekhov brings the master's most beloved one-acts -- THE DANGERS OF TOBACCO, THE PROPOSAL, THE RELUCTANT TRAGIC HERO and THE BEAR - together into a single production.

In conjunction with its upcoming production of Anton Chekhov's passionate classic The Seagull, Huntington Theatre Company will host a number of special post-show conversations. Admission to onsite post-show events is free with a ticket to The Seagull, available at huntingtontheatre.org/seagull, by phone at 617 266 0800, or in person at the BU Theatre (264 Huntington Avenue) and Calderwood Pavilion at the BCA (527 Tremont Street) box offices. Tickets start at $25. Performances begin Friday, March 7, 2014 at the Avenue of the Arts / BU Theatre.

Parson's Nose Theater (PNT) continues their 2013-14 Season with a Readers' Theater Series production of Anton Chekhov's 'The Seagull'.

New York's theater season has had a distinctive Shakespearean flavor to it with the critically acclaimed Shakespeare's Globe productions of Twelfth Night, or What You Will and Richard III (in repertory at the Belasco Theater), Lincoln Center Theater's Macbeth, the Bard's The Comedy of Errors (Shakespeare in the Park), King Lear (by Theatre for a New Audience in Brooklyn), and the Wooster Group's Cry, Trojans! (Troilus & Cressida). The Drama Desk's annual Spring Luncheon/Panel Discussion at Sardi's Eugenia Room, 234 West 44th St., on Friday, April 4, will try to answer the questions 'Why Shakespeare? Why Now?' with a distinguished lineup of guests, including British actor/director Michael Pennington (King Lear); Scott Shepherd (Cry, Trojans!, The Wooster Group's Troilus & Cressida); and director Daniel Sullivan (The Comedy of Errors, Shakespeare in the Park). Carol Rocamora, a renowned playwright/critic and educator, will serve as moderator.

Fusing theater, dance, music, and video, ArtsEmerson's MAN IN A CASE is an unusual entertainment, something that has to be seen to be appreciated. At the least, it is an example of thinking outside of the box and an opportunity to see one of the world's greatest dancers onstage; at best, it is an opportunity to see that one of the world's greatest dancers has many more tricks up his tights and that his fluid movements have not abandoned him. You can take the dancer out of the ballet, but you cannot take the ballet out of the dancer. Even in a straight play, the man still has all the right moves.