American soprano Deborah Voigt once again brings Wagner's warrior-goddess Brünnhilde alive at the Metropolitan Opera when she stars in Götterdämmerung, the climactic chapter of the composer's epic Der Ring des Nibelungen tetralogy.
Few singers bring Méphistophélès to life like bass René Pape, who reprises his portrayal of the charming devil at the Metropolitan Opera in a November 29-January 19 run of Gounod's Faust, staged by Des McAnuff.
Dominant as ever in the concert hall this winter, Christine Brewer - styled "the ideal modern Wagnerian soprano" by the Los Angeles Times - joins the San Francisco Symphony and guest conductor Esa-Pekka Salonen for three concert performances of excerpts from Gotterdammerung, the closing chapter of Wagner's monumental Ring cycle (Dec 8-10). Following her recent account of the German composer's Wesendonck Lieder with Michael Tilson Thomas and the New World Symphony, "a performance that was a model of vocal allure and musical intelligence" (South Florida Classical Review), Brewer reprises the work - coupled with Beethoven's "Ah! perfido" - with the Saint Paul Chamber Orchestra and Ward Stare (Jan 20 & 21). She returns to Beethoven for four performances of the Missa solemnis with the Boston Symphony led by Kurt Masur, first at the orchestra's Boston home (Feb 23-25) and then at New York's Carnegie Hall (March 6). Early in the new year, the "superlative Strauss singer" (New York Times) assays the great late Romantic's Four Last Songs with the St. Louis Symphony under David Robertson (Jan 13 & 14).
American soprano Deborah Voigt once again brings Wagner's warrior-goddess Brünnhilde alive at the Metropolitan Opera when she stars in Götterdämmerung, the climactic chapter of the composer's epic Der Ring des Nibelungen tetralogy.
Following a highly successful run of performances in the Metropolitan Opera's season-opening production of Donizetti's Anna Bolena, Stephen Costello returns to the Vienna State Opera for a second consecutive season, singing the role of Nemorino in another (and far more light-hearted) Donizetti opera, L'elisir d'amore.
The young American theater director Arin Arbus will direct an opera for the first time when she leads a new production of Benjamin Britten's intimate but intensely gripping chamber opera The Rape of Lucretia at Houston Grand Opera, on February 3-11, 2012.
Dominant as ever in the concert hall this winter, Christine Brewer - styled "the ideal modern Wagnerian soprano" by the Los Angeles Times - joins the San Francisco Symphony and guest conductor Esa-Pekka Salonen for three concert performances of excerpts from Gotterdammerung, the closing chapter of Wagner's monumental Ring cycle (Dec 8-10). Following her recent account of the German composer's Wesendonck Lieder with Michael Tilson Thomas and the New World Symphony, "a performance that was a model of vocal allure and musical intelligence" (South Florida Classical Review), Brewer reprises the work - coupled with Beethoven's "Ah! perfido" - with the Saint Paul Chamber Orchestra and Ward Stare (Jan 20 & 21). She returns to Beethoven for four performances of the Missa solemnis with the Boston Symphony led by Kurt Masur, first at the orchestra's Boston home (Feb 23-25) and then at New York's Carnegie Hall (March 6). Early in the new year, the "superlative Strauss singer" (New York Times) assays the great late Romantic's Four Last Songs with the St. Louis Symphony under David Robertson (Jan 13 & 14).
Once again, Rene Pape is earning universal acclaim for his Mephistopheles in Faust, this time in the Metropolitan Opera's new production of Gounod's opera that runs to January 19.
Once again, Rene Pape is earning universal acclaim for his Mephistopheles in Faust, this time in the Metropolitan Opera's new production of Gounod's opera that runs to January 19.
Following her star turn in the season-opening production of Anna Bolena at the Metropolitan Opera, Anna Netrebko - the "diva assoluta del mondo" (Opera News) - returns to Europe to reprise one of her most celebrated roles: Donna Anna in Don Giovanni.
Following her star turn in the season-opening production of Anna Bolena at the Metropolitan Opera, Anna Netrebko - the "diva assoluta del mondo" (Opera News) - returns to Europe to reprise one of her most celebrated roles: Donna Anna in Don Giovanni.
Few singers bring Méphistophélès to life like bass René Pape, who reprises his portrayal of the charming devil at the Metropolitan Opera in a November 29-January 19 run of Gounod's Faust, staged by Des McAnuff.
The Dallas Opera is pleased to announce the five darkly dazzling operas that comprise the company's 2011-12 season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center. With opening night on Friday, October 21, 2011, the 55th international season - "Tragic Obsessions" - will showcase compelling works by Donizetti, Janacek, Wagner, Verdi and Mozart, and will include an outstanding Dallas opera-in-concert, important debuts and some of the company's most renowned productions. Each opera will feature the superbly talented Dallas Opera Orchestra and Dallas Opera Chorus and will be performed in its original language, with English translations projected above the stage at every performance. Exclusive subscriber extras include "A Cabaret Evening with Patricia Racette" and a fun-filled family concert starring soprano Ava Pine and the Dallas Opera Orchestra.
The Dallas Opera is pleased to announce the five darkly dazzling operas that comprise the company's 2011-12 season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center. With opening night on Friday, October 21, 2011, the 55th international season - "Tragic Obsessions" - will showcase compelling works by Donizetti, Janacek, Wagner, Verdi and Mozart, and will include an outstanding Dallas opera-in-concert, important debuts and some of the company's most renowned productions. Each opera will feature the superbly talented Dallas Opera Orchestra and Dallas Opera Chorus and will be performed in its original language, with English translations projected above the stage at every performance. Exclusive subscriber extras include "A Cabaret Evening with Patricia Racette" and a fun-filled family concert starring soprano Ava Pine and the Dallas Opera Orchestra.
Following a highly successful run of performances in the Metropolitan Opera's season-opening production of Donizetti's Anna Bolena, Stephen Costello returns to the Vienna State Opera for a second consecutive season, singing the role of Nemorino in another (and far more light-hearted) Donizetti opera, L'elisir d'amore.
NEW YORK FESTIVAL OF SONG (NYFOS) creates intimate concerts that breathe new life into an art form that is rich and emotionally resonant, yet is too often treated as genteel, intellectual, and predictable.
The Dallas Opera is pleased to announce the five darkly dazzling operas that comprise the company's 2011-12 season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center. With opening night on Friday, October 21, 2011, the 55th international season - "Tragic Obsessions" - will showcase compelling works by Donizetti, Janacek, Wagner, Verdi and Mozart, and will include an outstanding Dallas opera-in-concert, important debuts and some of the company's most renowned productions. Each opera will feature the superbly talented Dallas Opera Orchestra and Dallas Opera Chorus and will be performed in its original language, with English translations projected above the stage at every performance. Exclusive subscriber extras include "A Cabaret Evening with Patricia Racette" and a fun-filled family concert starring soprano Ava Pine and the Dallas Opera Orchestra.
From a book-length poem to a multi-media experimental opera to its current incarnation as a CD, DARKLING gives a haunting portrayal of the emotions, terrors, and incalculable losses incurred during the period between the two World Wars and the Holocaust.
Merging the vanguard of Polish theatre artists with America's most innovative contemporary music composers, Mozart's Sister tells the story of the keyboard virtuoso, composer, and child prodigy in her own right - Nannerl Mozart. This other Mozart toured throughout Europe, performing side by side with her brother Amadeus, to equal acclaim. Yet none of her compositions have survived and today hardly anyone knows she existed. Using Nannerl's own letters and those of her family, the performance investigates how this female prodigy, this Mozart, faded from the world - and whether this loss was inevitable.
Deborah Voigt continues the journey of her first complete cycle of Wagner's monumental Der Ring des Nibelungen with her role debut this week as Brünnhilde in Siegfried.
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