Richard Move/MoveOpolis! opens New York Live Arts LIVE IDEAS 2017 festival with the world premiere of XXYY, a multilayered work conceived and directed by Move, with costumes by acclaimed theater artist Alba Clemente and an original score by Italian electronic music pioneer Martux_m.
Known for staging 'the ultimate in intimate productions' (The New York Times), On Site Opera (OSO) presents a trio of exciting new site-specific opera productions in 2017, beginning May 11-13 with Mozart's rarely-performed early opera The Secret Gardener (La finta giardiniera) at the West Side Community Garden.
Cleveland Play House shifts gears from playful (Ken Ludwig's Baskerville: A Sherlock Holmes Mystery) to profound with the Pulitzer Prize-winning play How I Learned to Drive. Written by Paula Vogel - one of the preeminent figures in American theater today - How I Learned to Drive traverses taboo territory with humor, heart, and empathy.
The Off-Broadway Oral History Project was created to fill a gap in theater history by establishing a video archive featuring the innovative artists who transformed Off- and Off-Off-Broadway in the years after World War II.
In the video below, director Anne Bogart discusses the world premiere of CHESS MATCH NO. 5, a new play based on texts from the many public conversations with American composer, writer, artist and philosopher John Cage, beginning previews March 9 at Abingdon Theatre Company (312 West 36th Street, 1st Street)!
The Old Globe today announced the complete cast and creative team of Red Velvet by Lolita Chakrabarti.
Magic Theatre announced today that the theatre's 50thanniversary gala fundraiser will be held at the Minnesota Street Project on Friday, April 7, 2017 at 6:00 p.m.
Trinity Repertory Company announces that Jessica Lange will be honored with the 2017 Pell Award for Lifetime Achievement in the Arts at the 21st annual Pell Awards Gala to be held on Monday, May 22, 2017 at the new WaterFire Arts Center in Providence.
Parisian culture, Polish politics, and the piano are the focus of this summer's annual Bard SummerScape festival, with seven weeks of music, opera, theater, dance, film, and cabaret keyed to the theme of the 28th Bard Music Festival, 'Chopin and His World.'
The Martin E. Segal Theatre Center, located at The Graduate Center, CUNY, announces its Spring 2017 season of free public programs. The season features free public programs, welcoming and celebrating contemporary theatre and performing artists from around the world.
Abingdon Theatre Company, under the artistic direction of Tony Speciale, continues its Studio Series with four Monday night classes on Audition prep for Actors Singers and Dancers.
Richard Move/MoveOpolis! opens New York Live Arts LIVE IDEAS 2017 festival with the world premiere of XXYY, a multilayered work conceived and directed by Move, with costumes by acclaimed theater artist Alba Clemente and an original score by Italian electronic music pioneer Martux_m.
The National YoungArts Foundation (YoungArts) recently announced details for its 2017 regional programs, including a new long-term institutional partnership with the Center for the Art of Performance at University of California Los Angeles (CAP UCLA) that represents YoungArts' deepening roots in the area, and further expands the organization's resources and reach on the West Coast.
King David, lauded by theatre legends Anne Bogart and David Henry Hwang (Tony Award Winner) during classroom development at Columbia University, has taken on exciting transformations in form and content since the original October 2016 production.
Cleveland Play House shifts gears from playful (Ken Ludwig's Baskerville: A Sherlock Holmes Mystery) to profound with the Pulitzer Prize-winning play How I Learned to Drive. Written by Paula Vogel - one of the preeminent figures in American theater today - How I Learned to Drive traverses taboo territory with humor, heart, and empathy.
The University of Washington School of Drama will present William Shakespeare's As You Like It, directed by School of Drama Acting & Directing faculty member Jeffrey Frace, February 10th - 19th at the Glenn Hughes Penthouse Theatre on the University of Washington Seattle campus.
Abingdon Theatre Company, under the artistic direction of Tony Speciale, presents the world premiere of CHESS MATCH NO. 5, conceived and directed by Anne Bogart, with text arranged by Jocelyn Clarke from the words of John Cage.
The National YoungArts Foundation (YoungArts) today announced details for its 2017 regional programs, including a new long-term institutional partnership with the Center for the Art of Performance at University of California Los Angeles (CAP UCLA) that represents YoungArts' deepening roots in the area, and further expands the organization's resources and reach on the West Coast.
The University of Washington School of Drama will present William Shakespeare's As You Like It, directed by School of Drama Acting & Directing faculty member Jeffrey Frace, February 10th - 19th at the Glenn Hughes Penthouse Theatre on the University of Washington Seattle campus.
A room in a country house sings of those who have lived there over a span of seventy years. Performed with striking theatricality by the OBIE-award winning Talking Band, The Room Sings, uses an array of genres to tell the stories of four interlocking sets of people. As their individual stories unfold they intertwine and illuminate each other.
Videos
