Andrew White News

With a little raunch and a lot of heart, If These Balls Could Talk! gives you a glimpse of the performer's life in the big city; it's a whirlwind tour, and well worth the ride. Valentino's charisma and her ease with the audience are wonderful, evidence that we indeed have a seasoned performer who knows her way around the warm lights downstage. She also generously brings audience members up onstage to be part of the fun-so come prepared for some good-humored ribbing with your entertainment!

Sideshow Theatre Company announce sits 2019-20 Season, launching this fall with the U.S. premiere of Alistair McDowall's mind-bending sci-fi thriller X, directed by artistic director Jonathan L. Green. The season concludes next spring with the world premiere of Brynne Frauenhoffer's brash, incisive comedy PRO-AM, directed by artistic associate Regina Victor.

Director Megan Behm has embraced the world of old French farce, and crafted a contemporary satire that is as frenetic and slap-stick as it is wickedly witty. Minnicino's rhyming couplets constantly leave you gasping for breath with laughter, and every single member of the cast has honed their characters to their sharpest comic edge. There isn't a moment, a word, or a gesture wasted, and the way the actors literally throw themselves into their roles is a pure joy to watch.

Can a show about death and dying leave you dancing in the aisles? Well, actually it can - and blowing bubbles and tossing beach balls in the air, too. Fur real. Just come on down to Bethesda's Writer's Center for Flying V Theatre's latest offering, New York playwright Young Jean Lee's We're Gonna Die. Flying V company member Farrell Parker takes you on a young woman's gut-wrenching journey, punching back at every piece of rotten luck that comes her way.

Scena Theatre's artistic director, Robert McNamara, offers us a fresh look at some of Pinter's sparsely-written, tightly-plotted dramas-- and the American stage premiere of the postumous 'The Pres and the Officer,' which anticipates (sadly) the misrule of our current Commander in Chief.

Confection is a spellbinding multi-sensory dance and theater performance that contemplates decadent consumption and the high cost of feeding our appetites. The highly imaginative, gorgeously rendered, thought-provoking Confection is performed by New York's acclaimed Third Rail Projects, considered one of the leading theater companies creating site-specific, experimental artistic performance. The world premiere immersive event is staged in the old-world Tudor splendor of the Folger Library's private Paster and Sedgwick-Bond Reading Rooms. A rare chance to glimpse the curlicued dark wood and ornate plaster lit by candlelight (albeit safe, battery powered candles) is, indeed, icing on the cake.

Maryland's own Rude Mechanicals have taken on a Chekhov classic and infused it with the irony and wry humor that-believe it or not-were just what Dr. Chekhov ordered. His play Uncle Vanya, set in a provincial farm and featuring a wide variety of clumsy, maladroit characters, is given a warm, funny, and tremendously sympathetic production.

The idea of a spectacle dedicated to global warming might seem slight, with all the charm of a 3rd grade play featuring your neighbor's daughter in a polar bear suit; but Dehlholm's careful work, rooted in both the science of climate change and the raw emotions of a natural world in flux, aims high and generally hits its mark.

The performance of Alison Luff in the title role is nothing short of miraculous; her transformation from a trash-talking orange-monger to a star of the stage is unforgettable, and for theatre-goers to neglect this rare gem would border on criminal negligence.

Lookingglass Theatre Company's Department of Curiosity announces its 2019 lineup of camps, activities and panels. Registration for Lookingglass educational camps begins on January 16, 2019. For the most up-to-date information, visit lookingglasstheatre.org/curiosity.

Lookingglass Theatre Company announces the formation of a Department of Curiosity, which will now house its Department of Education and Department of Community Engagement. The department will be led by Lizzie Perkins, Director of Education, and founding Ensemble Member Andrew White, Director of Community Engagement.

Timothy Douglas' production of Wilson's Gem of the Ocean is as rich an experience as you could possibly ask for; set at the turn of the twentieth century, it offers a lesson in the trials of Pittsburgh's African-American community at a pivotal time in the Hill district's history. More importantly, it is an examination of a violent, exploitative past from which we, as a nation, have yet to emerge.

Sheila and Moby is a Flying V classic, and a surprisingly layered, complex look at the messy business of growing up - whether you think you have or not.

Lookingglass Theatre Company announces new leadership positions. Joining Artistic Director Heidi Stillman and Executive Director Rachel L. Fink to lead the theatre, the Board has elected Nancy Timmers, a prominent civic leader and philanthropist, as Board Chair and Richard Chapman, Member of Counsel at Clark Hill PLC, as Board President. Lookingglass has also appointed Hilary Odom as the company's new Director of Development.

Victory Gardens Theater's Chicago premiere of Paula Vogel's Tony nominated INDECENT weaves a beautiful narrative about the transcendence of art and human resilience. Director Gary Griffin's staging feels both grandiose and intimate at the same time; the play's action spans a time period from 1906-1950 and travels across continents, but the vignettes contained in Vogel's story are rife with genuine, powerful human emotion. INDECENT was inspired by the true story of the 1923 Broadway debut of Jewish playwright Sholem Asch's God of Vengeance, which had an illicit lesbian romance as one of its main plot points. Vogel's story charts God of Vengeance's journey from the moment Asch first presents the script to his wife through to its first reading and multiple staged productions.

Victory Gardens Theater begins its 44th season with the 2017 Tony Award-nominated play Indecent, written by Paula Vogel and directed by Gary Griffin. Indecent runs September 21 - November 4, 2018, with the press performance on Friday, September 28, 2018 at 7:30pm at Victory Gardens Theater, 2433 N. Lincoln Avenue.

Victory Gardens Theater under the direction of Artistic Director Chay Yew and Managing Director Erica Daniels, announces casting for its upcoming productions of Indecent by Paula Vogel, directed by Gary Griffin, Rightlynd by Ike Holter, directed by Lisa Portes, Pipeline by Dominique Morisseau, directed by Cheryl Lynn Bruce, and Cambodian Rock Band by Lauren Yee, directed by Marti Lyons. The cast for Miriam for President by Madhuri Shekar, directed by Chay Yew, is yet to be announced.

Teatro El Publico's production of Petra von Kant, which regrettably only saw two performances at the Kennedy Center's Family Theatre, is both a thoughtful exploration of humanity and a classic actor's vehicle. Featuring leggy poseurs, lavish costumes, wild hairstyles (thanks to a small vault's worth of wigs), the show is a fascinating character study, and a showcase for some of Cuba's most brilliant theatrical talent.

Chicago Shakespeare culminates the 2017/18 season with Macbeth, adapted and directed by Aaron Posner and Teller (of Penn & Teller)-the celebrated creative duo behind CST's The Tempest, winner of the Jeff Award for Best Production in 2015.

Beyonce, through her BeyGOOD initiative, announces a partnership with Google.org, the charitable arm of tech giant Google, to award four new scholarships as part of her Homecoming Scholars Award Program. The iconic performer also issues a challenge to other businesses to join Google.org in investing in excellence through education.