Edgar Lee Masters' epic work, The Spoon River Anthology, receives an all-new production, of unprecedented scale and scope, conceived & directed Jimmy Maize, with music by Eli Zoller, choreography by Jon Cooper & Marine Sialelli, and music direction by Ethan Wagner, and featuring a cast of one-hundred performers, with two special limited engagements: April 18 - 21 at The Riverside Theatre (91 Claremont Avenue located inside the Riverside Church between 120th and 122nd Streets), in association with Columbia University School of the Arts; and April 24 - 28 at the Invisible Dog Art Center (51 Bergen Street in Brooklyn).
Theater Reconstruction Ensemble's world premiere THE THREE SEAGULLS, OR MASHAMASHAMASHA! by Jaclyn Backhaus, directed by John Kurzynowski will run at the HERE Arts Center (145 6th Ave) from March 1- March 10, 2012.
Edgar Lee Masters' epic work, The Spoon River Anthology, will receive an all-new production, of unprecedented scale and scope, conceived & directed Jimmy Maize, with music by Eli Zoller, choreography by Jon Cooper & Marine Sialelli, and music direction by Ethan Wagner, and featuring a cast of one-hundred performers, will be presented for two special limited engagements: April 18 - 21 at The Riverside Theatre (91 Claremont Avenue located inside the Riverside Church between 120th and 122nd Streets), in association with Columbia University School of the Arts; and April 24 - 28 at the Invisible Dog Art Center (51 Bergen Street in Brooklyn).
Theater Reconstruction Ensemble's world premiere THE THREE SEAGULLS, OR MASHAMASHAMASHA! by Jaclyn Backhaus, directed by John Kurzynowski will run at the HERE Arts Center (145 6th Ave) from March 1- March 10, 2012.
Theater Reconstruction Ensemble's world premiere THE THREE SEAGULLS, OR MASHAMASHAMASHA! by Jaclyn Backhaus, directed by John Kurzynowski will run at the HERE Arts Center (145 6th Ave) from March 1- March 10, 2012.
Theater Reconstruction Ensemble's world premiere THE THREE SEAGULLS, OR MASHAMASHAMASHA! by Jaclyn Backhaus, directed by John Kurzynowski will run at the HERE Arts Center (145 6th Ave) from March 1- March 10, 2012.
John Faustus, in his soul-consuming quest for knowledge and power, conjures up the most hellish spirits of the underworld, and strikes a bargain with the devil that's just too good to be true.
John Faustus, in his soul-consuming quest for knowledge and power, conjures up the most hellish spirits of the underworld, and strikes a bargain with the devil that's just too good to be true.
John Faustus, in his soul-consuming quest for knowledge and power, conjures up the most hellish spirits of the underworld, and strikes a bargain with the devil that's just too good to be true.
John Faustus, in his soul-consuming quest for knowledge and power, conjures up the most hellish spirits of the underworld, and strikes a bargain with the devil that's just too good to be true. Christopher Marlowe's classic take on magic and mortality is brought to life by an ensemble of actors and designers (including four-time OBIE Award-winner Tina Shepard) working collectively to reconstruct one of the most controversial plays of the last 500 years.
Theater Reconstruction Ensemble presents it's inaugural full-length production, a new staging of Ibsen's A Doll's House. Nora's struggle to play the part of her husband's obedient little lark culminates in the door slam heard 'round the world. The ensemble examines the relationships between husband and wife, greed and power, desperation and necessity, and our own relationship to Ibsen's classic play.
Theater Reconstruction Ensemble presents it's inaugural full-length production, a new staging of Ibsen's A Doll's House. Nora's struggle to play the part of her husband's obedient little lark culminates in the door slam heard 'round the world. The ensemble examines the relationships between husband and wife, greed and power, desperation and necessity, and our own relationship to Ibsen's classic play.
Theater Reconstruction Ensemble presents it's inaugural full-length production, a new staging of Ibsen's A Doll's House. Nora's struggle to play the part of her husband's obedient little lark culminates in the door slam heard 'round the world. The ensemble examines the relationships between husband and wife, greed and power, desperation and necessity, and our own relationship to Ibsen's classic play.
