Amanda Card News

Tennessee Repertory Theatre has announced plans for REPaloud, the popular play reading series which highlights contemporary plays.

Feasting on the banquet that is the musical, magical prose of Tom Stoppard, the cast of Blackbird Theater Company's Arcadia delivers a pitch-perfect rendering of his intellectually stimulating play, under the fine direction of Ted Swindley. Certain to provoke thought and elicit a variety of responses, Arcadia is intricately crafted and imaginatively plotted, staged elegantly and confidently by the relatively new theater company in just its second production at David Lipscomb University's Shamblin Theatre.

Talk to cast members of Blackbird Theater Company's production of Arcadia and you get the idea that all this hard work we've heard so much about may actually be a whole lot of fun. And ask them why audiences should come see the show, which opens Friday night, February 25, at David Lipscomb University's Shamblin Theatre, and the answers you get may not be what you expect either.

For audience members wondering how the memorable, albeit short, tale can possibly be translated to musical theater, NCT producing artistic director Scot Copeland has some succinct pre-curtain advice: 'Just wait and see.' You'll be so glad you did. Its brevity notwithstanding, the story is winsomely engaging, using the text of Brown's book as a springboard to take younger audiences deeper into a wonderland of imaginative, inspirational fun - and there are some quietly expressed lessons conveyed in the process.

Dedicated to her craft, she is an endearing blend of serious actress and sweet young woman. During her time on the Nashville stage, she's played a wide range of roles for a variety of companies, including Circle Players' production of Noises Off, Towne Centre Theatre's Moon Over Buffalo and Steel Magnolias, and Blackbird Theatre Company's Twilight of the Gods. And in each of those roles, she's epitomized 'versatility' with an exceptional performance every time she steps onto the stage.

Nashville's Blackbird Theater Company offers a second sneak-peek at its upcoming production of Tom Stoppard's Arcadia, featuring David Compton and Denice Hicks. Directed by Ted Swindley, this second production of Blackbird's inaugural season also features Amanda Card-McCoy, Jeff Boyet, Wes Driver, Britt Byrd and Scott Rice. Arcadia plays the Shamblin Theatre at David Lipscomb University February 25-March 12. For further information about Blackbird, visit the company website at www.blackbirdnashville.com.

Playwright/director Ted Swindley helms a much-anticipated production of Tom Stoppard's Arcadia, presented by Blackbird Theater at Nashville's David Lipscomb University's Shamblin Theatre February 25-March 12. Swindley's cast includes Denice Hicks, Amanda Card-McCoy, David Compton, Jeff Boyet, Wes Driver, Britt Byrd, Scott Rice and Brad Forrister. Curtain is at 7 p.m. for all performances.

Tennessee Repertory Theatre has extended its production of To Kill a Mockingbird adapted by Christopher Sergel from the classic novel by Harper Lee.

Tennessee Repertory Theatre will kick off its 26th season with its production of To Kill a Mockingbird adapted by Christopher Sergel from the classic novel by Harper Lee. To Kill a Mockingbird runs October 2 - 23 at TPAC's Johnson Theater.

Tennessee Repertory Theatre has extended its production of To Kill a Mockingbird adapted by Christopher Sergel from the classic novel by Harper Lee.

Tennessee Repertory Theatre will kick off its 26th season with its production of To Kill a Mockingbird adapted by Christopher Sergel from the classic novel by Harper Lee. To Kill a Mockingbird runs October 2 - 23 at TPAC's Johnson Theater.

Tennessee Repertory Theatre will kick off its 26th season with its production of To Kill a Mockingbird adapted by Christopher Sergel from the classic novel by Harper Lee. To Kill a Mockingbird runs October 2 - 23 at TPAC's Johnson Theater.

Earlier this season, Amanda Card-McCoy took on one of the three roles in the Tennessee Women's Theater Project's Secrets of a Soccer Mom, earning good reviews while impressing TWTP artistic director Maryanna Clarke, who has raved about her talent and her work ethic. The Nashville native got her professional start at Nashville Children's Theatre and she counts Nashville theatre stalwarts David Alford, Brenda Sparks, Denice Hicks and Matt Carlton as among her role models - the folks who inspired her to pursue her career in the theatre. Last weekend, Amanda took the time to answer our questions and to give readers at Nashville.BroadwayWorld.com a glimpse into her 'Life in the Theatre.'

Secrets of a Soccer Mom is set at a soccer field on a crisp autumn day, where three women talk on the sidelines while waiting their turn to play in the annual youth soccer league mothers vs. sons game. There's a little gossip, a little strategy - should they play all out or let their sons win? - and a lot of laughs, courtesy of Kathleen Clark's dialogue.

Thanks to Kathleen Clark's genuinely funny Secrets of a Soccer Mom, now onstage in an entertaining production from Maryanna Clarke and Tennessee Women's Theater Project, you get a glimpse at the 'real' reality of the lives of soccer moms, as opposed to the reality you may have been led to expect. Be forewarned: It's like looking behind the curtain to see what makes the Wizard the wizard and chances are you will never again look at the soccer mom in the next lane in the same way.

Secrets of a Soccer Mom is set at a soccer field on a crisp autumn day, where three women talk on the sidelines while waiting their turn to play in the annual youth soccer league mothers vs. sons game. There's a little gossip, a little strategy - should they play all out or let their sons win? - and a lot of laughs, courtesy of Kathleen Clark's dialogue.

Secrets of a Soccer Mom is set at a soccer field on a crisp autumn day, where three women talk on the sidelines while waiting their turn to play in the annual youth soccer league mothers vs. sons game. There's a little gossip, a little strategy - should they play all out or let their sons win? - and a lot of laughs, courtesy of Kathleen Clark's dialogue.