The final performances of 'Fabulation, or the Re-Education of Undine,' Pulitzer Prize-winning playwright Lynn Nottage's social satire, and a jazz concert that celebrates the music of Duke Ellington and Count Basie, are just two of the Evanston campus events at Northwestern University celebrating Black History Month.
Tonight, February 7, local music students from the Sarasota Orchestra's Youth Program will have the opportunity to perform at the Van Wezel Performing Arts Hall with one of the hottest groups to spring forth from the talent quarry of YouTube, The Piano Guys.
On February 7, local music students from the Sarasota Orchestra's Youth Program will have the opportunity to perform at the Van Wezel Performing Arts Hall with one of the hottest groups to spring forth from the talent quarry of YouTube, The Piano Guys.
Clive Gillinson, Executive and Artistic Director, today announced Carnegie Hall's 2015-2016 season consisting of more than 170 concerts as well as wide-ranging education and community programs created by Carnegie Hall's Weill Music Institute. The upcoming season includes performances by many of the world's greatest artists and ensembles representing classical, pop, jazz, and world music, with events presented on Carnegie Hall's three stages, in the Hall's new Resnick Education Wing, and throughout New York City.
Clive Gillinson, Executive and Artistic Director, today announced Carnegie Hall's 2015-2016 season consisting of more than 170 concerts as well as wide-ranging education and community programs created by Carnegie Hall's Weill Music Institute. The upcoming season includes performances by many of the world's greatest artists and ensembles representing classical, pop, jazz, and world music, with events presented on Carnegie Hall's three stages, in the Hall's new Resnick Education Wing, and throughout New York City.
Renee Fleming will add a new role to her extensive repertory when she sings her first-ever performances of Hanna Glawari, the title role in Lehar's The Merry Widow, at the Met this season. Four-time Tony Award winner Susan Stroman makes her Met debut as director and choreographer of a new production of the comic operetta, in which a wealthy widow's countrymen launch a romantic plot to keep her -- and her tax dollars -- within their borders.
The Dallas Opera, in the latest installment of The Robert E. and Jean Ann Titus Art Song Recital Series, will present the phenomenal American tenor,Matthew Polenzani, in an exclusive, one-time-only recital on the afternoon of Sunday, January 11, 2015 at Southern Methodist University's popular Caruth Auditorium (an intimate 490-seat venue located in the Owen Arts Center, 6101 Bishop, Dallas, TX 75205). The two o'clock recital will also feature the exciting and accomplished playing of Mr. Polenzani's frequent recording partner, pianistJulius Drake.
LA Opera's production of Henry Purcell's Dido and Aeneas and Bela Bartok's Bluebeard's Castle, two riveting stagings of two disparate operas written more than two centuries apart that come together in a unique double bill, running for six performances from today, October 25 through November 15, 2014.
General Director Placido Domingo announced updated casting details for LA Opera's production of Henry Purcell's Dido and Aeneas and Bela Bartok's Bluebeard's Castle, two riveting stagings of two disparate operas written more than two centuries apart that come together in a unique double bill for six performances from October 25 through November 15, 2014.
Broadway and operetta unite in the New York Philharmonic's concert performance of Leonard Bernstein's satirical, effervescent musical CANDIDE, slated for release online on Digital Theatre, today 4 June 2014. The show features music by Leonard Bernstein, book adapted from Voltaire by Hugh Wheeler, lyrics by Richard Wilbur, and additional lyrics by Stephen Sondheim, John Latouche, Lillian Hellman, Dorothy Parker and Leonard Bernstein.
Broadway and operetta unite in the New York Philharmonic's concert performance of Leonard Bernstein's satirical, effervescent musical CANDIDE, slated for release online on Digital Theatre, Wednesday 4 June 2014. The show features music by Leonard Bernstein, book adapted from Voltaire by Hugh Wheeler, lyrics by Richard Wilbur, and additional lyrics by Stephen Sondheim, John Latouche, Lillian Hellman, Dorothy Parker and Leonard Bernstein.
Winner of Macha Theatre's Playwriting Competition Macha Theatre presents a workshop production of a new play, Shades by Tom Hartley, the winner of Macha's 2013 Playwriting Competition, produced and directed by Odalys Nanin. The play opens Saturday, March 29th at 8pm at Macha Theatre/Films in West Hollywood, California. The story centers on Miguel, a troubled high school student who enjoys taunting gays. Miguel's life is unexpectedly turned upside down, when a gift from his girlfriend ends-up changing his life forever - as he sets-off on an often comedic course of self-acceptance about his own sexuality. Going gay has never been this dysfunctional!
The Museum of Modern Art announces Documentary Fortnight 2014: MoMA's International Festival of Nonfiction Film and Media, the 13th annual two-week showcase of recent documentary films that examines the relationship between contemporary art and nonfiction practices and reflects on new areas of documentary filmmaking, from today, February 14 through 28, 2014.
On New Year's Eve, Tony Award-winning director Susan Stroman will make her Metropolitan Opera debut with a new production of Lehar's The Merry Widow, conducted by Andrew Davis.
The Metropolitan Opera's 2014-15 season will feature 26 operas, three of them company premieres, in six new productions and 18 revivals showcasing the talents of the world's leading singers, conductors, and theater artists. The three operas that will have their first-ever Met performances, each staged by a director making his Met debut, are John Adams's The Death of Klinghoffer, conducted by David Robertson and directed by Tom Morris, opening October 20; Rossini's La Donna del Lago, conducted by Michele Mariotti and directed by Paul Curran, opening February 16, 2015; and Tchaikovsky's one-act opera Iolanta, conducted by Valery Gergiev and directed by Mariusz Treli?ski. Iolanta will be presented in a double bill with a new staging of Bartok's one-act Duke Bluebeard's Castle, also conducted by Gergiev and directed by Treli?ski.