Today, Crow's Theatre Artistic Director Chris Abraham and Executive Director Sherrie Johnson unveiled a 12-show season that spans the classics, contemporary work, CanLit adaptations, musical theatre, dance, and music.
Artistic Director Tim Carroll has announced casting and creative teams for the Shaw Festival’s 60th anniversary season.
Every year, the Stratford Festival mounts a production geared towards young people and I was thrilled to see that despite the unique season that COVID protocols have demanded, the Festival still made this a priority. What’s more, they have made a truly interesting and fun choice in I AM WILLIAM - A play by Rébecca Déraspe and Théâtre le Clou with the english translation by Leanna Brodie. Director Esther Jun, Choreographer Alyssa Martin, Dramaturge Kamana Ntibarikure, three musicians including Music Director Njo Kong Kie, and a fabulous four person company, delight audiences with a clever, funny, and thoughtful family-friendly production that is sure to have theatre-goers of all ages engaging in meaningful conversations one minute, while singing a catchy ‘horse’ song to themselves the next.
I AM WILLIAM opened this weekend at the Stratford Festival and runs through September 12! Margaret Shakespeare has a dazzling talent for writing, which she yearns to put to serious use. But in an age lethally suspicious of female intellect and literacy, how can she find a way to fulfil her authorial ambitions yet still survive?
The Ontario government has issued its guidance for attendance at outdoor performing arts events, paving the way for the opening of the Stratford Festival’s 2021 season. According to these guidelines, the Stratford Festival will be able to accommodate 100 people (or 25% capacity) in each of its new outdoor canopies.
The Stratford Festival is transforming, for this summer, into an outdoor festival offering a season of six plays and five cabarets reflecting on the theme of Metamorphosis, with performances held under beautiful canopies that will hark back to the Festival’s founding under a tent in 1953.
The Stratford Festival has postponed by one week the release of its online programming out of respect for the victims of anti-Black and anti-Indigenous racism and those peacefully protesting for change. Today through June 7, the Festival has given free rein over its social media platforms to its Black artists.
HERE ARE THE FRAGMENTS combines strong acting, independent exploration, and topical subject matter to create one of the most unique theatrical experiences in Toronto right now. Created by Dr. Suvendrini Lena, it's an immersive look into the life of Dr. Chauvet (Allan Louis), a Black doctor who is diagnosed with schizophrenia and psychosis after experiencing traumatic racist treatment from patients and coworkers.
How do we trust what we see or feel? How do we know which voices are truly our own? THE THEATRE CENTRE and THE ECT COLLECTIVE are proud to Co-produce HERE ARE THE FRAGMENTS., an immersive work of theatre written by Suvendrini Lena, Theatre Centre Residency artist and CAMH Neurologist. Based on the psychiatric writing of famed political theorist Frantz Fanon and combining narratives, sensory exploration, and scientific and historical analysis, HERE ARE THE FRAGMENTS. reflects on the relationships between identity, history, racism, and mental health. FRAGMENTS. will run November 19 to December 1 at The Theatre Centre (Opening Night November 21).
Niagara-on-the-Lake's World War I connections - from residents who enlisted to the garrisoned troops being entertained in the Royal George Theatre - are highlighted in director Peter Hinton's re-improvised Oh What a Lovely War. With music direction by Paul Sportelli and movement direction by Alexis Milligan, this provocative production about the theatre of war begins previews at the Royal George Theatre on July 14.
For it's second season offering the Shaw Festival and Shea's 710 Theatre in Buffalo chose to present Athol Fugard's MASTER HAROLD....AND THE BOYS. The production was a hit during Shaw's 2016 Festival in Niagara on the Lake and besides Buffalo, it recently was presented in Montreal.
The viewing experience is akin to sitting at an uncomfortable dinner party where the hosts make racist, ableist comments and fight bitterly with one another as you sit for 90 minutes, unable to say anything or leave.
The Segal Centre, in association with Black Theatre Workshop, is proud to present the acclaimed production of Master Harold and the Boys by the Shaw Festival in association with Obsidian Theatre. One of Athol Fugard's most powerful plays, this Dora Award-winning production will be on the Segal stage from January 21 to February 11, 2018. Fueled by the South African playwright's recollections of his youth, this incendiary play lights a fuse that ultimately explodes the subtle corruption of living in an environment where systemic racism is condoned or even encouraged; addressing racial injustice that lingers far beyond its apartheid era setting.
Artistic Director Tim Carroll announces the Shaw Festival's 2018 ensemble. This season's 56 actors will take to the stage in 14 productions, plus numerous Secret Theatre experiences.
BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature Chicago, Kill Local, 42nd Street, and More!
STRONG ACTING IN DRACULA DESPITE TEDIOUS SCRIPT The story of Bram Stoker's DRACULA has been told long enough since the novel's release in 1897 that most everyone is familiar with the famous Prince of Darkness. Numerous films have been made, as early as the silent version NOSFERATU, and a stage version with Frank Langella was lauded nearly 30 years ago on Broadway. The Shaw Festival is presenting a stage version by Poet Laureate of Glasgow, Liz Lochhead. First given in 1985 in Scotland, this overly long stage adaptation is too bogged down in literary detail, and judicious trimming of the Victorian epic seemed necessary to make it palatable for modern day audiences.
The Shaw Festival's production of Liz Lochhead's sultry adaptation of Bram Stoker's Dracula - a feminine-focused take on the iconic vampire story - begins previews July 8 at the Festival Theatre.
The Shaw Festival's production of Liz Lochhead's sultry adaptation of Bram Stoker's Dracula - a feminine-focused take on the iconic vampire story - begins previews July 8 at the Festival Theatre.
The Shaw Festival's production of Liz Lochhead's sultry adaptation of Bram Stoker's Dracula - a feminine-focused take on the iconic vampire story - begins previews July 8 at the Festival Theatre.
When the Shaw Festival's 2017 production of Bernard Shaw's Saint Joan begins previews on May 3 at the Festival Theatre, it marks two milestones for Artistic Director Tim Carroll - a Shaw Festival directorial debut and his first undertaking of a work by the Festival's namesake. His production joins the tradition of earlier presentations of Saint Joan by former artistic directors Christopher Newton and Jackie Maxwell in 1981 and 2007, respectively.
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