Alicia Rodis News

Flying V, in association with theatreWashington, are proud to present: Intimacy Directors International Co-Founder, Siobhan Richardson, as a guest instructor from Toronto, Ontario, Canada to teach a 4-Hour Workshop, An Introduction to Intimacy For The Stage, from 1-5pm on August 12th, at the Bethesda-Chevy Chase Regional Services Center.

The company that received international media attention for their all-female production of The Tempest and all-male production of Hamlet is thrilled to announce the cast of its first mixed-gender outdoor play featuring full nudity: a production of The Rover, a popular Restoration comedy by Aphra Behn. The company is excited to begin rehearsals of the production, which celebrates body freedom and empowerment, and which showcases the work of a less frequently produced female playwright.

As a prelude to this play, vintage cartoons from the 1930's were projected onstage as the audience entered to take their seats. Walt Disney's Steamboat Willie, which introduced Mickey Mouse, was animated by Ub Iwerks, who (we are informed on titles between the shorts) soon left Disney to make his own cartoons for MGM, including Flip the Frog, an example of which followed hard upon. Before curtain, we were also treated to Betty Boop, and all of the cartoons were in stark black & white. Playwright Eli Keel identifies this period as the 'Golden Age of Animation', a time when the form was almost literally being invented. The end of the decade would bring Snow White, often described, somewhat inaccurately, as the first feature-length animated film. That it was in full color underscores the rapid development of the technology and the storytelling. However much the late 1940's and 1950's are celebrated for the rise of Disney's commercial empire, Keel has chosen the most interesting and fertile period of animation creativity in which to set his story.

New York Shakespeare Exchange (NYSX), a theatre company that popularizes Shakespeare for diverse, contemporary audiences in new and timely ways, dives deep into dangerous territory as it theatricalizes Shakespeare's epic poem "The Rape of Lucrece."  

New York Shakespeare Exchange presents HAMLET by William Shakespeare adapted and directed by Ross Williams.

New York Shakespeare Exchange, the company that popularizes Shakespeare with innovative programs like The Sonnet Project and the ShakesBEER Pub Crawls, presents a boldly inclusive 'Hamlet.' Running from Wednesday March 23 through Saturday April 9, at the Flamboyan Theater, 107 Suffolk Street, Shakespeare Exchange's 'Hamlet10' will be brought to life by uniquely diverse ensemble of just 10 actors who will play all the roles in the play, including, by turns, the role of the tragic Danish prince.  These ten faces of Hamlet (five female and five male) will stress how aspects of Hamlet reside in us all.

New York Shakespeare Exchange, creators of the acclaimed The Sonnet Project and ShakesBEER, NYC's original Shakespearean pub crawl, are thrilled to announce that their next mainstage production is Shakespeare's bloody brilliant early play TITUS ANDRONICUS, adapted and directed by NYSX Artistic Director Ross Williams.

Isaiah Johnson (Broadway: Merchant of Venice with Al Pacino; Peter and the Starcatcher; Off-Bway: Far from Heaven with Kelli O'Hara) steps into the title role of OTHELLO, produced by the New York Shakespeare Exchange and directed by Cristina Lundy. OTHELLO began performances on today, October 15 for a limited engagement through Saturday, November 2. Performances are at Hudson Guild Theater (441 West 26th Street, between 9th & 10th Avenues; C to 23rd Street). The performance schedule istoday at 7 PM; Wednesday - Saturday at 8 PM. There is an added performance today, October 27 at 2 PM. The regular ticket price is $18 ($10 for students, 30 minutes prior to performance). For tickets, call Brown Paper Tickets on 1-800-838-3006 or visitwww.brownpapertickets.com. For more information, visit www.ShakespeareExchange.org.

New York Shakespeare Exchange revives William Shakespeare's rarely produced play THE LIFE AND DEATH OF KING JOHN, adapted and directed by Ross Williams.