Anoche fue el estreno de SCARAMOUCHE, el nuevo musical de DAGOLL DAGOM, en el Teatre Victoria de Barcelona y el evento conto con la presencia de reconocidas personalidades del mundo del teatro, cine y television, como Elena Gadel, Àngel Llacer, Josep Maria Pou, Jordi Coromina o Roger Berruezo.
Esta semana comienzan en el Teatre Victòria de Barcelona las funciones de SCARAMOUCHE, un nuevo musical original de la compañía Dagoll Dagom, con música de Albert Guinovart y libreto de Joan Lluís Bozzo.
Boston Lyric Opera (BLO) opens its 40th season with Calixto Bieito's bold staging of Georges Bizet's Carmen, the largest production the company has mounted in its four decades. Set in the arid earthiness of post-Franco Spanish North Africa, Carmen is a powerful account of a defiantly free-spirited woman and her obsessive lover. With the familiar story and iconic score that opera buffs and casual opera-goers alike know and love, BLO's Carmen opens September 23 for four performances through October 2. The run marks the company's debut at the Boston Opera House whereCarmen will be the first professional opera produced at the venerable theater since 1991.
Ayer pudimos asistir a uno de los ensayos del nuevo musical de Dagoll Dagom que se estrenara el proximo 23 de septiembre en el Teatre Victoria.
Boston Lyric Opera (BLO) opens its 40th season with Calixto Bieito's bold staging of Georges Bizet's Carmen, the largest production the company has mounted in its four decades. Set in the arid earthiness of post-Franco Spanish North Africa, Carmen is a powerful account of a defiantly free-spirited woman and her obsessive lover. With the familiar story and iconic score that opera buffs and casual opera-goers alike know and love, BLO's Carmen opens September 23 for four performances through October 2. The run marks the company's debut at the Boston Opera House whereCarmen will be the first professional opera produced at the venerable theater since 1991.
For a director known as opera's bad boy, Calixto Bieito turned to something awfully familiar in CARMEN for his US debut. Then again, he didn't actually show up for it, tied up with a new production of Aribert Reimann's LEAR in Paris and dispatching one of his top collabortors, Joan Anton Rechi, to pull it together.
The San Francisco Opera held its final dress rehearsal for Carmen on Wednesday afternoon, which is set to open this weekend. During the rehearsal, they allowed live tweeting with the hashtag #CarmenSF.
La compañía Dagoll Dagom ha presentado hoy en Barcelona a los actores que integran el reparto de SCARAMOUCHE, su nuevo musical de gran formato, que cuenta con música de Albert Guinovart y libreto de Joan Lluís Bozzo. Se estrenará el próximo 23 de septiembre en el Teatre Victòria de la capital catalana.
San Francisco Opera's Summer 2016 Season at the War Memorial Opera House opens May 27 with Georges Bizet's Carmen. Opera's ultimate femme fatale returns in a bold staging by the daring Catalan opera and theater director Calixto Bieito in his U.S. opera debut. Mezzo-sopranos Irene Roberts and Ginger Costa-Jackson star in the passionate title role. In a casting change announced today, tenor Brian Jagde, originally scheduled to star as Don Jose in six of Carmen's eleven performances running through July 3, will now sing the role for all performances except May 28, which will be sung by Adam Diegel. Jagde and Diegel replace tenor Maxim Aksenov, who has withdrawn from the production for personal reasons. San Francisco Opera also returns to AT&T Park, home of the San Francisco Giants, for a free live simulcast of Carmen on July 2.
Boston Lyric Opera's Stanford Calderwood General and Artistic Director Esther Nelson announced today that each of the company's 40th anniversary season productions will be presented on a different, iconic Boston stage, starting with its largest-ever undertaking—a spectacular international production of the beloved Georges Bizet opera Carmen in a provocative staging by director Calixto Bieito, co-produced with San Francisco Opera and making its American East Coast premiere at the Boston Opera House on September 23, 2016.
For One Night Only today 18 September over 250 cinemas in the UK and Ireland including Cineworld, Odeon and Vue theatres will screen one of the world's most spectacular opera events, giving cinema audiences an exciting opportunity to see a world-class production from the other side of the globe. Handa Opera on Sydney Harbour makes a welcome return to cinema screens with a modern retelling of Puccini's tale of love and honour, Madama Butterfly, captured live from the waters of the Sydney Harbour on a magnificent floating stage.
For One Night Only on Thursday 18 September over 250 cinemas in the UK and Ireland including Cineworld, Odeon and Vue theatres will screen one of the world's most spectacular opera events, giving cinema audiences an exciting opportunity to see a world-class production from the other side of the globe. Handa Opera on Sydney Harbour makes a welcome return to cinema screens with a modern retelling of Puccini's tale of love and honour, Madama Butterfly, captured live from the waters of the Sydney Harbour on a magnificent floating stage.
Even with its visions of damnation and redemption, Gounod's FAUST, with libretto by Barbier and Carre, is pretty tame stuff. In the wrong hands, it can be dull as well. Well, you can't accuse the Dutch National Opera's new production--by Barcelona's Alex Ollé and the theatre company La Fura dels Baus--of being “dull,” with its prosthetic breasts, Barbie doll chorus and simulated sex.
The opening night of Madama Butterfly was an experience like no other. Mrs Macquarie's Point, near the iconic home of Australian opera, the Sydney Opera House, has been transformed into the perfect location for a night out at the opera.
The Green Room Awards are Melbourne's performing arts awards and recognise the world-class Cabaret, Dance, Musical Theatre, Opera, Theatre and Alternative and Hybrid Performance productions that grace Melbourne's stages each year. From artistic excellence to technical innovation, a Green Room Award is the most revered accolade an artist can receive in Australia's cultural capital.
On 21 March a cast of 60 international and local artists will converge on the purpose-built 1276sqm stage on Sydney Harbour to breathe life into Opera Australia's (OA) strikingly modern adaption of Puccini's Madama Butterfly.
Dagoll Dagom busca nuevos artistas para su nuevo musical. Después de una primera preselección con currículum, aún les quedan 300 jóvenes cantantes y bailarines catalanes de entre 20 y 35 años que se han presentado al cásting convocado para el próximo musical de la compañía, Cop de Rock (Golpe de Rock), que se estrenará, si todo va bien, el 11 de septiembre en el Teatro Victoria.
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