It's a 'New World,' when East joins hands with West for Pacific Symphony's upcoming concert combining one of classical music's most 'American' symphonies on a program with Chinese influences, plus a little German and Czech thrown in for good measure. Dvorak's Symphony No. 9, subtitled 'From the New World,' artfully melds the rich folk melodies of America with classical techniques and represents both the triumph and tragedy the Czech composer saw in American music when he visited in 1892, as well as his music's impact on Americans.
Orange County, Calif.—Oct. 26, 2015—It's a “New World,” when East joins hands with West for Pacific Symphony's upcoming concert combining one of classical music's most “American” symphonies on a program with Chinese influences, plus a little German and Czech thrown in for good measure. Dvo?ák's Symphony No. 9, subtitled “From the New World,” artfully melds the rich folk melodies of America with classical techniques and represents both the triumph and tragedy the Czech composer saw in American music when he visited in 1892, as well as his music's impact on Americans. Surrounding this audience favorite are Bruch's popular Violin Concerto No. 1, which embodies almost every desirable trait in the Romantic violin repertory. The concerto is performed by internationally acclaimed Chinese violinist Dan Zhu—praised as “an artist of affecting humility and beautiful tone production” by The Strad magazine; plus, Chinese composer Li Huanzhi's Spring Festival Overture—a work of joyous celebration—all led by Chinese-born guest conductor, En Shao.
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