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Birth Place: Peterhoff, RUSSIA

The School of American Ballet's Workshop Performance Benefit 2015 Set for 6/2

The School of American Ballet announces the Workshop Performance Benefit 2015 on Tuesday, June 2, 2015. The evening begins with cocktails at 5:30pm in Juilliard's Morse Hall, followed by the performance at 7pm in the Peter Jay Sharp Theater at Lincoln Center. A seated dinner at 9pm at the Mandarin Oriental will conclude the evening. For more information, please contact the special events office at SAB at

School of American Ballet to Host Workshop Performance Benefit 2015, 6/2

The School of American Ballet announces the Workshop Performance Benefit 2015 on Tuesday, June 2, 2015. The evening begins with cocktails at 5:30pm in Juilliard's Morse Hall, followed by the performance at 7pm in the Peter Jay Sharp Theater at Lincoln Center. A seated dinner at 9pm at the Mandarin Oriental will conclude the evening. For more information, please contact the special events office at SAB at (212) 769-6610. Tickets and tables are available at www.sab.org/workshopbenefit.

Pacific Northwest Ballet Announces 2015-2016 Season, Which Features EMERGENCE, ROMEO ET JULIETTE

Artistic Director Peter Boal has announced to subscribers the line-up for Pacific Northwest Ballet's 2015-2016 season. Highlights include a program devoted to the work of American master choreographers George Balanchine, Jerome Robbins, and Twyla Tharp; the return of popular works by Balanchine (The Prodigal Son), Robbins (The Concert), Christopher Wheeldon (Tide Harmonic), and Crystal Pite (Emergence); two story ballets (Romeo et Juliette and Coppelia), PNB premieres by Justin Peck, Jessica Lang, and Alejandro Cerrudo; a newly reconstructed Le Corsaire: A Pirate's Tale for matinee fanily audiences; and the unveiling of Balanchine's The Nutcrackerwith brand-new sets and costumes by Ian Falconer.

New York City Ballet Appoints Andrew Litton as New Music Director

New York City Ballet announced today that Andrew Litton has been named the Company's next Music Director. Litton, who currently serves as Music Director of both Norway's Bergen Philharmonic Orchestra and Denver's Colorado Symphony Orchestra, will become NYCB's Music Director Designate, effective immediately, and will begin his first season as the Company's Music Director next September for the start of NYCB's 2015-16 season.

BWW Interviews: Gloria McLean

Gloria McLean, a New York-based dancer, choreographer and teacher, is the founder and artistic director of LIFEDANCE/Gloria McLean and Dancers. From 1982-1993, Ms. McLean was a member of the Erick Hawkins Dance Company, performing in New York, the U.S., and internationally. She is considered one of the leading exponents of this American Modern Dance tradition.

PNB Principal Dancer Carla Körbes to Retire at End of the Season

Pacific Northwest Ballet Artistic Director Peter Boal and principal dancer Carla Körbes have announcedthat Ms. Körbes will retire from the Company at the end of PNB's 2014-2015 season. Ms. Körbes joined PNB as a soloist in 2005 and was promoted to principal in 2006.

Photo Flash: School of American Ballet's 2014 Workshop Performance Benefit Raises Almost $860,000

The School of American Ballet's Workshop Performance Benefit 2014 on Tuesday, June 3, 2014 celebrated 50 years of these annual performances and raised nearly $860,000 for scholarships and school programs. The evening began with cocktails at 5:30pm in Juilliard's Morse Hall, followed by the presentation of the Mae L. Wien Award for Outstanding Service to Dena Abergel, SAB faculty member and NYCB Children's Ballet Master, and Wien Awards for Outstanding Promise to Lyrica Blankfein, Christopher Grant, Baily Jones, and Addie Tapp. Scroll down for photos from the event!

BWW Reviews: The School of American Ballet Dances Balanchine

The School of American Ballet's 50th Annual Workshop Performance on May 31, 2014, at 2 pm, was a delight. SAB students performed excerpts and one full length Balanchine ballet chosen to recognize the School's co-founder, George Balanchine, and former faculty member, Alexandra Danilova, who together launched SAB's first year-end student workshop in 1965.

BWW Reviews: American Ballet Theater

Balanchine and Massine on the same program on February 20, 2014? I can't remember that last time I saw that. I wonder if the two would approve. But there is one fundamental difference separating the two choreographers. Balanchine, even 30 years after his death, is still in the forefront of modern ballet choreography, and most of Massine's ballets have fallen into oblivion. To be honest, the only Massine ballets I have seen prior to this were Parade and The Three Cornered Hat, both of which I enjoyed. I'd like to see The Good Natured Ladies, Le Beau Danube, La Boutique Fantasque, Rouge et Noir, Choreartium and Les Presages one of these days, but the chances are very slim. As the old saying goes, keep dreaming.

School of American Ballet's 2014 WORKSHOP PERFORMANCE BENEFIT Set for 6/3

The School of American Ballet announces the Workshop Performance Benefit 2014 on Tuesday, June 3, 2014, celebrating 50 years of these annual performances. The evening begins with cocktails at 5:30pm in Julliard's Morse Hall, followed by the performance at 7pm. A seated dinner at 9:15pm followed by dancing will conclude the evening. For more information, please contact the special events office at SAB at (212) 769-6610. Tickets and tables are available at http://sab.org/support/events/workshop_performance_benefit.php.

The School of American Ballet Announces 2014 WORKSHOP PERFORMANCE BENEFIT, 6/3

The School of American Ballet announces the Workshop Performance Benefit 2014 on Tuesday, June 3, 2014, celebrating 50 years of these annual performances. Tickets and tables will be available in mid-April. For more information, please contact the special events office at SAB at (212) 769-6610.

Cleveland Ballet Youth Company Makes Debut Performance With WHERE IT ALL BEGAN, 4/25

The newly established Cleveland Ballet Youth Company will make its debut performance with the program Where it All Began, April 25 at 7:00 p.m. in PlayhouseSquare's Hanna Theatre. It is no coincidence that this production will take place on the very stage where the former Cleveland Ballet hosted its first professional performances during the late 1970's. Founded by former Cleveland San Jose Ballet principal dancer, Gladisa Guadalupe, who also serves as the company's artistic director, Cleveland Ballet Youth Company is laying the ground work to re-introduce professional ballet to Cleveland audiences. Where it All Began will feature the entire company of Cleveland Ballet Youth Company along with several guest artists from the company's professional division. Musical accompaniment will come courtesy of the newly-founded Cleveland Ballet Orchestra.

BWW Reviews: New York City Ballet Treats NYC to 'Coppelia' After a 5-Year Hiatus

During February 2014, the third snowiest on record in NYC, winter weary dancegoers are welcoming the mood-boosting comedy and charm of the New York City Ballet's version of "Coppelia". Staged by Balanchine with the legendary Alexandra Danilova in 1974, the production has musical passages for added male variations from "La Source" and "Sylvia" interpolated into Delibes' inspired original score. Balanchine, who famously said "Ballet is Woman," clearly knew that the vigor and bravura of the gentlemen is also important. On the evening of February 15th at the Koch Theatre, the long-limbed Andrew Veyette as Franz did a decent job of delivering those qualities, although he can't match the virtuosity of many of his NYCB colleagues or the pyrotechnics of American Ballet Theatre's male contingent.

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