San Francisco Opera presents the revival of Gioachino Rossini's IL BARBIERE DI SIVIGLIA (The Barber of Seville) in Spanish director Emilio Sagi's buoyant, colorful staging which the San Francisco Chronicle called 'a winner' when the production premiered in 2013. Scroll down for a look at the stars onstage!
San Francisco Opera presents the revival of Gioachino Rossini's IL BARBIERE DI SIVIGLIA (The Barber of Seville) in Spanish director Emilio Sagi's buoyant, colorful staging which the San Francisco Chronicle called 'a winner' when the production premiered in 2013. Scroll down for a look at the stars onstage!
CHICAGO – A whimsical, wildly colorful production of Rossini's delightful opera Cinderella opens this Sunday afternoon at Lyric Opera of Chicago, with eight performances through Friday, October 30. Performance dates are October 4 and 30at 2pm, and October 7, 10, 13, 17, 23, 26 at 7:30pm. The familiar story (with a few different twists) make it a great first opera experience.
A whimsical, wildly colorful production of Rossini's delightful opera Cinderella opens this Sundayafternoon at Lyric Opera of Chicago, with eight performances through Friday, October 30. Performance dates areOctober 4 and 30 at 2pm, and October 7, 10, 13, 17, 23, 26 at 7:30pm. The familiar story (with a few different twists) makes it a great first opera experience. Check out photos from the show below!
Lyric Opera of Chicago presents Rossini's delightful Cinderella in a new-to-Chicago production this fall. It opens on Sunday, October 4 with eight performances through Friday, October 30. Performance dates are Oct. 7, 10, 13, 17, 23, 26 at 7:30pm; and Oct 4 and 30 at 2pm.
The Metropolitan Opera's annual Summer HD Festival, which presents free outdoor screenings of operas on Lincoln Center Plaza each summer, will return with 10 screenings of performances featuring the company's leading artists in a varied selection of operas by Bartók, Bizet, Gounod, Mozart, Offenbach, Puccini, Tchaikovsky, and Verdi, running on consecutive nights from August 29 through September 7.
Trevore Ross stages this splendid revival of a production originally created by Spanish director Emilio Sagi for the Teatro Real in Madrid. Thanks to his stellar ensemble who do the lion's share of changing the sets while playing multiple roles, the opera is just as lovely to watch as it is to hear with the entire cast harmonizing spectacularly and playing their parts for all the laughs they can muster. THE BARBER OF SEVILLE is performed in Italian with simultaneous English translations projected over the stage.
The audited financial results for San Francisco Opera's 2013–14 season (FY14) were announced today by San Francisco Opera Association President Keith Geeslin: a deficit of $348,244 on an operating budget of $74,119,493. The Company's 91st season presented eight main stage works at the War Memorial Opera House in addition to numerous concerts, recitals, workshops and community engagement events attracting more than 271,954 individuals.
Lyric Opera of Chicago will begin a new chapter in its history with its 61st season - the first to be fully planned by general director Anthony Freud and music director Sir Andrew Davis. Lyric's two artistic leaders announced the repertoire and casting for the 2015-16 season today.
Following on the heels of The Ghosts of Versailles, LA Opera presents Rossini's The Barber of Seville, the midpoint of its 2015 Figaro Trilogy and a key part of its three-month Figaro Unbound exploration. LA Opera Music Director James Conlon conducts an international roster of stars including Russian baritone Rodion Pogossov, American mezzo-soprano Elizabeth DeShong, American tenor René Barbera, Italian baritone Alessandro Corbelli and Icelandic bass Kristinn Sigmundsson.
Tenor Norman Reinhardt will sing the role of Ferrando in Houston Grand Opera's production of Così fan tutte, it was announced today by HGO Artistic and Music Director Patrick Summers. He replaces Stephen Costello, who has withdrawn due to illness. Mr. Reinhardt is in Houston to perform the role of Cassio in Verdi's Otello and will play Ferrando concurrently. Otello opens October 24, and Cosi fan tutte opens October 31.
Joyce DiDonato sings the title role in Rossini's Cinderella story, La Cenerentola, with bel canto master Juan Diego Florez as her dashing prince. Met Principal Conductor Fabio Luisi leads a cast that also includes Pietro Spagnoli in his Met debut as the servant Dandini, Alessandro Corbelli as Cenerentola's stepfather Don Magnifico, and Luca Pisaroni as Don Ramiro's tutor, Alidoro, on GREAT PERFORMANCES AT THE MET tonight, September 7 at 12 p.m. on PBS. (In New York, THIRTEEN will air the opera at 12:30 p.m.)
Joyce DiDonato sings the title role in Rossini's Cinderella story, La Cenerentola, with bel canto master Juan Diego Flórez as her dashing prince. Met Principal Conductor Fabio Luisi leads a cast that also includes Pietro Spagnoli in his Met debut as the servant Dandini, Alessandro Corbelli as Cenerentola's stepfather Don Magnifico, and Luca Pisaroni as Don Ramiro's tutor, Alidoro, onGreat Performances at the Met Sunday, September 7 at 12 p.m. on PBS. (In New York, THIRTEEN will air the opera at 12:30 p.m.) Check out a first look at the performance below!
Joyce DiDonato sings the title role in Rossini's Cinderella story, La Cenerentola, with bel canto master Juan Diego Florez as her dashing prince. Met Principal Conductor Fabio Luisi leads a cast that also includes Pietro Spagnoli in his Met debut as the servant Dandini, Alessandro Corbelli as Cenerentola's stepfather Don Magnifico, and Luca Pisaroni as Don Ramiro's tutor, Alidor
Houston Grand Opera's 2014–15 season, the company's 60th anniversary season, includes the world premiere of A Christmas Carol by Iain Bell—the company's 55th new commission —from award-winning Dickens authority Simon Callow; the continuation of HGO's first Ring cycle, with the American premiere of La Fura dels Baus's groundbreaking take on Die Walküre; the American premieres of Sir Nicholas Hytner's The Magic Flute and Lee Blakeley's Sweeney Todd; a 60th Anniversary Gala Concert featuring mezzo-soprano (and HGO Studio alumna) Joyce DiDonato; and a host of career-shaping role debuts that speak to Patrick Summers's gift for casting. Together with the company's first presentation of John Cox'sOtello, and the returns of Göran Järvefelt's beloved Così fan tutte and Michael Grandage's hit staging of Madame Butterfly, these rich offerings serve once again to illustrate some of the ways that HGO—still the only opera company with two Grammys, two Emmys, and a Tony—epitomizes “one model of what a forward-looking opera company could be” (Greg Sandow, Arts Journal).
Joyce DiDonato sings the title role in Rossini's Cinderella story, La Cenerentola, with bel canto master Juan Diego Florez as her dashing prince.
Houston Grand Opera capped a financially and artistically successful 2013–14 season by presenting Mieczyslaw Weinberg's The Passenger —the Polish-Jewish composer's long-suppressed Holocaust opera—to wide acclaim at New York's Park Avenue Armory as part of the Lincoln Center Festival, July 10–13. Earlier this year, HGO gave the American premiere of the work in Houston with the same cast. There was special praise for the production and performances, conducted by HGO Artistic and Music Director Patrick Summers. New York magazine described David Pountney's staging as “a multi-story set so vivid you can practically smell the machine oil and coal smoke,” while the Financial Times said: “The production, imported from Houston, is imposing in every way.” The New York Times called the cast “flawless,” adding: “The conductor, Patrick Summers, drew a surging, textured, richly detailed performance of this challenging score (lasting three hours) from the inspired musicians of the Houston Grand Opera.” WQXR's Operavore summed up the import of the performances: “The Passenger shows how a Holocaust opera can hold the stage while examining important, complex issues—and could certainly point the way for future composers to deal with such important but delicate subject matter.”
Joyce DiDonato sings her first Met performances of the title character in Rossini's Cinderella story, La Cenerentola, with bel canto master Juan Diego Flórez as her dashing prince. Met Principal Conductor Fabio Luisi leads a cast that also includes Pietro Spagnoli in his Met debut as the servant Dandini, Alessandro Corbelli as Cenerentola's stepfather Don Magnifico, andLuca Pisaroni as Don Ramiro's tutor, Alidoro.
The Met: Live in HD Series continues this Saturday, May 10th at 1 pm in the Warner's Nancy Marine Studio Theatre with Rossini's La Cenerentola.
When the Met's production of LA CENERENTOLA, Rossini's version of the Cinderella story. arrives in movie theatres around the world next week, the star for many will be tenor Juan Diego Florez as the prince. But he didn't make it to the first three performances of the opera this season in New York--not that we got short-changed in the matter. Mezzo Joyce DiDonato was there in the title role, as scheduled, with her wonderfully sung, deeply felt portrayal and, as the prince, was Javier Camarena, the Met's own Cinderella man.
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