Miriam’s 15-year-old son is nowhere to be found. How does a mother cope? This life-altering event buries in the cracks of their family dynamic and blows it up. Years on, with his case remaining an unsolved mystery, Miriam firmly believes he is still alive. Nick Payne returns to writing for the stage, debuting a play that’s not quite as groundbreaking as Constellations was, but that brings all the excitement of a well-executed and nimbly staged time fracture. The Unbelievers proposes three crucial moments: we see the chaos of the immediate aftermath, the lingering despair of the first anniversary of Oscar’s disappearance, and, finally, the restless hope Miriam still holds seven years later. But this isn’t a show about a missing kid.
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