Lincoln Center Theater’s new Kenny Leon production of Gian Carlo Menotti’s AMAHL AND THE NIGHT VISITORS, presented in association with the Metropolitan Opera, is hardly “A Charlie Brown Christmas” or “The Nutcracker.” Yet it manages to give us faith, hope and charity at a time we could all use more than a little of it, though there doesn’t seem to be much of a nod by director Leon to the setting of “The Present” mentioned in the Playbill.
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