Today, Lincoln Center for the Performing Arts officially launches a yearlong celebration of its 50th Anniversary with a commemorative ceremony in the Starr Theater at Alice Tully Hall. Hosted by renowned journalist and author Tom Brokaw, the program pays tribute to the many achievements and contributions of Lincoln Center, from the milestones of its past half century to the transformation of its campus.
On the morning of May 11, 2009, 50 years after that momentous occasion, Lincoln Center will begin a year-long celebration of its 50th anniversary with a special ceremony in the newly-transformed Alice Tully Hall. New York Philharmonic Music Director Alan Gilbert, acclaimed violinist Itzhak Perlman with alumni from The Perlman Music Program, Tony Award-winning opera star Paulo Szot, jazz icon Wynton Marsalis with members of the Jazz at Lincoln Center Orchestra, and The Juilliard Orchestra are among those scheduled to perform in a program that celebrates the past 50 years and looks to the next generation of Lincoln Center's artists and audiences. In the audience of this private event will be elected officials, performing artists, civic and community representatives, and leaders from all 12 Lincoln Center resident organizations.
In June 2009, The New York Philharmonic This Week ? a two-hour, national, weekly radio program of concerts by the New York Philharmonic ? begins with a concert from the Philharmonic?s sixth annual residency in Vail, Colorado, as part of the Bravo! Vail Valley Music Festival. In this program, from the July 18, 2008 performance, Music Director Designate Alan Gilbert leads the Orchestra in Tchaikovsky?s Piano Concerto No. 1, with Lang Lang as soloist; Beethoven?s Symphony No. 4; and Sibelius?s Finlandia. The following week, after conducting J.S. Bach?s Brandenburg Concerto No. 4, Music Director Lorin Maazel leads the World Premiere of Aaron Jay Kernis?s a Voice, a Messenger (a Co-Commission with the New York Philharmonic and the Big Ten Band Association); Copland?s Clarinet Concerto, with Principal Clarinet Stanley Drucker as soloist; and Ravel?s Boléro. The third June broadcast, conducted by Lorin Maazel, will be Britten?s powerful War Requiem. Lionel Bringuier conducts the chamber orchestra (in his Philharmonic debut), and soprano Nancy Gustafson, tenor Vale Rideout (Philharmonic debut), and baritone Ian Greenlaw will be the soloists with the New York Choral Artists, the Dessoff Symphonic Choir, and the Brooklyn Youth Chorus. In the final June broadcast, Lorin Maazel conducts two of his own compositions, Monaco Fanfares and Farewells, concluding with Sibelius?s Symphony No. 2.
Alan Gilbert, who will become Music Director of the New York Philharmonic in September 2009, returns to New York to lead two weeks of programs with the Orchestra. The first series of concerts ? Thursday, April 30, 2009, at 7:30 p.m., Friday and Saturday, May 1 and 2, and 8:00 p.m., and Tuesday, May 5, at 7:30 p.m. will comprise Dvorák?s The Golden Spinning Wheel; Saint-Saëns?s Violin Concerto No. 3, with Joshua Bell as soloist; and Martin's Symphony No. 4.
Chicago Opera Theater opens their 2009 Spring Festival Season on April 18 with Mozart's La clemenza di Tito (through May 1) at the Harris Theater for Music and Dance in Millennium Park. Absent from Chicago stages in more than a generation, La clemenza di Tito has made a resurgence in the rest of the world. Most notably in New York City last year?both at the Metropolitan Opera and at the Lincoln Center's Mostly Mozart Festival. The New York Times declared, 'Clemenza emerges as a musically ravishing and dramatically complex opera of great immediacy.'
New York Philharmonic Music Director Designate Alan Gilbert will lead the New York Philharmonic in five free concerts this summer throughout the City of New York, from July 14 to 20. He will conduct all of the 2009 New York Philharmonic Concerts in the Parks, Presented by Didi and Oscar Schafer, sponsored by Target, which will take place July 14?17, 2009 in Manhattan, Brooklyn and the Bronx, as well as two free indoor concerts, in Staten Island and Queens, on July 18 and July 20 respectively.
On the morning of May 11, 2009, 50 years after that momentous occasion, Lincoln Center will begin a year-long celebration of its 50th anniversary with a special ceremony in the newly-transformed Alice Tully Hall. New York Philharmonic Music Director Alan Gilbert, acclaimed violinist Itzhak Perlman with alumni from The Perlman Music Program, Tony Award-winning opera star Paulo Szot, jazz icon Wynton Marsalis with members of the Jazz at Lincoln Center Orchestra, and The Juilliard Orchestra are among those scheduled to perform in a program that celebrates the past 50 years and looks to the next generation of Lincoln Center's artists and audiences. In the audience of this private event will be elected officials, performing artists, civic and community representatives, and leaders from all 12 Lincoln Center resident organizations.
New York Philharmonic Chairman Paul B. Guenther and President and Executive Director Zarin Mehta have announced the election of two new members to the organization's Board of Directors: Paul Calello, of Credit Suisse, and Gary W. Parr, of Lazard. The two new members were appointed to the Board of Directors effective March 19, 2009.
Alan Gilbert, who will become Music Director of the New York Philharmonic in September 2009, returns to New York to lead two weeks of programs with the Orchestra. The first series of concerts ? Thursday, April 30, 2009, at 7:30 p.m., Friday and Saturday, May 1 and 2, and 8:00 p.m., and Tuesday, May 5, at 7:30 p.m. will comprise Dvorák?s The Golden Spinning Wheel; Saint-Saëns?s Violin Concerto No. 3, with Joshua Bell as soloist; and Martin's Symphony No. 4.
Chicago Opera Theater opens their 2009 Spring Festival Season on April 18 with Mozart's La clemenza di Tito (through May 1) at the Harris Theater for Music and Dance in Millennium Park. Absent from Chicago stages in more than a generation, La clemenza di Tito has made a resurgence in the rest of the world. Most notably in New York City last year?both at the Metropolitan Opera and at the Lincoln Center's Mostly Mozart Festival. The New York Times declared, 'Clemenza emerges as a musically ravishing and dramatically complex opera of great immediacy.'
The Philharmonic begins the Winter U.S. Tour 2009 with performances in Atlanta and West Palm Beach led by Lorin Maazel, who is making his final tour with the Orchestra as Music Director. The trip, which will take the musicians to 10 cities in the U.S. and Puerto Rico and will include 13 concerts, marks the first American tour under the aegis of Credit Suisse, the Global Sponsor of the New York Philharmonic.
On Monday, January 12, 2009 - 11:00 A.M. (EST) There will be a live webcast of the Alan Gilbert and NY Philharmonic 2009-10 press conference From the stage of Avery Fisher Hall at Lincoln Center, Home of the New York Philharmonic
Today, November 29, the Metropolitan Opera Radio Saturday Matinee Broadcasts launches its 78th season of world-class opera heard over the Toll Brothers-Metropolitan Opera International Radio Network with the network premiere of Berlioz's La Damnation de Faust.
To commemorate the 65th anniversary of his legendary New York Philharmonic debut in 1943, the Philharmonic will perform a special all-Bernstein program at Carnegie Hall this Friday, November 14 with Music Director Designate Alan Gilbert
To commemorate the 65th anniversary of his legendary New York Philharmonic debut in 1943, the Philharmonic will perform a special all-Bernstein program at Carnegie Hall this Friday, November 14 with Music Director Designate Alan Gilbert
On November 29, the Metropolitan Opera Radio Saturday Matinee Broadcasts launches its 78th season of world-class opera heard over the Toll Brothers-Metropolitan Opera International Radio Network with the network premiere of Berlioz's La Damnation de Faust.
Thanks to the generosity of one of its board members, the Metropolitan Opera announced today that a number of prime orchestra seats, usually $175 - $220, will be available for $30 for all nine performances of John Adams's Doctor Atomic. Agnes Varis, a managing director of the Met board, and her husband Karl Leichtman, have purchased $500,000 worth of some of the best orchestra seats for Doctor Atomic, so that they can be redistributed at this lower price.
For the first time, the Metropolitan Opera will present a work by Pulitzer Prize-winning composer John Adams: Doctor Atomic, his opera about J. Robert Oppenheimer and the creation of the atomic bomb. The piece is set in New Mexico in the summer of 1945, as scientists, led by Oppenheimer, and the military prepare to test the first nuclear bomb, events that will radically change the course and fabric of history. The new production, starring Gerald Finley in the title role, will open at the Met on Monday, October 13, at 8:00 p.m. When the opera premiered in San Francisco in October of 2005, The Guardian said, 'Adams's ecstatically lyrical writing and the music's visionary eloquence make this a modern masterpiece.' The New York Times later wrote that Doctor Atomic was 'the most complex and inventive of Mr. Adams's works, an engrossing operatic drama.'
Lincoln Center announced today an exciting series of artistic and educational events and initiatives to celebrate its forthcoming 50th anniversary, officially beginning with a ceremony to commemorate the institution's original groundbreaking in 1959 and ending with a campus-wide open house. The anniversary celebration coincides with the physical transformation of Lincoln Center, designed to make the campus a more open, accessible and vibrant urban destination. Ribbon cuttings will be held throughout the year as redevelopment projects are completed.
Japan Society kicks off its 2008-09 Performing Arts Season with the U.S. debut of ARICA Performance Company's one-woman show with live music, KIOSK. This production marks the first installment in Japan Society's season theme, Beyond Boundaries: Genre-Bending Mavericks, which expands the borders of conventional performing arts whether melding new technologies with age-old performance techniques, marrying the classical with the ultra-modern, weaving text into dance and the fabric of space itself, or lacing stunning visual effects of light, video and innovative design into live performance. KIOSK plays at Japan Society (333 East 47th Street) Thursday September 18, Saturday September 20 @ 7:30 PM.
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