Adam Poss News

Marissa Wolf, Kansas City Repertory Theatre's Director of New Works, today announced additional programing and dates for KC Rep's new play festival, Origin KC. Origin KC offers audiences a unique experience to engage with the process of creating theater, and gives emerging and established writers the resources to develop plays for future seasons at KC Rep and beyond.

Audience enthusiasm for 2666 continues, prompting the Goodman to add a fifth performance in the production's extension week.

Robert Falls' and Seth Bockley's world premiere adaptation of Roberto Bolaño's famed novel, 2666, which has received extraordinary audience enthusiasm during previews, officially opens tonight, February 16, 2016.

Robert Falls' and Seth Bockley's world premiere adaptation of Roberto Bolaño's famed novel, 2666-which has received extraordinary audience enthusiasm during previews and officially opens tomorrow, February 16-has been extended. Four additional performances include March 17, 18 and 19 at 6:30pm and March 20 at 1pm. The 15-member all-Chicago ensemble cast remains unchanged during the added performances.

An epic global portrait of the modern world and the artist's role within it, 2666 by the late Chilean author/poet Roberto Bolaño appears in a world premiere stage adaptation at Goodman Theatre, by its Tony Award-winning Artistic Director Robert Falls and Playwright-in-Residence Seth Bockley.

Casting is complete and rehearsals begin December 16 for 2666, a new stage adaptation of acclaimed Chilean author Roberto Bolaño's famed novel, adapted and directed by Tony Award-winning Artistic Director Robert Falls and Playwright-in-Residence Seth Bockley at Goodman Theatre.

Due to popular demand, Steppenwolf for Young Adults (SYA) extends the critically acclaimed production of George Orwell's 1984, adapted by Andrew White and directed by SYA Artistic and Educational Director Hallie Gordon. Hailed as "highly recommended…chilling, hard-hitting" (Chicago Sun-Times) and "a skillful blend of grimy proletariat despair and slick multimedia collage" (Chicago Tribune), 1984 adds three additional public performances, extending the run through November 21, 2015 in Steppenwolf's Upstairs Theatre with the original cast. Tickets ($20; $15 with student ID) to the added performances are now on sale through Audience Services (1650 N Halsted St) at 312-335-1650 and steppenwolf.org.

Steppenwolf for Young Adults' production of 1984 opens on Collette Pollard's stark, barren set. No objects are present onstage, except for plain wooden sets of drawers on the perimeter and two prison cell-like spaces up above. The stage itself sets the tone for the narrative of what has been described as a "negative utopia": the regimented society that George Orwell laid out in his classic 1949 aimed to suppress original thought and feeling. Orwell's vision for the future was not ideal and optimistic but rather extremely bleak in its depiction of future society. With direction by Hallie Gordon, Andrew White's adaptation of 1984 effectively and clearly tells the story of this oppressive and startling vision of the fictional nation Oceania (a hybrid of the United States and the United Kingdom). As Joseph A. Burke's clever and expertly executed projections bombard audiences with images bordering on a fitting sensory overload, we certainly have the sense that Big Brother is watching over us all.

On the heels of a sold-out production of George Orwell's Animal Farm last season, Steppenwolf for Young Adults (SYA) begins the 2015/16 season with another Orwellian masterpiece, 1984. Adapted by Andrew White and directed by SYA Artistic and Educational Director Hallie Gordon, 1984 receives a multi-media production that is a haunting, shockingly timely look at a future that seems disturbingly present. Performances began October 21 and continue through November 20, 2015 in the Upstairs Theatre (1650 N Halsted St); the press performance is Saturday, October 24 at 3pm. BroadwayWorld has a first look at the cast in action below!

On the heels of a sold-out production of George Orwell's Animal Farm last season, Steppenwolf for Young Adults (SYA) begins the 2015/16 season with another Orwellian masterpiece, 1984. Adapted by Andrew White and directed by SYA Artistic and Educational Director Hallie Gordon, Orwell's 1984 receives a cutting-edge, multi-media production with projection design by Joseph A. Burke and photography direction by Joel Moorman. BroadwayWorld has a sneak peek at the company in rehearsal below!

On the heels of a sold-out production of George Orwell's Animal Farm last season, Steppenwolf for Young Adults (SYA) begins the 2015/16 season with another Orwellian masterpiece, 1984. Adapted by Andrew White and directed by SYA Artistic and Educational Director Hallie Gordon, Orwell's 1984 receives a cutting-edge, multi-media production with projection design by Joseph A. Burke and photography direction by Joel Moorman. BroadwayWorld has a sneak peek at the company in rehearsal below!

On the heels of a sold-out production of George Orwell's Animal Farm last season, Steppenwolf for Young Adults (SYA) begins the 2015/16 season with another Orwellian masterpiece, 1984. Adapted by Andrew White and directed by SYA Artistic and Educational Director Hallie Gordon, Orwell's 1984 receives a cutting-edge, multi-media production with projection design by Joseph A. Burke and photography direction by Joel Moorman.

Victory Gardens Theater recently announced the cast of its 2015 IGNITION Festival of New Plays, including GREY'S ANATOMY star Sandra Oh and Broadway legend Andre De Shields.

Steppenwolf for Young Adults (SYA) is pleased to announce casting for the first production of its 2015/16 season, George Orwell's 1984, adapted by Andrew White and directed by SYA Artistic and Educational Director Hallie Gordon. Gordon, who directed last season's sold-out production of Animal Farm, brings Orwell's dystopian masterpiece to the stage in a cutting edge, multi-media production with projection design by Joseph A. Burke and photography direction by Joel Moorman.

The 11th annual New Stages Festival kicked off at Goodman Theatre on October 29. Appearing in repertory alongside Feathers and Teeth is THE MAGIC PLAY by Andrew Hinderaker, a play that fuses magic and reality directed by Halena Kays; and Carlyle by Thomas Bradshaw, an exploration of right-wing politics in America through the eyes of an African American Republican directed by Benjamin Kamine. Scroll down for a first look at THE MAGIC PLAY!

Casting is complete for the three developmental productions featured in 2014 New Stages, a free annual festival of new American plays that also includes three staged readings.

Casting is complete for the three developmental productions featured in 2014 New Stages, a free annual festival of new American plays that also includes three staged readings.

Now in its 10th year, Goodman Theatre's 2013 New Stages festival features five free new plays-two fully staged workshop productions performed in repertory plus three staged readings-in the Owen Theatre, now through December 22. All five plays celebrate Latino playwrights: The Upstairs Concierge, a contemporary farce about celebrity and baseball by Pulitzer Prize finalist (for The Elaborate Entrance of Chad Deity) Kristoffer Diaz; and The Solid Sand Below, an examination of the intoxicating nature of war which Martin Zimmerman developed during his time as a member of the Goodman's Playwrights Unit, and which was selected for the 2013 National Playwrights Conference at The Eugene O'Neill Theater Center in Connecticut. BroadwayWorld has a first look at the workshop productions below!

Goodman Theatre announces the complete line-up for its 2013 New Stages festival, this year celebrating Latino playwrights. Three staged readings-The Rooster Room by Pulitzer Prize winner Quiara Alegria Hudes, Feathers and Teeth by Charise Castro Smith and Another Word for Beauty by Jose Rivera-complement the previously-announced two fully-staged workshop productions, The Upstairs Concierge by Pulitzer Prize finalist Kristoffer Diaz and The Solid Sand Below by former Goodman Theatre Playwrights Unit member Martin Zimmerman.

The Theatre School at DePaul University has announced the 2013-2014 season. Founded as the Goodman School of Drama in 1925, The Theatre School presents public programming as a professional extension of the classroom. Under the leadership of an award-winning faculty and staff, theatre artists from all disciplines collaborate during their final years of training to create a full and diverse season of programming.