Charlotte Landreau and Laurel Dally Smith (foreground) with Natasha Diamond-Walker and Leslie Andrea Williams in Pam Tanowitz's Untitled (Souvenir). Photo by Brian Pollack. Photo

From: BWW Review: MARTHA GRAHAM DANCE COMPANY Demonstrates Timeless Innovation Across Eras at The JOYCE in April

What has not been said or proclaimed about the majesty and mastery of Martha Graham, her company and her legacy? She revolutionized the way that dance was created and experienced by re-shaping how movement was expressed and performed in the 20th century that has, in turn, inspired and laid the foundation for the dancers and choreographers of today. A sculptor of bodies and painter of gestures, Graham contrasted sharp angles with fluid movements and molded her dancers into statuesque and broken shapes, more akin to Pablo Picasso's repositioning of beauty standards and body parts than her dance peers' styles. Never before or after Graham have knees been so enchanting. To encounter the work of Martha Graham is to understand the capacity of the human form in motion and appreciate the splendor of every sinew.