George Graves

Boise Contemporary Theater, the only professional theater in the state of Idaho that focuses entirely on new and contemporary plays, is thrilled to announce the selections for its inaugural BIPOC Playwrights Festival, made possible by the Idaho Women's Charitable Foundation and the Morrison Center Endowment Foundation. The festival will take place August 2-14th at the Velma V. Morrison Center for the Performing Arts.

The Martin E. Segal Theatre Center, located at The Graduate Center, CUNY, announces its Spring 2017 season of free public programs. The season features free public programs, welcoming and celebrating contemporary theatre and performing artists from around the world.

Now a resident company at the West End Theatre in the Church of St. Paul and St. Andrew 263 W. 86th Street, Theatre 167 announces a 'Block Party' - a series of performances of new theatre works at various stages of development by our artists and friends.

Now a resident company at the West End Theatre in the Church of St. Paul and St. Andrew 263 W. 86th Street, Theatre 167 announces a 'Block Party' - a series of performances of new theatre works at various stages of development by our artists and friends.

Perfectly preserved footage from the original West End production of ME & MY GIRL has surfaced, circa 1939, acting as a priceless time capsule of an era gone by, captured in vivid detail and showcasing the attractive mise en scene and magical cast comprising the popular show singing some of the score's most toe-tapping and tuneful melodies.

How are people of African descent connected in the 21st century? How are black subjectivities formed? What does the African Diaspora mean now? How are these identities conveyed on and off stage? And how do performances like PASSING STRANGE help us negotiate this complex territory? Be a part of the discussion with Dr. Nadine George-Graves and others at this free event!

Guest Lecturer Dr. Nadine George-Graves this Saturday @ 4 pm. Includes a panel discussion after the presentation with cast members

How are people of African descent connected in the 21st century? How are black subjectivities formed? What does the African Diaspora mean now? How are these identities conveyed on and off stage? And how do performances like PASSING STRANGE help us negotiate this complex territory? Be a part of the discussion with Dr. Nadine George-Graves and others at this free event!