Renouard Gee

Chen Dance Center, the nation's largest Asian American dance institution, will celebrate the New York State Senate resolution recognizing the first week of October 2019, as 'Chinese American Heritage Week' to strengthen the friendship and bilateral relationship between the State of New York and Chinese Americans... Chinese Americans helped complete the Transcontinental Railroad and 1 in 5 Chinese Americans enlisted to serve in World War II.'

After touring several states, "South of Gold Mountain" held its New York premiere at New York Live Arts. Renowned choreographer HT Chen and Dancers brought to life the untold stories of Chinese immigrants who settled in the South, using elements of Chinese Opera Movement, modern dance, traditional Chinese music, deep south blues, personal narrative, and old family photos. What emerged was a living history unfolding before the audience's eyes.

The final performance of Ping Chong's ANGELS OF SWEDENBORG -- his 1985 dance theatre piece being performed by La MaMa's Great Jones Repertory Company-- will be live-streamed on Sunday, November 13 starting at 2:30 p.m., it has been announced by La MaMa's Artistic Director Mia Yoo.

The final performance of Ping Chong's ANGELS OF SWEDENBORG -- his 1985 dance theatre piece being performed by La MaMa's Great Jones Repertory Company-- will be live-streamed on Sunday, November 13 starting at 2:30 p.m., it has been announced by La MaMa's Artistic Director Mia Yoo.

ANGELS OF SWEDENBORG -- Ping Chong's 1985 dance theatre work will be the opening production of the 50th anniversary season at La MaMa with performances starting October 27 prior to an official press opening Sunday, October 30 at the Ellen Stewart Theatre (66 E. 4 St.) in Manhattan.

ANGELS OF SWEDENBORG -- Ping Chong's 1985 dance theatre work will be the opening production of the 50th anniversary season at La MaMa with performances starting October 27 prior to an official press opening Sunday, October 30 at the Ellen Stewart Theatre (66 E. 4 St.) in Manhattan.

ANGELS OF SWEDENBORG -- Ping Chong's 1985 dance theatre work will be the opening production of the 50th anniversary season at La MaMa with performances starting October 27 prior to an official press opening Sunday, October 30 at the Ellen Stewart Theatre (66 E. 4 St.) in Manhattan.

ANGELS OF SWEDENBORG -- Ping Chong's 1985 dance theatre work will be the opening production of the 50th anniversary season at La MaMa with performances starting October 27 prior to an official press opening Sunday, October 30 at the Ellen Stewart Theatre (66 E. 4 St.) in Manhattan.

Great Jones Repertory - co-founded by Ellen Stewart in 1972 - will mark its 38th annual season this spring with the premiere of 'Great Jones Variations,' five short pieces presented during four days May 27 to 30 at La MaMa ETC's newly-minted Ellen Stewart Theatre (66 E. 4 St.) in Manhattan.

Great Jones Repertory - co-founded by Ellen Stewart in 1972 - will mark its 38th annual season this spring with the premiere of 'Great Jones Variations,' five short pieces presented during four days May 27 to 30 at La MaMa ETC's newly-minted Ellen Stewart Theatre (66 E. 4 St.) in Manhattan.

Great Jones Repertory - co-founded by Ellen Stewart in 1972 - will mark its 38th annual season this spring with the premiere of 'Great Jones Variations,' five short pieces presented during four days May 27 to 30 at La MaMa ETC's newly-minted Ellen Stewart Theatre (66 E. 4 St.) in Manhattan.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).

La MaMa ETC will present a new adaptation of Romeo and Juliet, written and directed by the legendary Ellen Stewart, featuring a cast of 26 from the acclaimed Great Jones Repertory Company at La MaMa ETC Annex

Mythic Greek hero Herakles and seductress Phaedra meet in The Roaring 20's in Ellen Stewart's new adaptation of Herakles Via Phaedra at La MaMa ETC., where it will run from May 18th through June 11th, with an opening set for May 21st

The New York 'IT' Awards (sponsored by Backstage) takes place September 19th at the Lucille Lortel Theatre.