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BWW REVIEW: The Australian Ballet Brings Back Beautiful Romantic Comedy THE MERRY WIDOW To Delight A New Generation
by Jade Kops - Apr 30, 2018

The classic comic love story proves timeless as The Australian Ballet's THE MERRY WIDOW returns to the Sydney stage 43 years after it debuted in Melbourne in 1975.
Light Opera Works Announces 2014 Season: FIDDLER ON THE ROOF, DAMN YANKEES & More
by Tyler Peterson - Jan 27, 2014

Light Opera Works' 2014 season will begin with DAMN YANKEES starring artistic director Rudy Hogenmiller (June 7-15), followed by FIDDLER ON THE ROOF (August 9-24), COLE PORTER'S GREATEST HITS (October 3-12), and THE MERRY WIDOW (December 19-31).
DAMN YANKEES, FIDDLER ON THE ROOF & More Set for Light Opera Works' 2014 Season
by Tyler Peterson - Oct 21, 2013

Light Opera Works' 2014 season will begin with DAMN YANKEES starring artistic director Rudy Hogenmiller (June 7-15),followed by FIDDLER ON THE ROOF (August 9-24), COLE PORTER'S GREATEST HITS (October 3-12), and THE MERRY WIDOW (December 19-31).
Amore Opera Presents The Merry Widow and Mikado Waltz Through 3/28
by Gabrielle Sierra - Mar 18, 2010

The Amore Opera Company will continue its season with a fully staged production of Lehar's romantic operetta, 'The Merry Widow.' Amore Opera will also be delivering performances for kids and the whole family, entitled 'Opera-in-Brief' of Gilbert and Sullivan's comic opera, 'The Mikado.'
Photo Coverage: A Night At The Operetta II at Town Hall
by Genevieve Rafter Keddy - Jul 15, 2008

A NIGHT AT THE OPERETTA on July 14th featured the sounds of Broadway music one rarely gets to hear anymore - Operetta - including music by Sigmund Romberg, Rudolph Friml and Victor Herbert. A NIGHT AT THE OPERETTA featured Alexander Gemignani, Lisa Howard, William Michals, Jennifer Hope Wills, Christine Andreas, Bill Daugherty, Brian Charles Rooney, Karen Murphy, John Easterlin, Jason Graae and Milla Ilieva. The show featured the dance talents of Eric Sean Fogel, J. Austin Eyer, Billy Harrigan Tighe, and Ben Franklin. The show is under the direction of Dan Foster with musical direction by Fred Barton

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