James Springer

PAGEANT, when it originally opened in 1991, was almost ground breaking. The idea of doing a musical parody of a beauty pageant performed by men in drag was fresh… and a little bit crazy in all the good ways. However, twenty five years later, in 2016, the concept creaks in a world where we have RuPaul's Drag Race and traditional beauty pageants have been relegated to cable channels few people watch.

FIRST DATE THE MUSICAL is a new musical with a book by Austin Winsberg and music and lyrics by Alan Zachary and Michael Weiner. It's based around the various permutations of blind dating. It made its world premiere in 2012 at Seattle's ACT Theatre in a 5th Avenue Theatre co-production and made its Broadway debut in 2013. FIRST DATE THE MUSICAL has a noticeable sitcom quality. It also has genuine wit, charm and a musical panache that is a breath of fresh air compared to the overblown musicals being created these days. Set mostly in a Manhattan restaurant, it shows the audience the extremely awkward first date of Aaron (Scott Garrett Graham) and Casey (Marett Hanes), a serial dater who's clearly more experienced with romance Russian roulette. This blind date is Aaron's reentry into the world of romance after being ditched at the altar by his fiancee, Allison (Kate Sullivan Gibbons), and his nervousness is clearly evident. The couple's inner thoughts are revealed in the evening's musical numbers.

When the Wimberley Players stage The New Mel Brooks Musical Young Frankenstein, tonight, September 12 - October 5, audiences can expect packed houses and a hilarious good time as only Mel Brooks can deliver. A spoof of classic horror films of the '30s and '40s (as seen in the 1974 movie of the same name), it is a rowdy, 'bawd-villian' frolic of the Frankenstein story in the best tradition of Borscht-Belt comedy.

When the Wimberley Players stage The New Mel Brooks Musical Young Frankenstein, September 12 - October 5, audiences can expect packed houses and a hilarious good time as only Mel Brooks can deliver. A spoof of classic horror films of the '30s and '40s (as seen in the 1974 movie of the same name), it is a rowdy, "bawd-villian" frolic of the Frankenstein story in the best tradition of Borscht-Belt comedy.

Below, BroadwayWorld is pleased to share a few production and promotional photos from The Wimberley Players' production of Thornton Wilder's The Skin of Our Teeth!