Hildreth England

WAITING FOR LEFTY was written in 1935 by Clifford Odets. The play is, and was written as, an immersive piece of theatre. It is, ostensibly, a meeting of cab drivers who are gathering to plan a strike. As an audience member, you become a part of that meeting. While the meeting is going on, we are exposed to a series of scenes which are related to the meeting in that they delve into the lives of the characters to frame what brought them to this meeting. What is striking is that nearly 80 years later, WAITING FOR LEFTY still resonates and has something to say to modern audiences… especially those who struggle to make ends meet on a daily basis.

Fresh on the heels of receiving its 501(c)(3) non-profit status, Street Corner Arts continues its mission to bring Austin audiences relevant, engaging theatre from all genres and eras, this time around with the American classic WAITING FOR LEFTY by Clifford Odets.

Fresh on the heels of receiving its 501(c)(3) non-profit status, Street Corner Arts continues its mission to bring Austin audiences relevant, engaging theatre from all genres and eras, this time around with the American classic WAITING FOR LEFTY by Clifford Odets.

Industry Night is coming! It's an old-school variety show featuring the Austin Arts & Entertainment Industry. Every Monday in July (7th, 14th, 21st, & 28th) at the North Door in East Austin, local artists and entertainers will salute the community that supports them! Doors open at 6pm show starts at 7pm! Inspired by the great variety shows like The Dean Martin Show, Ed Sullivan, and the Muppets, Industry Night will showcase some of the best of the Austin Arts & Entertainment Industry and feature its own, locally created, original content. There will be Industry folks. There will be drinks (and drink SPECIALS). There will be sketches, music, film, dance, comedy and so much more!

For the last several weeks, the Austin theatre scene has been buzzing about the World Premiere of Roaring, now entering its final weekend of performances at Austin Playhouse. The original play, written by Austin Playhouse company member Cyndi Williams, has earned fantastic word-of-mouth and glowing reviews, including a rave from BroadwayWorld-Austin's Brian Losoya. Ms. Williams recently shared her thoughts on the play and its development...

Austin Playhouse's world premiere proves to be funny and thought-provoking.

When the ghosts of their past are unleashed, the residents of an exclusive retirement community must come to terms with lost love, triumphs, fears, and the choices that haunt and connect us all. This moving new play by award-winning local playwright Cyndi Williams, reminds us that the most important moments of our lives are often the ones that defy explanation.

Honesty may be the best policy, but it's not the most fun one. Thank God 16th century playwright Pierre Corneille and modern day playwright David Ives have an affinity for the truth-challenged. Ives's modern take on Corneille's classic French comedy The Liar is an exhilarating and side-splitting mix of the old and new, and Austin Playhouse's production of it reminds us just how exceptional the Austin theater community is.

When the ghosts of their past are unleashed, the residents of an exclusive retirement community must come to terms with lost love, triumphs, fears, and the choices that haunt and connect us all. This moving new play by award-winning local playwright Cyndi Williams, reminds us that the most important moments of our lives are often the ones that defy explanation.

There's nothing like a good murder mystery, and writer Agatha Christie certainly made a career out of them. But while Christie penned 66 detective novels and several plays, I stop short of calling her an expert at the mystery genre. While mystery depends on surprises, Christie often uses conventional devices, and that's the only problem with Austin Playhouse's otherwise stellar production of And Then There Were None. While the company gives it their all, there's a lingering feeling that you've seen this before.

Ten strangers, each with a dark secret, are summoned to the island mansion of an eccentric millionaire, but when the guests arrive their host is nowhere to be found. Lured away and isolated from everything but each other, the guests soon find they are haunted by more than just the shadows of their past. One by one the guests reveal their guilty secrets, and one by one...they begin to die. Who's the murderous culprit? And who will be next? An all-star cast brings this classic murder-mystery to life!

Ten strangers, each with a dark secret, are summoned to the island mansion of an eccentric millionaire, but when the guests arrive their host is nowhere to be found. Lured away and isolated from everything but each other, the guests soon find they are haunted by more than just the shadows of their past. One by one the guests reveal their guilty secrets, and one by one...they begin to die. Who's the murderous culprit? And who will be next? An all-star cast brings this classic murder-mystery to life!

Enjoyed by millions of people worldwide since it premiered in 1982 and hailed as one of the greatest comedies ever written, Noises Off, this award-winning backstage farce serves up a riotous double bill - a play within a play. Hurtling along at breakneck speed it follows the backstage antics of a touring theatre company as they stumble their way through troubled rehearsals, a dreadful first night, and a disastrous final performance.

There is an old adage in the theater: "Dying is easy. Comedy is hard." Comedy is certainly harder when the material is Noises Off, the ridiculously funny farce by Michael Frayn which was named "One of the Funniest comedies ever written" by the New York Post. Still, if the cast and crew at the Austin Playhouse had any difficulty with the neo-classic comedy, it certainly doesn't show. Their polished production is uproariously funny with each moment better than the last.

Enjoyed by millions of people worldwide since it premiered in 1982 and hailed as one of the greatest comedies ever written, Noises Off, this award-winning backstage farce serves up a riotous double bill - a play within a play. Hurtling along at breakneck speed it follows the backstage antics of a touring theatre company as they stumble their way through troubled rehearsals, a dreadful first night, and a disastrous final performance.

Enjoyed by millions of people worldwide since it premiered in 1982 and hailed as one of the greatest comedies ever written, this award-winning backstage farce serves up a riotous double bill - a play within a play. Hurtling along at breakneck speed it follows the backstage antics of a touring theatre company as they stumble their way through troubled rehearsals, a dreadful first night, and a disastrous final performance.

Enjoyed by millions of people worldwide since it premiered in 1982 and hailed as one of the greatest comedies ever written, Noises Off, this award-winning backstage farce serves up a riotous double bill - a play within a play. Hurtling along at breakneck speed it follows the backstage antics of a touring theatre company as they stumble their way through troubled rehearsals, a dreadful first night, and a disastrous final performance.