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Dell'Arte Opera Announces 16th Annual Festival 8/11-26

Hailed for its 'compelling and innovative programming (WQXR Radio)," dell'Arte Opera Ensemble today announced its 2018 summer festival dedicated to works by Mozart and Salieri. Starting on August 11, 2018, and running until August 26, the festival features 13 performances of two fully-staged operas, a scenes program, and an intimate recital to be presented in the intimate black-box space of La MaMa Theatre. Currently in its 16th season, dell'Arte has filled the summer lull with fresh productions of well-known classics and rarities, performed by the developmental company's cast of young singers, supported by a fine musical ensemble.
BWW Feature: THIS WEEKEND IN CLASSICAL MUSIC 8/9 �" 8/12

Check out what's happening this weekend in classical music!
BWW Feature: THIS WEEKEND IN CLASSICAL MUSIC 7/27 �" 7/29

Check out what's happening this weekend in classical music...
BWW Review: Haydn's CREATION with La Fura dels Baus at Mostly Mozart--I'd date it but I'm not ready to marry it

With today's society in constant need of visual stimulus, staging oratorio repertoire has become increasingly necessary. Gone are the days where a chorus can stand solemnly still in their tuxes and black dresses, holding their binders at hip height, while soloists sit downstage in bedazzled gowns and teased out hair. At least the days are gone when this would attract a young, fresh audience. To their credit, La Fura dels Baus seems to understand this and executed a visual feast of an evening--akin to a cracked out Ferngully--stumbling only when attempting to drive home the message of their concept. They had a lot to say--but I wasn't exactly sure what it was...
Review Roundup: THE CREATION, Part Of Mostly Mozart At Lincoln Center

The radically inventive Catalonian theater collective Fura dels Baus transforms Haydn's Enlightenment-era oratorio into an immersive theatrical experience in THE CREATION at Lincoln Center. Including visual pyrotechnics, three dozen large helium balloons, a 20-foot-tall crane, and a 250-gallon water tank, the work touches upon subjects from philosophy to genetics. Laurence Equilbey conducts Insula Orchestra, a period-instrument ensemble, along with three daring soloists and the accentus choir, who enact this musically and visually stunning portrayal of the emergence of life coupled with the continued presence of original sin. The concert is sung in German with English supertitles
BWW Feature: THIS WEEKEND IN CLASSICAL MUSIC 7/19 �" 7/22

Check out what's happening this weekend in classical music...
BWW Feature: THIS WEEKEND IN CLASSICAL MUSIC 7/12 �" 7/15

Check out what's happening this weekend in classical music.
BWW Review: THE JUPITER SYMPHONY CHAMBER PLAYERS: Community at its Finest

For those new to the art form, classical music often inspires a false sense of reverie - pomp and circumstance. By subscribing to this false narrative, we're building a Trumpian wall around classical music - forcing an unnecessary impediment to its accessibility. It's impossible to show respect to the art form and strip its humanity by creating a cushion between the music and its consumers. There's a quiet hum of disturbance on the Upper West Side, though. The Jupiter Symphony Chamber Players' Monday concerts are that hum and they are bringing classical music to the people of the neighborhood in a powerful way.
BWW Review: DUDAMEL AND THE LOS ANGELES PHILHARMONIC at Geffen Hall - First the Dodgers, then the Giants...

Sunday was gorgeous. So gorgeous, in fact, the first half of the day distracted me-cutting my trek to the Dudamel/LA Phil concert dangerously close. After running home and tossing on my short-suit, I threw myself into the middle of Columbus avenue in a frenzied flail-praying for a lit cab. Luckily, one stopped and I flung myself inside, hopeful this driver knew how to get to Lincoln Center.
Dell'Arte Opera Announces 16th Annual Festival 8/11-26

Hailed for its 'compelling and innovative programming (WQXR Radio)," dell'Arte Opera Ensemble today announced its 2018 summer festival dedicated to works by Mozart and Salieri. Starting on August 11, 2018, and running until August 26, the festival features 13 performances of two fully-staged operas, a scenes program, and an intimate recital to be presented in the intimate black-box space of La MaMa Theatre. Currently in its 16th season, dell'Arte has filled the summer lull with fresh productions of well-known classics and rarities, performed by the developmental company's cast of young singers, supported by a fine musical ensemble.
BWW Previews: NYGASP GALA Honoring Sheldon Harnick - Featuring Laura Benanti

Gilbert, of Gilbert and Sullivan, was a lyrical wizard, crafting rhyme scheme and word play that titillates audiences still today - more on that here. His influence has burst through the walls of the theater, permeating myriad markets. And with his influence as far reaching as South Park, it's safe to say that today's lyricists are finding inspiration from him as well: enter Sheldon Harnick.
BWW Review: BASIL TWIST'S SYMPHONIE FANTASTIQUE at HERE - What Can Classical Music Learn From Twist?

I recently attended a production of Twist's Symphonie Fantastique, an interesting feast of visual delight choreographed to Liszt's piano transcription of Berlioz's masterpiece – it was Fantasia for adults.
BWW Feature: THIS WEEKEND IN CLASSICAL MUSIC 4/20 - 4/22

Check out what's happening this weekend in classical music:
BWW Review: HANDEL IN HARLEM at Bargemusic - A Weird and Amazing Evening

Bargemusic took me on a quirky, weird journey that shouldn't have worked, but in a bizarre way, absolutely did – and we didn't even leave the dock!
BWW Feature: ABRAHAM BRODY at National Sawdust - An Epic Journey

Abraham Brody is a violinist and vocalist who has recently discovered a wealth of compositional talent. His journey down this path began with an exploration of alternative forms of expression, whose origins were firmly planted in improvisation. From this early manifestation, his compositional language has since found strength and focus with a keen eye on storytelling.
BWW Review: AMADEUS - LIVE at New York Philharmonic - Just As Many Notes As Were Required

Currently, the New York Philharmonic is presenting the movie masterpiece Amadeus with live orchestrations as part of their Art of the Score series. They have removed the prerecorded orchestral and choral elements from the film and replaced them with live manifestations. It's breathtaking and requires a trip to Lincoln Center.
BWW Feature: THIS WEEKEND IN CLASSICAL MUSIC 4/12 - 4/15

Check out what's happening this weekend in classical music!
BWW Feature: AUSTIN MCCORMICK - The Ringmaster of Classical Music's Future

With today's social media feeds providing a variable feast of juxtaposition, it's invigorating to watch Austin McCormick pointedly understand and translate this aspect of modern living onto the stage. He perfectly captures the sensibility of today's generation, one that embraces the ambiguity of life, art, and the pursuit of happiness, at Company XIV - the vehicle for his orgy of artistic creativity.
BWW Review: LA TRAVIATA with Philharmonia Orchestra Of New York - Innovation for Innovation's Sake

As classical music presentations continue to innovate in the 21st century, it's paramount that a keen eye remains focused on the purpose of this innovation. Innovation for innovation's sake will fail every time. And, unfortunately, Philharmonia Orchestra of New York (PONY) fell victim to this pitfall with their recent production of La Traviata.
BWW Feature: BRAD WALSH and Antiglot - Music is Music

As our current national climate yearns for increasingly definable parameters and ever-distinguishable boundaries - music is experiencing an interesting fuzzy period. Political parties are fractioning, splintering into irreconcilable shards more than ever before, while the genre of classical music, an art form that has so consistently bound itself to structure and definable order, is beginning to see compositional structures that are harder and harder to silo. Classical music is steeped in the tradition of borrowing melodies or stylistic practices from the popular cannon, but rarely, if ever, have these genres shared a sonic landscape - until now.

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