Dell'Arte Opera Announces 16th Annual Festival 8/11-26
Hailed for its 'compelling and innovative programming (WQXR Radio)," dell'Arte Opera Ensemble today announced its 2018 summer festival dedicated to works by Mozart and Salieri. Starting on August 11, 2018, and running until August 26, the festival features 13 performances of two fully-staged operas, a scenes program, and an intimate recital to be presented in the intimate black-box space of La MaMa Theatre. Currently in its 16th season, dell'Arte has filled the summer lull with fresh productions of well-known classics and rarities, performed by the developmental company's cast of young singers, supported by a fine musical ensemble.
BWW Review: Haydn's CREATION with La Fura dels Baus at Mostly Mozart--I'd date it but I'm not ready to marry it
With today's society in constant need of visual stimulus, staging oratorio repertoire has become increasingly necessary. Gone are the days where a chorus can stand solemnly still in their tuxes and black dresses, holding their binders at hip height, while soloists sit downstage in bedazzled gowns and teased out hair. At least the days are gone when this would attract a young, fresh audience. To their credit, La Fura dels Baus seems to understand this and executed a visual feast of an evening--akin to a cracked out Ferngully--stumbling only when attempting to drive home the message of their concept. They had a lot to say--but I wasn't exactly sure what it was...
Review Roundup: THE CREATION, Part Of Mostly Mozart At Lincoln Center
The radically inventive Catalonian theater collective Fura dels Baus transforms Haydn's Enlightenment-era oratorio into an immersive theatrical experience in THE CREATION at Lincoln Center. Including visual pyrotechnics, three dozen large helium balloons, a 20-foot-tall crane, and a 250-gallon water tank, the work touches upon subjects from philosophy to genetics. Laurence Equilbey conducts Insula Orchestra, a period-instrument ensemble, along with three daring soloists and the accentus choir, who enact this musically and visually stunning portrayal of the emergence of life coupled with the continued presence of original sin. The concert is sung in German with English supertitles
BWW Review: THE JUPITER SYMPHONY CHAMBER PLAYERS: Community at its Finest
For those new to the art form, classical music often inspires a false sense of reverie - pomp and circumstance. By subscribing to this false narrative, we're building a Trumpian wall around classical music - forcing an unnecessary impediment to its accessibility. It's impossible to show respect to the art form and strip its humanity by creating a cushion between the music and its consumers. There's a quiet hum of disturbance on the Upper West Side, though. The Jupiter Symphony Chamber Players' Monday concerts are that hum and they are bringing classical music to the people of the neighborhood in a powerful way.
Dell'Arte Opera Announces 16th Annual Festival 8/11-26
Hailed for its 'compelling and innovative programming (WQXR Radio)," dell'Arte Opera Ensemble today announced its 2018 summer festival dedicated to works by Mozart and Salieri. Starting on August 11, 2018, and running until August 26, the festival features 13 performances of two fully-staged operas, a scenes program, and an intimate recital to be presented in the intimate black-box space of La MaMa Theatre. Currently in its 16th season, dell'Arte has filled the summer lull with fresh productions of well-known classics and rarities, performed by the developmental company's cast of young singers, supported by a fine musical ensemble.
BWW Previews: NYGASP GALA Honoring Sheldon Harnick - Featuring Laura Benanti
Gilbert, of Gilbert and Sullivan, was a lyrical wizard, crafting rhyme scheme and word play that titillates audiences still today - more on that here. His influence has burst through the walls of the theater, permeating myriad markets. And with his influence as far reaching as South Park, it's safe to say that today's lyricists are finding inspiration from him as well: enter Sheldon Harnick.
BWW Feature: ABRAHAM BRODY at National Sawdust - An Epic Journey
Abraham Brody is a violinist and vocalist who has recently discovered a wealth of compositional talent. His journey down this path began with an exploration of alternative forms of expression, whose origins were firmly planted in improvisation. From this early manifestation, his compositional language has since found strength and focus with a keen eye on storytelling.
BWW Feature: AUSTIN MCCORMICK - The Ringmaster of Classical Music's Future
With today's social media feeds providing a variable feast of juxtaposition, it's invigorating to watch Austin McCormick pointedly understand and translate this aspect of modern living onto the stage. He perfectly captures the sensibility of today's generation, one that embraces the ambiguity of life, art, and the pursuit of happiness, at Company XIV - the vehicle for his orgy of artistic creativity.
BWW Feature: BRAD WALSH and Antiglot - Music is Music
As our current national climate yearns for increasingly definable parameters and ever-distinguishable boundaries - music is experiencing an interesting fuzzy period. Political parties are fractioning, splintering into irreconcilable shards more than ever before, while the genre of classical music, an art form that has so consistently bound itself to structure and definable order, is beginning to see compositional structures that are harder and harder to silo. Classical music is steeped in the tradition of borrowing melodies or stylistic practices from the popular cannon, but rarely, if ever, have these genres shared a sonic landscape - until now.