Tin Church at Chain Theatre

Virginia Wall Gruenert is co-founder and Executive Artistic Director of off the WALL Productions. A native of New York City, Virginia grew up in Bogota, New Jersey. She has studied acting, voice, and movement in New York (Maria Wida, Arthur Storch, Jaques Chwat), in London (National Theater, Bristol Old Vic), and in Los Angeles with the legendary Stella Adler. Acting credits - NYC: What Kind of Woman (Nancy Manocherian’s the cell), Shaken & Stirred (Theater 54), ‘Tis Pity She’s a Whore (Perry St. Theatre), Camelot Revisited (Theater for the New City). Syracuse Stage: The Adding Machine, Ah, Wilderness!, Saturday, Sunday, Monday, Kennedy’s Children, among others. Villanova Master’s Program: Watt (adapted from Samuel Beckett’s novel and directed by Charles Van Buren). off the WALL: Shaken & Stirred (Various), Edward Albee’s Who’s Afraid of Virginia Woolf? (Martha); Season’s Greetings…! (Jocelyn); Agnes of God (Martha Livingstone); ‘night, Mother (Thelma); The House of Yes (Mrs. Pascal); The Other Place (Julianna); Well (Ann); Ghosts (Mrs. Alving), Byhalia, MS (Celeste); Hoard (Viv); What Kind of Woman (Nora). Virginia is a proud member of The Dramatists Guild of America, Inc., The League of Professional Theatre Women, International Center for Women Playwrights, and Actors’ Equity Association.

Marguerite has appeared in the Broadway productions of The Elephant Man (also West End) and Butley. Other theater credits include King John at Shakespeare on the Sound, Transfigures at WP Theatre, Desperate Writers, The Elephant Man at Williamstown Theatre Festival, Tragedy: A Tragedy at Berkeley Repertory Theatre, Pericles at the Shakespeare Theatre D.C. and the Goodman Theatre, Butley at the Huntington Theatre, and Antigone at A.R.T. Select television credits include “FBI: International”, “Lioness”, “The Blacklist”, “Little America”, “Billions”, “Blue Bloods”, “Law and Order: SVU”, “30 Rock”, and “The Onion” (Huffington Post Best Comedy Video). Marguerite can be seen in Eighth Grade (Golden Globes 2019) and many independent films.

Christina Elise Perry is a film and theatre actor and producer of dozens of productions Off-Broadway. Highlighted theatrical roles include: NYC Premiere SIX CORNERS by Emmy-nominated Keith Huff as Amanda. Sam Shepard's SIMPATICO as Rosie and FOOL FOR LOVE as May, Critically acclaimed CHASING THE RIVER, and WAIT UNTIL DARK as Susan (NYIT Nominee for Best Actress in a Leading Role). Film: HOW I SPENT MY SUMMER VACATION with In the Garage Productions, Award Winning short, IN THE DARK ROOM. Training: New York Conservatory for Dramatic Arts; School for Film and Television. Perry thanks her family and the 'Sisu' her grandparents instilled within her. @christinaperryperry

Lilly Tobin is honored to be a part of this world premiere. Select Credits: How the Grinch Stole Christmas at Madison Square Garden; The Cottage (Dierdre) Engeman, Marvelous Wonderettes (Suzy) Flat Rock, Dial M For Murder (Maxine) East Lynne, Chicago (Roxie) GVT. Other credits: McCarter, Ogunquit, Walnut Street, Maine State, Argyle, NCT, TriArts, Fulton, Riverside. TV: “Michael & Michael Have Issues” Comedy Central. Wagner & LAMDA Graduate. Thank you Robyne for creating complex roles for women. www.lillytobin.com

Ms. Parrish was accepted into and participated in several prestigious arts programs throughout her early education including the Tri-District Arts Consortium in SC and the SC Govenors School of the Arts. She was also awarded Superior in Acting from the South Eastern Theatre Conference. She began her professional actor's training at the University of North Carolina School of the Arts (UNCSA) where she received her Bachelor of Fine Arts Degree in Drama. UNCSA is ranked one of the top acting conservatories in the world. Ms. Parrish received extensive classical training including voice and speech work with an emphasis on alignment, mask and movement, both the Meisner and Stanislovski Techniques, and Shakespeare. She has been trained by some of the worlds greatest teachers, including renowned director, Gerald Freedman, Cigdem Onat, Bob Fransisconi, Mary Irwin and Broadway dance legend, Molly Murray. While at school, Ms. Parrish played The Bakers Wife in "Into the Woods", Beatrice in "The Effect of Gamma Rays on Man in the Moon Marigolds" and Natasha in "Rough Crossing". After graduating, she returned to NC as a guest artist to play the role of Angharad in the musical version of the novel "How Green Was My Valley" entitled "A Time for Singing", written by Gerald Freedman and John Morris. After University, Ms. Parrish moved to NYC and spent many years working Off -Broadway, Regionally and in National Tours. Ms. Parrish had the great fortune of studying with Patsy Rodenburg and Ian McKellen at the Royal National Theatre in London. In 2004, Parrish founded Sonnet Repertory Theatre, in NYC. Later, Parrish was a Graduate Fellow Candidate for three years at Point Park University in the MFA in Theatre Performance and Pedagogy Program. In addition, Ms. Parrish completed an MA degree in Psychology. In 2012, Parrish took the position of Artistic Director of the Gilbert Theatre in Fayetteville NC where she remained for five seasons. Now a full time Actor/Director/Producer/Coach based in NYC, Parrish continues her personal study at Russian Arts Theatre NYC, Double Edge Theatre in MA and Stanislavsky Active Analysis with Cotter Smith. As an educator, Parrish teaches online theatre arts classes at the collegiate level and is Head Coach at Parrish and Co., NYC, where she specializes in Private Coaching, Scene Study and Monologue Matchmaking for the actor. **Member of the National Alliance of Acting Teachers, AEA and SAG-AFTRA. Most recently: A Man Called Otto with Tom Hanks; GOSSIP GIRL HBO Max; Nobody Wants to Shoot a Woman with Tine Benko, Max Casella and Lev Gorn; Feature Sci Fi Nemesis Eterna, the short Horror film Who's Afraid, the new play When We Fall with the Pittsburgh Public Theatre, the new musical Close, But Not Too Close with PROJECTY NYC, available to stream now, appeared in the rolling world premiere of BD Wong’s The 3 Karen’s with Weathervane Theatre and OOTB NYC and as Elmire in Tartuffe with the Pittsburgh Public Theatres Playtime. In 2019/2020: The Giant Hoax Off Broadway with Indieworks at Theatre Row and Off Broadway at the Chain the the WP of Chasing the River. Off Broadway: York Theatre, The Mint, Musicals Tonight!, Sonnet Rep and the NY Music Festival. Regional: The Arden, Virginia Stage, the Pittsburgh CLO, Theatre Raleigh, PMT, NJ Rep, Sierra Rep and the Public Theatre of Maine. An Addy award winning commercial actress; best actress in the short film Vulnerability (which she co-wrote and produced) at PCIFF and starred opposite Richard Kind and Steve Guttenburg in the feature, Help Me, Help You. Nominated Best Supporting Actress at the NYFTV Festival for the new series Into Gray. Currently producing/acting/writing/directing in multiple indie/short films/webseries in the NYC indie community (including the award winning Peri-Street). Acting coach with Parrish and Co. Instagram @parrishandco

Born in Ohio and raised in the Carolinas, Robyne Parrish has lived and worked as an Actor/Director/Playwright in NYC for the better part of twenty years. This is her first commissioned play and her first full length world premiere. Parrish and Off the Wall have a storied past, collaborating on multiple projects, notably Sarah Kane's 4.48 Psychosis , Andrea Lepcio's Looking for the Pony , and The Zero Hour by Madeline George. Parrish cites she's been greatly influenced by playwrights Williams, Lett s, McNally, Nottage, Shepard and Shanley, " I have a great deal of admiration for Shanley and have since my college years. I'd say Shanley was instrumental in making my childhood desire to be in New York a reality, by bringing the community into focus and allowing his characters to take huge risks and speak deep secret truths. As Actor/Playwrights, Tracy Lett s and Sam Shepard always inspired me to embrace the multi -hyphenate within. They wrote rich and deeply emotional characters, like Nott age and McNally. And of course, Williams, a prolific southern Playwright who was known for using his familial relationships as inspiration for his storytelling ."

Amelia is thrilled to be a part of the Tin Church team! Select Credits: Shakespeare & Company - Three Tall Persian Women (World Premiere), Dear Jack, Dear Louise; Hamlet 2023, Golda’s Balcony 2023, 2024; Interlochen Shakespeare Festival - Comedy of Errors; Walk With Amal- The Ghosts of Carrie Furnace; Pittsburgh Public Theater - Murder on the Orient Express, The Tempest; Pennsylvania Shakespeare Festival - Much Ado About Nothing; Greenbrier Valley Theatre - Mountain Home Christmas, Frankenstein

Elizabeth Bays is a New York based actor/burlesque artist/filmmaker and is delighted to be making her “backstage debut.” Theatrical credits (as an actor) include Simpatico(Off-Broadway), Angelina Ballerina the Musical (National Tour) the world premiere of The Tower at Obie Award winning HERE Arts Center, and the NY Premiere of Tony/Oscar/Pulitizer Prize winning playwright, John Patrick Shanley’s “Banshee.” She has performed with Labryinth Theatre Company, Actor’s Theatre NYC, Antimatter Theatre Company, and more. Elizabeth is part of Hotsy Totsy Burlesque (named the Best Burlesque Show in NYC by Broadway World) a “nerdlesque” troupe that performs monthly at the world famous Slipper Room.

Juliette Louste (born in 1988, in France) is a dancer and choreographer, teacher and improviser, as well as technician, technical director and light designer. She studied choreography at the Institut del Teatre in Barcelona, and began to work professionally in the stage world in 2007. After graduating in 2012, she spent a few years living wherever she was working, leading her to places such as Europe, Canada, South Africa, Brazil, Japan, United States and Iceland, where she worked for the first time in 2013. Since 2016, she is based in Reykjavík where she is working as technician for several venues such as Tjarnarbíó, Borgarleikhúsið and Þjóðleikhúsið, light designing numerous shows, technical director of 3 festivals (Reykjavík Dance Festival, Reykjavík Fringe Festival and UNGI), as well as dancing and choreographing. among other for theater pieces. She co-founded PerKinBa in 2009, and Dulmáni in 2019. She is also running Juliette Louste Company since 2012.

Marie Laster is a scenic designer based in New York City. Scenic design credits include What the Constitution Means to Me (Arden Theatre), one drop cool (Moxie Arts NY & WP Theater), Chicken & Biscuits (TheatreSquared), All My Mothers Dream in Spanish (Azuka Theatre), Ghetto Gods in Divineland (Passage Theatre), Sandblasted (Theatre Horizon), Untitled (Barrymore Scenic Design Nomination - Inis Nua Theatre). Marie received a Bachelor of Architecture degree from Philadelphia University and enjoys channeling her creative energy through the scenic design process. marielasterdesign.com

Farid Vargas began his career in Mexico City, focusing in live engineering for live jazz. After working aboard Norwegian Cruise Lines as an audio engineer for Broadway musicals such as Six! The Musical and Burn the Floor, he moved to New York City. He’s continued his career off Broadway working as an A1 and Production Sound for The Public and St Ann’s Warehouse on Manahatta, The Hunt, Grenfell and The Ghost of John McCain. He’s excited to make his sound design debut with Tin Church.

Adia Victoria is an American singer and songwriter. In addition to playing and writing music, she also writes poetry. Victoria has described her music as "gothic blues". It incorporates elements of rock, blues, punk rock and country music. Victoria has described her music as "gothic blues". In August 2021, Victoria released Magnolia Blues as the lead single from her upcoming third studio album A Southern Gothic. Jon Freeman of Rolling Stone described the song as "an eerie, acoustic-guitar-driven tune that expands to thick bass and a ghostly orchestra of strings and banjo." A Southern Gothic was released on September 17, 2021. https://adiavictoria.fancollab.com/

Julie Skarratt has always dreamed of seeing the world, and of seeing it her own way. Born and raised in Australia, Julie began modeling as a teenager, and 15 years in front of the camera gave her an unparalleled opportunity to travel and explore. She graced the editorial pages of Vogue and the covers of Cosmopolitan, working in St. Barths, Tokyo, the hills of Italy, and anywhere else a photographer or designer might take her. She collaborated with the likes of Karl Lagerfeld and famed fashion photographer Albert Watson, and it was the photographers capturing her likeness who encouraged Julie to pick up a camera herself. In addition to her work as a wedding and family photographer, Julie is the photographer of choice for the Metropolitan Opera, the New York City Ballet, MoMA, the New York Philharmonic, and Carnegie Hall. Her work has been published in The New York Times, Vogue, Town & Country, Martha Stewart Weddings, People, and Quest Magazine -- where she currently holds the position of Photographer at Large.

KATIE ROSIN, KAMPFIRE PR/MARKETING is a full service marketing and publicity company instrumental in the launch of the Broadway musical Brooklyn and the National Tour of Mother Load. Kampfire has been integral in multidimensional campaigns for Telly Award Winners, New York Innovative Theatre Award Recipients, GLAAD Award winners, back-to-back NYMF Best of Fest winners, and Drama Desk nominees. Off-Broadway highlights include Eisenhower, Theatre at St. Clements; The Creeps, Playhouse 46 at St. Luke's; KHAN!!! The Musical, The Players Theater; Daughter of the Wicked, City Center | Stage II; The Lucky Star, 59E59; The Little Match Girl, St. Luke’s; unFRAMED, John Jay College Performing Arts Center; GLAAD Award Nominee, She Like Girls, Ohio Theater; Glimpses of the Moon, Algonquin Hotel; IT Awards recipient, Elizabeth Rex, Center Stage; Triple Threat: 2007 Drama Desk Nominee (mis)UNDERSTANDING MAMMY: The Hattie McDaniel Story, Theatre 5. She is currently the Director of Communications at Spruce Peak Arts, in Stowe, Vermont. During the pandemic, she served as Director of Communications at the Broadway Podcast Network. www.kampfirefilmspr.com IN: @kampfirefilmspr TW: @kampfirepr FB: @kampfirefilms

Goddur (Gudmundur Oddur Magnusson) is a Visual Artist / VisCom Designer now research professor at Iceland University of the Arts. His research work has been on the history of the Icelandic visual Language with more than 30 years of experience in teaching graphic design and as free lance graphic designer. He is educated in fine art in the 70’s with many fluxus artists like Dieter Roth, Hermann Nitsch and Robert Filliou. He graduated in design and photography from Emily Carr University of Art & Design, Vancouver, B.C. 1989. His work has been presented in publications like Graphic Design for the 21st Century (2003), North by North - Scandinavian Graphic Design, Die Gestalten Verla, Berlin 2002 & 55°North - Contemporary Scandinavian Graphic Design, Laurence King Publishing (2002)

Hannah is a theater, film, and television actor based in New York City. Born and raised in New Jersey to a drummer and a ballerina-turned-scientist, I developed an early appreciation for the performing arts. Over the years, my journey has taken me across the country, where I’ve worked at esteemed venues such as La Jolla Playhouse, The Mark Taper Forum/Center Theater Group in Los Angeles, Ensemble Theater Company in Santa Barbara, and Target Margin Theater Company in Brooklyn, NY. My formal training includes earning an MFA in Acting from the University of California, San Diego, which provided me with a deep understanding of the craft. After graduation, I spent several years in Los Angeles, further developing my skills and expanding my professional network. ​Alongside my performance work, I discovered a passion for teaching and education, leading me to share my knowledge through classes in Acting, Voice and Speech, Movement, and Public Speaking. Additionally, I work privately with individuals on presentation and delivery skills, interview and audition preparation, and speech and accent coaching. ​ I currently reside in Brooklyn but spend much of my time in the Princeton, NJ area and Maine. In my spare time, I enjoy playing softball in Central Park and testing my knowledge at trivia nights!

Jamibeth Margolis, CSA is a professional casting director based in New York City. She was with Johnson-Liff Casting, Cameron Mackintosh, and Margolis-Seay Casting and is now out on her own as a freelance casting director and owner of Jamibeth Margolis Casting And Productions. Previous credits include the Broadway and National Touring Companies of such hits as Les Miserables, The Phantom Of The Opera, Miss Saigon, Cats, and Jane Eyre as well as two dozen other shows on Broadway. She currently casts for Off-Broadway, National Touring Companies and shows for prominent regional theaters and all of the major theater festivals in NYC. She is proud to have cast Harmony by Barry Manilow and Bruce Sussman this past season on Broadway. Her casting office is dedicated to the development of new plays and musicals. Jamibeth won an Artios Award for her casting of Fiddler On The Roof In Yiddish at Stage 42 (directed by Joel Grey). Thank you to the Robyne, Ginny, Hans and the team for this opportunity. Member: Casting Society Of America www.jamibetharts.com

Alex (They/Them) is a proud first-generation Mexican-American Stage Manager. Past credits include National Tour: 𝘋𝘦𝘢𝘳 𝘌𝘷𝘢𝘯 𝘏𝘢𝘯𝘴𝘦𝘯 Regional: 𝘓𝘦𝘴 𝘔𝘪𝘴𝘦𝘳𝘢𝘣𝘭𝘦𝘴, 𝘋𝘳𝘦𝘢𝘮𝘨𝘪𝘳𝘭𝘴, 𝘛𝘩𝘦 𝘓𝘪𝘵𝘵𝘭𝘦 𝘔𝘦𝘳𝘮𝘢𝘪𝘥, 𝘍𝘪𝘥𝘥𝘭𝘦𝘳 𝘰𝘯 𝘵𝘩𝘦 𝘙𝘰𝘰𝘧, 𝘞𝘢𝘪𝘵𝘳𝘦𝘴𝘴 (The Muny) 𝘍𝘦𝘯𝘤𝘦𝘴 (Shakespeare & Company) 𝘓𝘪𝘵𝘵𝘭𝘦 𝘙𝘦𝘥, 𝘈 𝘔𝘪𝘥𝘴𝘶𝘮𝘮𝘦𝘳 𝘕𝘪𝘨𝘩𝘵'𝘴 𝘋𝘳𝘦𝘢𝘮 (Pennslyvania Shakespeare Festival) 𝘙𝘢𝘨𝘵𝘪𝘮𝘦 (Piedmont Opera). UNCSA. Love to my family and my cat. @magallanesmanages