NY Gilbert & Sullivan Players' 2015-16 Season to Include THE MIKADO, PRINCESS IDA & More
The New York Gilbert & Sullivan Players, America's preeminent professional Gilbert & Sullivan repertory company, adds another welcome dose of joyous "topsy-turvy" satire to the 2015-16 New York theatrical scene when it kicks off its 41st season November 7 with a roster of G &S favorites including the political fairytale Iolanthe (November 7 & 8), a holiday run of the much loved The Mikado (December 26 - January 2, 2016); and a limited spring run of the chauvinist spoof Princess Ida (May 21 & 22, 2016) --- all taking place at NYU Skirball Center for the Performing Arts (566 LaGuardia Place). Single Tickets go on sale August 17! In addition to the mainstage season, the season will also feature the company's Bistro Award winning production, where G&S meets Broadway, entitled I've Got a Little TWIST! (December 1) at the cabaret hotspot, "Broadway's living room," 54 Below - tickets on sale now!
Under the dynamic leadership of Artistic Director Albert Bergeret, The New York Gilbert & Sullivan Players has been hailed as "the leading custodian of the G&S classics" by New York magazine and has created its own special niche in the cultural mosaic of New York City and the nation. Since its founding in 1974, the company has presented over 2,000 performances of the G&S masterpieces throughout the United States, Canada and England, captivating audiences of all ages. NYGASP's productions are charged with engaging contemporary entertainment values while retaining respect for the famous duo's comedic and musical genius. The burning question in Iolanthe, or The Peer and the Peri is, can a man who is half a fairy find happiness in a world where to marry a mortal is a capital crime? No this is not an indictment of gay marriage or the death penalty but a fanciful Victorian tale about a band of spritely females with "fairy brains" who "never grow old", the stodgy male House of Peers who rejoice that they "are persons of no capacity whatever", and confused "half a fairy" Strephon - the fellow who is literally caught in the middle. Could anyone wonder that this gentleman's lady friend wants to know "which half"? Gilbert's commentary on the human condition was never pithier while Sullivan's effervescent score evokes the conflict between the balletic fairies and the martial peers as well as the more serious motherly love of the title character. Last, but not least, Iolanthe also features the Lord Chancellor - an elderly gentlemen whose conflicting emotions as widower, would be lover, legal guardian, father figure, judge, and legislator play out in the course of three classic patter songs, including his delightfully convoluted tongue twister known as the "Nightmare Song". When the Fairy Queen's best friend, Iolanthe, returns to fairyland after a 25 year banishment for having married a mortal, she tells her fairy sisters that she has a son, Strephon, a man who has the mixed blessing of being half a fairy. When Strephon is thwarted in his attempts to marry the beautiful Phyllis by a group of stodgy politicians from the House of Lords and a deliciously conflicted Lord Chancellor, he calls upon the supernatural powers of his newly discovered "aunts". The ensuing impasse results in a riotous battle of the sexes which cannot be resolved until Iolanthe, following her motherly instincts, puts her life on the line to reveal that the Lord Chancellor is her husband and Strephon's father. But all fairy tales have happy endings, so the fairy law is amended, allowing everyone to get married and perhaps change their minds afterwards. As Strephon says, "That's the usual course!"Photo by William Reynolds

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