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OFF-BROADWAY THEATER REVIEWS

The latest reviews and critic recommendations from Off-Broadway
BWW Reviews: A Hint of Hope Beyond THE CLEARING

BWW Reviews: A Hint of Hope Beyond THE CLEARING

by Kristen Morale — January 20, 2014
When a person is faced with the overwhelming beauty and quietude of the world around him, as seen through the crisp leaves of the surrounding trees or the rocks which reside on the steep slope below, leading into an unknown and unsought after abyss, one cannot help but look up at the stars and think...
BWW Reviews: COLUMBIA - A Legacy to Never Hit the Ground

BWW Reviews: COLUMBIA - A Legacy to Never Hit the Ground

by Kristen Morale — January 16, 2014
When a person goes to see a performance, there are some instances in which he or she wishes that the characters portrayed on stage were real - that the plot was truly unfolding right before the audience's collective eye, and the circumstances which constitute the story being told would allow for mor...
BWW Reviews:  Two Soloists From UNDER THE RADAR 2014

BWW Reviews: Two Soloists From UNDER THE RADAR 2014

by Michael Dale — January 15, 2014
Edgar Oliver and John Hodgman bring solo shows to the tenth annual festival....
BWW CD Reviews: NATASHA, PIERRE AND THE GREAT COMET OF 1812 (Original Cast Recording)

BWW CD Reviews: NATASHA, PIERRE AND THE GREAT COMET OF 1812 (Original Cast Recording) is Astonishingly Complex

by David Clarke — December 22, 2013
Nestled in the heart of New York City's Theater District, a slice of Russian literature has been making waves. At an opulent Supper Club housed within custom pop-up tent called Kazino, located at 259 West 45th Street, Dave Malloy's NATASHA, PIERRE AND THE GREAT COMET OF 1812, a musical adaptation of...
BWW Reviews: The Majesty that Mayhem Can Wreak

BWW Reviews: The Majesty that Mayhem Can Wreak

by Kristen Morale — December 18, 2013
What happens when you mix the atmosphere and originality of a Blue Man Group performance with the dynamics of a recent Sarah Brightman concert, giving Zooey Deschanel (the 500 Days of Summer version) a chance at lead vocals to top it all off? A little show called Mayhem and Majesty fits the bill qui...
BWW Reviews: NAKED HOLIDAYS 2013: Bare Brr

BWW Reviews: NAKED HOLIDAYS 2013: Bare Brr

by Duncan Pflaster — December 11, 2013
EndTimes Productions presents the Seventh installment of 'Naked Holidays', their annual evening of flesh-filled comedy sketches and songs....
Review: McPherson's THE NIGHT ALIVE is Charming and Chilling

Review: McPherson's THE NIGHT ALIVE is Charming and Chilling

by Michael Dale — December 12, 2013
Conor McPherson's sweet portrait of two lonely people hesitantly getting together is a welcome import from the Donmar Warehouse....
BWW Reviews: PRIVATE DANCER Leaves Much To Be Desired

BWW Reviews: PRIVATE DANCER Leaves Much To Be Desired

by Juliana Adame — December 9, 2013
Directed by Bob Degus, PRIVATE DANCER is the story is focused on the troubled life of the famed Rita Hayworth and is told additionally through film and dance. Sage Snakechalmer, however, the star and playwright, gives an awkward mess of a performance....
BWW Review: TRUE BLOOD Star Tackles Veteran Neglect and Military Sexism in ONE NIGHT

BWW Review: TRUE BLOOD Star Tackles Veteran Neglect and Military Sexism in ONE NIGHT

by Jonathan Mandell — November 25, 2013
As Tara Thornton in True Blood, Rutina Wesley has survived an abusive alcoholic fundamentalist mother, a murdered boyfriend, and a sadistic vampire. But Tara is scarcely worse off than the character Wesley is playing in Charles Fuller's new play, One Night, at the Cherry Lane. Wesley is now portray...
BWW Reviews: A CHRISTMAS CAROL is a Delightful Fusion of Thrills, Chills, and Happy N

BWW Reviews: A CHRISTMAS CAROL is a Delightful Fusion of Thrills, Chills, and Happy Nostalgia

by Juliana Adame — November 26, 2013
Patrick Barlow's (39 Steps) A CHRISTMAS CAROL has added a whole new color to the classic Dickens' tale....
BWW Reviews: FIX ME, JESUS is a Brilliant Emotional Roller Coaster Ride

BWW Reviews: FIX ME, JESUS is a Brilliant Emotional Roller Coaster Ride

by Juliana Adame — November 11, 2013
Helen Sneed's FIX ME, JESUS, directed by Sam Pinkleton, delivers laugher, hard truth, and keeps the audience on the edge of their seats, all while never leaving a Neiman Marcus dressing room....
BWW Reviews: LUCE, a Compelling, Thought-Provoking Probe into Reality

BWW Reviews: LUCE, a Compelling, Thought-Provoking Probe into Reality

by Roy Berko — November 11, 2013
Lincoln Center is the largest contiguous performing arts center in the United States. Included in the complex are concert, dance, education, commercial and theatre spaces. The newest venue is the Claire Tow Theatre, a two-story, 23,000 square-foot space built on the roof of the Vivian Beaumont Theat...
BWW Reviews: ON THE RECORD Croons to the Tunes of Days Gone By

BWW Reviews: ON THE RECORD Croons to the Tunes of Days Gone By

by Juliana Adame — November 11, 2013
Conceived and directed by Bill Daugherty, ON THE RECORD at Stage 72 is a deliciously nostalgic musical throwback into ages past....
Review: LA SOIREE Is Sexy, Comical and Risqué Circus Fun

Review: LA SOIREE Is Sexy, Comical and Risqué Circus Fun

by Michael Dale — November 7, 2013
Fans of muscular, athletic male physiques in action and sexy comical women playing for risque laughs should have a blast....
BWW Reviews: DISASTER!: Hope Floats

BWW Reviews: DISASTER!: Hope Floats

by Duncan Pflaster — November 5, 2013
Seth Rudetsky and Jack Plotnick's DISASTER! a 70s Disaster Movie Musical is a laugh-out-loud musical spoof of 70s disaster flicks, featuring repurposed hits from the decade....
BWW Reviews: SATAN IN HIGH HEELS Is Sexy, Campy Fun

BWW Reviews: SATAN IN HIGH HEELS Is Sexy, Campy Fun

by Marina Kennedy — November 1, 2013
Robbie Robertson has successfully adapted the 1962 film 'Satan in High Heels' for the stage. Audiences will be treated to a hilarious show with lewd humor in all the right places....
Review: Wallace Shawn An Unlikely Stud in GRASSES OF A THOUSAND COLORS

Review: Wallace Shawn An Unlikely Stud in GRASSES OF A THOUSAND COLORS

by Michael Dale — October 28, 2013
Wallace Shawn spends most of his three and a half hour play talking about his penis. I'm not exaggerating....
BWW Review: HOW TO BE A NEW YORKER Amuses Tourists and Natives Alike at Planet Hollyw

BWW Review: HOW TO BE A NEW YORKER Amuses Tourists and Natives Alike at Planet Hollywood Times Square

by Jonathan Mandell — October 27, 2013
Do you know what a knish is? Can you pronounce Houston Street the way New Yorkers do? How about the way we say 'forget about it'? If you are the member of the audience picked to answer these questions on stage in the newly-opened Screen Room Theater at Planet Hollywood Times Square , you will win a...
BWW Reviews: All-Female Julius Caesar Brings The Bard's Backstabbing to Brooklyn

BWW Reviews: All-Female Julius Caesar Brings The Bard's Backstabbing to Brooklyn

by Jonathan Mandell — October 13, 2013
Fans of the Netflix drama 'Orange is the New Black' might feel in familiar territory with the Donmar Warehouse production of 'Julius Caesar,' which director Phyllida Lloyd is presenting as if performed by the inmates of a women's correctional facility. The effect is intense, with the remarkable all...
Review - Bridgewater Sublime in Cliché-Ridden LADY DAY

Review - Bridgewater Sublime in Cliché-Ridden LADY DAY

by Michael Dale — October 4, 2013
Dee Dee Bridgewater gives a terrific performance as Billie Holiday, but the play is a clunky collection of cliches....
Review – ARGUENDO Riffs on the Legality of Public Nudity

Review – ARGUENDO Riffs on the Legality of Public Nudity

by Michael Dale — September 24, 2013
Elevator Repair Service uses the text of a Supreme Court case regarding strip clubs and the First Amendment for a zany comedic rebellion....
Review - PHILIP GOES FORTH Saps Romantic Delusion From 1930s Bohemia

Review - PHILIP GOES FORTH Saps Romantic Delusion From 1930s Bohemia

by Michael Dale — September 22, 2013
Mint Theater offers an enjoyable revival of George Kelly's 1931 look at downtown struggling artists....
BWW Reviews: Lesbian Couple Conspires to Create a Child in Ethan Coen's 1st Full-Leng

BWW Reviews: Lesbian Couple Conspires to Create a Child in Ethan Coen's 1st Full-Length Play WOMEN OR NOTHING

by Jonathan Mandell — September 16, 2013
A lesbian couple plot to trick a man out of his sperm in filmmaker Ethan Coen's first full-length play, a slight, blunt and improbable comedy full of one-liners, which rescued from complete silliness by sharp, funny dialogue, and some thought-provoking themes....
Review - MR. BURNS:  Post-Apocalyptic America Has A Cow

Review - MR. BURNS: Post-Apocalyptic America Has A Cow

by Michael Dale — September 16, 2013
Anne Washburn's audacious and original drama sees a future where an episode of The Simpsons stands as one of the few remaining examples of pre-Apocalypse art....
BWW Reviews: Chess champion Garry Kasparov Matches Wits with IBM Computer Deep Blue i

BWW Reviews: Chess champion Garry Kasparov Matches Wits with IBM Computer Deep Blue in THE MACHINE

by Jonathan Mandell — September 9, 2013
The play turns the story of the 1997 chess match between the world's number one chess player and a computer into a nearly mechanical bio-drama masquerading as a gladiator sport, staged at the cavernous Park Avenue Armory with arena seating , mock Jumbotron video projections and sports commentators, ...
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