BWW Reviews: JESUS CHRIST SUPERSTAR Astounds at Le Petit Theatre Du Vieux Carre

The sheer power of rock could be heard in the French Quarter last Friday evening as punchy drum beats, attacking guitars and warm piano notes became the backdrop of the greatest story ever told.

It was opening night of Le Petite Theatre du Vieux Carre's production of "JESUS CHRIST SUPERSTAR" and the sheer power of rock entertained local audience members through storytelling that could only be found at a rock concert.

Composed by Andrew Lloyd Webber with book and lyrics created by Tim Rice, the musical first premiered on Broadway in 1971 with the album making its way to the No. 1 position on the Billboard U.S. charts the same year. Webber and Rice are also known for their collaborations on other blockbuster Broadway shows, including "Joseph and the Amazing Technicolor Dreamcoat."

But this is not a theatrical piece you would see from the pews of the church. Director Augustin Correro has chosen to update the show by focusing on the damage caused by fame and celebrity felt by modern rock stars. The performance remains true to the original text, but replaces sandals and robes with cell phones and selfies. This is a perfect way to entertain a modern audience and make "SUPERSTAR" more accessible to audiences. I may not go to church every Sunday, but Correro and his cast made me a believer.

"SUPERSTAR" is centered on Christ's final days, the result of his meteor-like rise amongst the populace. As his radical teachings are further embraced, Judas begins to question the enlightened motives of this new prophet, resulting in his infamous betrayal.

Any production of "SUPERSTAR" needs good, strong voices, and dramatic performances. The Le Petit cast did it great justice. Vocally, this show is exceptional, with Nick Shackleford (Jesus), Adair Watkins (Judas), and Elyse McDaniel (Mary Magdalene) leading the way. What a trio! The two young men extended their voice ranges to opera-like heights to deliver Webber's music, and McDaniel's outstanding voice was wonderfully moving as she played out the role of the scarlet woman who became Jesus's most devoted follower.

Shackleford allows his humanity to shine through his charismatic performance, and his vocal talent is humbling. It is an emotionally and physically draining role, which was cast well. He stirs audience's souls with a union of tenderness and power, particularly evident when he sings "Gethsemane," a dramatic turning point in the narrative where Jesus comes to terms with his impending fate.

Adair's portrayal of the deeply troubled Judas was a real test for any actor, and it was satisfying to see Adair play a role with such confidence and passion. He commands the stage, while running the gamut of emotions from loyal friend to betrayer. He succeeded in making you feel sympathy for the hated character and his untimely end.

McDaniel, as Mary Magdalene, devoted follower of Jesus is superb. Her love for Jesus shines through her rendition of "I Don't Know How to Love Him." McDaniel's vocals were especially moving. Well done to all three, but also to every cast member who brought this vibrant, theatrical production to life. But without the music, the show would not be the same. No dialogue is ever spoken, and the feelings and motivations of the characters are executed through music that spans decades of rock, heavy metal, jazz and gospel. It is the music that puts the passion into this passionate play. And when things run just like an epic rock concert, you know that a lot of effort and hard work has gone into it. "JESUS CHRIST SUPERSTAR" is a triumph that continues on through Jan. 30.

To post a comment, you must register and login.

Need more New Orleans Theatre News in your life?
Sign up for all the news on the Summer season, discounts & more...