Houston Grand Opera Board Extends CEO Contract
By: Nicole Rosky
At its meeting today, the Board of Directors of Houston Grand Opera Association, Inc., extended Anthony Freud's contract as General Director and CEO through July 31, 2015. Freud, formerly the General Director of Welsh National Opera (UK) took the helm at HGO in 2006.
"On behalf of the Board of Directors of the Houston Grand Opera Association, I am very pleased to announce the extension of Anthony Freud's contract," stated Glen Rosenbaum, Chairman since 2009. "It is indicative of the regard in which we hold Anthony, and the trust that the Board, Trustees, and staff all have in his leadership and vision. Anthony is the best in the business, and we are thrilled that he will continue to lead the company." During the last five years, HGO's seasons have been of outstanding quality, highly innovative, and extremely popular. Freud stated, "I want to continue taking the company, the art form and especially the audience on a journey of discovery. We need always to be moving ahead, exploring, breaking new ground, innovating. Needless to say, that carries with it a certain amount of risk. But without risk, there can be no new discoveries, and we fail in our responsibilities to the audience, to the richly diverse city we serve, and to the art itself."On arrival at HGO in 2006, Freud led the creation and implementation of the company's first comprehensive strategic and business plan, which is regarded as a blueprint for a twenty-first-century opera company. Speaking at the company's Annual Meeting in June, 2010, Larry Faulkner, CEO of Houston Endowment, Inc., which is one of the company's most generous supporters, stated, "With a clear focus on excellence, relevance and affordability, Houston Grand Opera is implementing a groundbreaking model for a performing arts company." Under Freud's leadership, the company's fundraising, marketing and audience development activities have been elevated, with the result that the company has raised over sixty million dollars in contributed support in the last thirty-eight months, and increased its subscription audience by thirty-eight percent.
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