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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
& JULIET (STEPHEN SONDHEIM) |
$1,137,472 | $1,137,472 | $139 $323 |
8,195 | 8,208 | 8 | 99.80% |
|
A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (BROADHURST) |
$709,944 | $709,944 | $114 $348 |
6,212 | 9,224 | 8 | 67.30% |
|
ALADDIN (NEW AMSTERDAM) |
$1,340,017 | $1,340,017 | $100 $200 |
13,453 | 13,816 | 8 | 97.40% |
|
APPROPRIATE (HAYES) |
$859,270 | $859,270 | $187 $397 |
4,602 | 4,616 | 8 | 99.70% |
|
BACK TO THE FUTURE: THE MUSICAL (WINTER GARDEN) |
$1,090,800 | $1,090,800 | $95 $297 |
11,460 | 11,824 | 8 | 96.90% |
|
CHICAGO (AMBASSADOR) |
$969,341 | $969,341 | $122 $257 |
7,939 | 8,640 | 8 | 91.90% |
|
DAYS OF WINE AND ROSES (STUDIO 54) |
$406,834 | $406,834 | $86 $247 |
4,747 | 7,904 | 8 | 60.10% |
|
DOUBT: A PARABLE (TODD HAIMES) |
$555,197 | $555,197 | $104 $323 |
5,335 | 5,816 | 8 | 91.70% |
|
HADESTOWN (WALTER KERR) |
$1,036,690 | $1,036,690 | $139 $499 |
7,438 | 7,344 | 8 | 101.30% |
|
HAMILTON (RICHARD RODGERS) |
$1,876,354 | $1,876,354 | $177 $399 |
10,598 | 10,592 | 8 | 100.10% |
|
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$1,298,672 | $1,298,672 | $104 $299 |
12,479 | 12,976 | 8 | 96.20% |
|
KIMBERLY AKIMBO (BOOTH) |
$509,331 | $509,331 | $91 $273 |
5,598 | 6,184 | 8 | 90.50% |
|
MERRILY WE ROLL ALONG (HUDSON) |
$1,566,346 | $1,566,346 | $203 $649 |
7,728 | 7,728 | 8 | 100.00% |
|
MJ THE MUSICAL (NEIL SIMON) |
$1,478,845 | $1,478,845 | $139 $329 |
10,623 | 11,096 | 8 | 95.70% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$1,350,210 | $1,350,210 | $130 $399 |
10,394 | 10,400 | 8 | 99.90% |
|
PRAYER FOR THE FRENCH REPUBLIC (FRIEDMAN) |
$560,288 | $560,288 | $117 $299 |
4,788 | 5,096 | 8 | 94.00% |
|
SIX (LENA HORNE) |
$1,005,373 | $1,005,373 | $122 $249 |
8,213 | 8,248 | 8 | 99.60% |
|
SPAMALOT (ST. JAMES) |
$693,434 | $693,434 | $83 $329 |
8,342 | 11,592 | 8 | 72.00% |
|
SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (LUNT-FONTANNE) |
$1,424,356 | $1,424,356 | $139 $499 |
10,280 | 10,486 | 7 | 98.00% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$933,357 | $933,357 | $113 $250 |
8,247 | 8,528 | 8 | 96.70% |
|
THE LION KING (MINSKOFF) |
$2,004,818 | $2,004,818 | $149 $215 |
13,445 | 13,568 | 8 | 99.10% |
|
THE NOTEBOOK (SCHOENFELD) |
$880,360 | $880,360 | $124 $323 |
7,101 | 7,119 | 7 | 99.70% |
|
WATER FOR ELEPHANTS (IMPERIAL) |
$344,493 | $344,493 | $130 $278 |
2,640 | 2,812 | 2 | 93.90% |
|
WICKED (GERSHWIN) |
$2,017,690 | $2,017,690 | $133 $275 |
15,163 | 15,408 | 8 | 98.40% |
| TOTAL | $26,049,492 | $1,085,396 | $127.06 $331.44 |
205,020 | 219,225 | 184 | 93.52% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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