PIONEER THEATRE COMPANY and MALTZ JUPITER THEATRE 2019-20 SEASON - Various Producers Auditions

Posted: March 11, 2019

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Pioneer Theatre Company and Maltz Jupiter Theatre 2019-20 - NYC EPA
Various Producers

AUDITION DATE
Mon, Mar 25, 2019
9:30 am - 5:30 pm (EDT)
Lunch 1 to 2

CONTRACT
LORT Non-Rep LORT B and B+ (see breakdowns)

SEEKING
Equity actors and actor/singers for various roles in the following theatres' 2019-20 Seasons:

Pioneer Theatre Company
Maltz Jupiter Theatre

See breakdowns.

PREPARATION
Please bring a picture and resume and a selection in the style of the shows, you are welcome to sing from the show/shows, or perform a monologue from show/shows. (either a brief monologue OR a brief song OR a 1 minute monologue and 16 bars of a song. - Total audition time not to exceed 2 minutes)

LOCATION
Actors' Equity New York Audition Center
165 W 46th St
16th Fl
New York, NY 10036

PERSONNEL
Bob Cline, Casting Director (in attendance)

OTHER
If you are unable to attend, please do not panic. The theatres will still have individual show auditions, and various ECC's throughout the year and closer to show dates. If Bob knows you well, you are welcome to drop-off pic and resume with role listed on resume that you are interested in if you don't have time to audition.
EPA Procedures are in effect for audition.
An Equity monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.

BREAKDOWN
MALTZ JUPITER THEATRE 2019-20 Season
Andrew Kato, Producing Artistic Director/Chief Executive
Casting Director: Bob Cline - only one present at the EPA
Business address: Maltz Jupiter Theatre, 1001 E Indiantown Rd, Jupiter, FL 33477
LORT B+; $1033/week current min.

The Curious Case of the Curse of Count Dracula
By Gordon Greenberg and Steve Rosen
Directed by Gordon Greenberg
The Curious Case of the Curse of Count Dracula was commissioned by
Maltz Jupiter Theatre
First rehearsal: October 1, 2019
First preview: October 27, 2019
Opening: October 31, 2019
Closing: November 10, 2019
All roles require great physically comedic ability, expert facility with various British, German and Russian dialects - and a great capacity for fearless razor sharp melodramatic comedy in the style of ’39 Steps.’
ACTOR 1: Male, 30s, leading man type, Any ethnicity: plays JONATHAN HARKER (RP British dialect), prim and proper (and somewhat obsessive compulsive) real estate agent. Engaged to his childhood crush Lucy Westfeldt. She wishes he would loosen up a little. Once bitten he loosens up…a lot. THREE SUITORS (various dialects): Lord Cavendish, Lord Windsor and Lord Havemercy, played simultaneously with the help of a puppet on either side of his head. BOSUN (Irish dialect): A scurvy seaman who goes down with the ship in a storm. GRAVEDIGGER (cockney dialect): A drunk gravedigger with a secret.

ACTOR 2: Female, 30s-50s. Any ethnicity. Plays all male roles, including DR. WESTFELDT (RP British dialect), Lucy and Mina’s Father, a blowhard; self-important and given to proclamations. A doctor caring for the criminally insane, he has recently lost his wife to consumption. RENFIELD (cockney dialect): insane patient of Dr. Westfeldt who lives to serve and loves to eat bugs. In a word, the dude is nuts. CAPTAIN (sea captain dialect): The scurvy salty captain of a doomed ship caught in a raging storm.

ACTOR 3: Female, 20s-30s. Any ethnicity. Ingenue role. Plays LUCY WESTFELDT (RP dialect): Brilliant earth scientist daughter of Dr. Westfeldt. Is often underestimated because of her beauty. Engaged to Jonathan, but when Dracula moves to Whitby, she is curious about his strange ways and impressed by their similar interests. When her sister is overcome and perishes at the hands of a vampire, she courageously joins the cause. KITTY (cockney dialect): A dotty kleptomaniac patient of Dr. Westfeldt’s, she serves as a maid in his house. Think Mrs. Lovett without a purpose. DRIVER (thick Eastern European or Russian dialect): The male, Transylvanian driver of the carriage carrying Jonathan to Dracula’s castle and tries to warn him.

ACTOR 4: Male, 20s-50s. Any ethnicity. Plays all female roles including MINA WESTFELDT (RP dialect), the less attractive, less intelligent Westfeldt daughter, she lives in her sister Lucy’ shadow and is desperate for attention. Immediately receptive to Dracula’s charms and attention, she jumps a little too willingly at the chance for love, gets infected and eventually succumbs to Dracula’s curse. JEAN VAN HELSING (German dialect): Brilliant vampire hunting doctor from the University of Shmutz. Underestimated because she is a woman, she comes to aid Dr. Westfeldt and track down the perpetrator of Mina’s demise.

ACTOR 5. Male 30s-50s. Any Ethnicity. Plays COUNT DRACULA (Transylvanian dialect). Handsome, charming, sexy and hugely compelling. He also loves to bake. He falls in love with a picture of Lucy Westfeldt when Jonathan comes to sell him real estate and travels to Whitby to find her and make her his bride for eternity.
_____________________
The Mystery of Edwin Drood
A Musical by Rupert Holmes
Original Broadway production produced by
the New York Shakespeare Festival, Joseph Papp, Producer
Directed and Choreographed by Jennifer Werner
First rehearsal: November 12, 2019
First preview: December 3, 2019
Opening: December 5, 2019
Closing: December 19, 2019
All roles available.
____________________
Chicago
Book by Fred Ebb and Bob Fosse
Music by John Kander
Lyrics by Fred Ebb
Based on the play by Maurine Dallas Watkins
Script adaptation by David Thompson
Directed and Choreographed by Denis Jones
First rehearsal: December 23, 2019
First preview: January 14, 2020
Opening: January 16, 2020
Closing: February 2, 2020
All roles available.
________________________
Brighton Beach Memoirs
by Neil Simon
Directed by J. Barry Lewis
First rehearsal: February 4, 2020
First preview: February 23, 2020
Opening: February 27, 2020
Closing: March 8, 2020
All roles available.
__________________________

How to Succeed in Business Without Really Trying
Book by Abe Burrows, Jack Weinstock and Willie Gilbert
Music and Lyrics by Frank Loesser
Based upon the book by Shepherd Mead
Originally presented by CY Feuer and Ernest H. Martin in Association with Frank Productions
Directed and Choreographed by Josh Rhodes
First rehearsal: February 25, 2020
First preview: March 17, 2020
Opening: March 19, 2020
Closing: April 5, 2020
All roles available.
====================
PIONEER THEATRE 2019-20 SEASON
ARTISTIC DIRECTOR: KAREN AZENBERG*
CASTING DIRECTOR - BOB CLINE *
* both will in attendance at this EPA
Business Address:Pioneer Theatre Company, 300 1400 E, Salt Lake City, UT 84112
LORT B; $941/week current min.
ALL ROLES AVAILABLE FOR ALL SHOWS
CAGNEY
Book by Peter Colley, Lyrics & Music by Christopher McGovern & Robert Creighton
First Rehearsal: August 26th, 2019
Runs: September 20th to October 5th, 2019
All roles available
_______________________
LIFESPAN OF A FACT
By Jeremy Kareken & David Murrell and Gorden Farrell (Based on the Book by John D’Agata & Jim Fingal)
First Rehearsal: October 7th, 2019
Runs: November 1st to November 16th, 2019
All roles available
_______________________

THE PLAY THAT GOES WRONG
By Henry Lewis, Henry Shields, and Jonathan Sayer
First Rehearsal: November 11th, 2019
Runs: December 6th to December 21st, 2019
All roles available
______________________

MARY STUART
By Jean Stock Goldstone & John Reich
First Rehearsal: December 16th, 2019
Runs: January 10, 2020 to January 25, 2020
All roles available
_______________________

ONCE ON THIS ISLAND
Book & Lyrics by Lynn Ahrens, Music by Stephen Flaherty
First Rehearsal: January 27th, 2020
Runs: February 21st to March 7th, 2020
All roles available
________________________

ASS
By Ellen Simon - World Premiere
First Rehearsal: March 2nd, 2020
Runs: March 27th to April 11th, 2020
All roles available

WILL WATERMAN - 30'S, Caucasian. An Art History professor who still feels like a fat kid with a genius artist father. He's awkward, loveable, and understandably neurotic.
TORY - 40's. Caucasian. Ninth wife of the Jule Waterman. A trophy wokout queen with a heart of something shiny but not gold. She's a tenacious beauty with strong desires and a pushy smile.
ANA - late 20's to mid 30's, of Mexican descent. Married to Will, she's warm, sunny fireballfixated on having a baby.
RAY - 30's or 40's non-caucasian, a dialysis nurse. A lifelong New Yorker, he's seen it all. Ray has a big presence with a big voice. He is very kind and also not a pushover.
JULE WATERMAN - an old white guy in failing health, plays 70's or 80's, He's regarded as one of the greatest sculptors of his or any time. JULE acts and feels like a god/king, and no one tells him differently.
__________________
SOMETHING ROTTEN
Book by John O’Farrell, Music & Lyrics by Karey and Wayne Kirkpatrick
First Rehearsal: April 13th, 2020
Runs: May 8th to May 23rd, 2020

All roles available
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Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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