REPERTORY THEATRE OF ST. LOUIS - Repertory Theatre of St. Louis Auditions

Posted: May 2, 2019

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Repertory Theatre of St. Louis - NYC EPA
Repertory Theatre of St Louis

AUDITION DATE
Thu, May 23, 2019
9:30 am - 5:30 pm (EDT)
Lunch 1 to 2

CONTRACT
LORT Non-Rep $950/week minimum
TYA

SEEKING
Equity actors for various roles.

All SM positions are filled.

PREPARATION
Please prepare one 1 to 2 minute contemporary monologue. Bring picture and resume.

LOCATION
Actors' Equity New York Audition Center
165 W 46th St
16th Fl
New York, NY 10036

PERSONNEL
Artistic Director: Hana S. Sharif (not in attendance)
Casting: McCorkle Casting, LTD
In attendance at EPA's: Jeffrey Dreisbach, McCorkle Casting

OTHER
EPA Procedures are in effect for audition.
An Equity monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.

BREAKDOWN
All stage management positions have been filled at this time. Submissions for future consideration can be mailed to the theater c/o Mark Bernstein.
All roles available for all productions:
ANGELS IN AMERICA by Tony Kushner
First rehearsal – July 22, 2019
First Preview – September 4, 2019
Opening Part I – September 6, 2019
Opening Part II – September 13, 2019
Closing – October 6, 2019
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LIFESPAN OF A FACT by Jeremy Kareken, David Murrell, and Gordon Farrell
First rehearsal – September 24, 2019
First Preview – October 16, 2019
Opening – October 18, 2019
Closing – November 10, 2019
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PRIDE AND PREJUDICE adapted by Christopher Baker
First rehearsal – November 12, 2019
First Preview – December 4, 2019
Opening – December 6, 2019
Closing – December 29, 2019
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MOJADA: MEDEA IN LA by Luis Alfaro
First rehearsal – December 17, 2019
First Preview – January 8, 2020
Opening – January 10, 2020
Closing – February 2, 2020
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THE MYSTERY OF IRMA VEP by Charles Ludlam
First rehearsal – January 21, 2020
First Preview – February 12, 2020
Opening – February 14, 2020
Closing – March 8, 2020
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THANKSGIVING PLAY by Larissa FastHorse
First rehearsal – December 31, 2019
First Preview – January 22, 2020
Opening – January 24, 2020
Closing – February 9, 2020
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THE CAKE by Bekah Brunstetter
First rehearsal – February 18, 2020
First Preview – March 11, 2020
Opening – March 13, 2020
Closing – March 29,
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DREAMING ZENZILE by Somi Kakoma, Based on the life of Miriam Makeba (World Premiere)
First rehearsal – February 25, 2020
First Preview – March 18, 2020
Opening – March 20, 2020
Closing – April 12, 2020
MIRIAM MAKEBA – PLAYED BY PLAYWRIGHT SOMI KAKOMA.

SANGOMA CHORUS – black, ages between early 20’s and mid 60’s, men and women, the current draft of the script includes 4 actors that are mercurial playing multiple roles, multiple genders, individually and collectively. Time is a continuum for these roles – sometimes they are 1,000 years away from the present day / sometimes they are in real time.

THE ZANDIES - 3 back up singers that exist in the reality of the concert, they contribute to the musical landscape of the dream world but do not play other characters. Black, women, age rage 20’s – 40’s.
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FEEDING BEATRICE by Kirsten Greenidge
First rehearsal – October 8, 2019
First Preview – October 30, 2019
Opening – November 1, 2019
Closing – November 17, 2019

JUNE – late 20’s to mid 30’s, black, smart, ambitious, married to Lurie

LURIE – late 20’s to mid 30’s, black, hard working, wants to make his wife happy –not quite sure how he ends up constantly agreeing to things that go against his instincts.

LEROY – early 20’s to early 30’s, Lurie’s younger brother, a handyman, less interested or understanding of his brother geographic assimilation.
Beatrice – young – could be anywhere from 14 – late 20’s, a guest, a ghost, dark energy, insatiable, terrifying in her presence, a being determined to wrestle her house back from the interlopers.
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Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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