PIPPIN Equity Performer Auditions - American Repertory Theater Auditions

Posted March 12, 2012
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PIPPIN - American Repertory Theater

PIPPIN

Equity Performer Auditions

by APPOINTMENT in MA

American Repertory Theater Cambridge MA LORT $710/week minimum.

Music and Lyrics: Stephen Schwartz

Book: Roger Hirson and Bob Fosse

Director: Diane Paulus

Choreographer: Les 7 doigts de la main and Chet Walker

Musical Supervisor: Nadia DiGiallonardo

Casting Director: Duncan Stewart/Benton Whitley of Duncan Stewart and Company

Developmental process (Cambridge MA): July 30 – August 19, 2012. First Rehearsal in NYC: October 9, 2012. First Preview Performance: December 1, 2012. Cambridge Press Opening: December 19, 2012. Cambridge Closing Performance: January 20, 2013.

Equity Required Auditions by APPOINTMENT:

Monday, March 26, 2012 American Repertory Theater

10:00 AM - 6:00 PM 64 Brattle Street

Lunch from 2 – 3. Cambridge, MA

To schedule an appointment, please email
Casting@amrep.org
or call 617/496-2000, ext 8840.

Please prepare a brief standard, musical theater pop song. Bring sheet music in the correct key; an accompanist will be provided, but may not transpose.

Please bring a picture and resume, stapled together.

Note from Les 7 Doigts de la main, choreographer: The world of Pippin we are trying to create involves the use of multi-disciplined circus arts. For our actors, singers and dancers, we are really interested to see what physical capacities they bring to the table in terms of strength, flexibility and dexterity. We would want to integrate these creative and unique skills into the musical numbers. Skills with contortion, tissue, hand-balancing, hand to hand, pairs and duo-mixed would be of added value.

Seeking (all roles are available):

PIPPIN- male, 18-26. The son of Charlemagne and heir to the throne of the Holy Roman Empire, Pippin has returned from university to discover that he does not know what to do with his life. He searches for something in his life to be fulfilling, while the Leading Player and the troupe of players guide and manipulate him. Tenor.

LEADING PLAYER- (Can be male or female)- Dangerous, charismatic, extremely charming and seductive, the Leading Player is the leader of the troupe and the mastermind behind Pippin's journey. The Leading Player must be an incredibly strong performer with the willingness to take risks and dig deep and dark; a powerful presence. Male: Tenor, Female: Alto/Mezzo with a strong belt.

CHARLEMAGNE-male, late 40s-early 60s, Pippin’s father and the King of the Holy Roman Empire. He rules the empire with an iron fist, and his focus on the battlefield inspires Pippin to try becoming a soldier. Legit Baritone.

FASTRADA female, early 40s-early 50s, Pippin’s stepmother, Charlemagne’s wife, and Lewis’s mother. A manipulative woman with sexual appeal and a strong desire for power, Fastrada aims to get her son Lewis to be first in line to the throne. Dancer.

LEWIS-male, early 20s-early 30s, The son of Charlemagne and Fastrada, Pippin’s half brother. He is a soldier in Charlemagne's army and he prides himself on his athleticism and physical prowess.

BERTHE-female, early 60s-80s. Pippin’s grandmother, and Charlemagne’s mother. An incredibly spunky older woman with excellent comedic timing, Berthe leaves the kingdom to enjoy the "simple joys" of life. Alto.

CATHERINE-female, late 20s-early 30s. Pippin’s love interest, a tragically widowed farmer’s wife with a young son. She rebels against the Leading Player's scheme by actually falling in love with Pippin. She is kind, generous, romantic, and strong-willed. Mezzo with a strong mix.

THEO-male, to play 8-14 years old. Catherine’s rebellious son who soon develops a loving relationship with Pippin. Singing is required.

PLAYERS – ENSEMBLE AND SWINGS - males/females, character ages are early 20s-40s. The troupe of players that builds the scenes, plays all other characters, and brings to life the Leading Player's plot. Singing/Dancing/Acting essential. Acrobatics, aerial, gymnastics, tumbling a major plus.

Theatre’s statement: “The American Repertory Theatre is committed to an inclusive casting policy of non-traditional casting and encourages all actors to audition regardless of age, gender, race, ethnicity, or the presence of a disability.”

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