Outvisible Theatre Company - Allen Park, MI EPA
Outvisible Theatre
AUDITION DATE
May 19, 2017
8:00 pm - 11:00 pm (EDT)
May 20, 2017
11:00 am - 3:00 pm (EDT)
APPOINTMENTS
Scheduled appointments will be given priority in being seen and will be scheduled in 5 minute increments. To schedule an audition appointment, please fill out the electronic request form located at: http://www.outvisibletheatre.com/about/auditions/
CONTRACT
Special Agreement
Special Agreement- $240/wk
SEEKING
Male and female actors for our 2017-18 season.
PREPARATION
Two contrasting, contemporary monologues totaling no more than 3 minutes. Actors auditioning for the role of Jamie (The Last Five Years) will additionally be asked to bring one 16-32 bar cut of a song from contemporary musical theatre repertoire, preferably in the pop/rock style (not from the show). An accompanist will be provided.
LOCATION
Arts Detroit
18614 Ecorse Rd
Allen Park, MI 48101
Parking is available in the lot between our building and the side street (please do not park in the lot between our building and our neighbor)
PERSONNEL
Adriane Galea - Executive Director
OTHER DATES
See Breakdown
OTHER
Local actors preferred.
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
Rehearsal periods are scheduled to last three weeks, so the first rehearsal will typically be three Mondays prior to opening weekend
Callbacks will be held the weeks of May 22 and 29, and if necessary, a second callback will be scheduled for late June.
A HUMAN BEING DIED THAT NIGHT by Nicholas Wright
Performs: September 29-October 15, 2017
PUMLA GOBODO-MADIKIZELA: 35-50, black female; South African psychiatrist
EUGENE DE KOCK: 40-50, white male; nicknamed “Prime Evil” due to Apartheid government sanctioned kills made
CONSTELLATIONS by Nick Payne
Performs: December 1-17, 2017
MARIANNE: 30-35, female, any ethnicity; a fiercely intelligent scientist dealing with a terminal illness; though she’s a serious professional working in the top 1% of her field, she has a quirky, head-in-the clouds quality; friendly, warm, and quick-witted, comedic chops
ROLAND: 30-35, male, any ethnicity; a charming, laid-back beekeeper; warm and open, with a good sense of humor, earthy and likable
ANCIENT HISTORY by David Ives
Performs: February 2-18, 2018
RUTH: mid-30s, Jewish female; career oriented and bent on success, able to find the laughs
JACK: mid-30s, male, any ethnicity; lapsed Catholic who scorns religion; poorly paid teacher who is happy to settle for what he has; already been through one failed marriage and weary of repeating his mistake
THE LAST FIVE YEARS by Jason Robert Brown
Performs: March 30-April 15, 2018
JAMIE: 25-35, male, any ethnicity; ambitious, lovable, yet makes unintentional choices that sabotage his own happiness; vocal range: A2-Bb4; must be 5’11” or taller
The role of CATHY has already been cast
‘NIGHT, MOTHER by Marsha Norman
Performs: July 2018
JESSIE CATES: 35-45, female, any ethnicity; pale, vaguely unsteady physically, only recently gained control of herself and is determined to retain that control, aware of the clock ticking her time away, for once in her life she’s clear and communicative, surprisingly at peace and oddly amusing
THELMA CATES: 50-65, female, any ethnicity; feeling her age, takes it easy when she can or when it serves her purpose, chatty, speaks quickly and enjoys talking, her strength comes from accepting things as they are, is unswerving in that and in retaining control of her ‘household’
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.
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