MRS. DOUBTFIRE Equity Chorus Call Female Singers - Stephen Sondheim Theatre Auditions

Posted January 6, 2020
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MRS. DOUBTFIRE - Stephen Sondheim Theatre

MRS. DOUBTFIRE (BROADWAY) NYC ECC / FEMALE SINGERS

Producing Org TBD

AUDITION DATE

Wed, Jan 15, 2020

2:00 pm (EST)

Female Singers

CONTRACT

Production (League) $2168/week min

SEEKING

Equity singers for the ensemble.

See breakdown for more details.

PREPARATION

Please prepare 16 bars of a pop song or musical theatre pop song (i.e. “DEAR EVAN HANSEN,” “MEAN GIRLS,” or similar) showing range. Bring sheet music. A piano accompanist will be provided. Bring a photo/resume stapled together.

LOCATION

Pearl Studios NYC (500)

500 8th Ave

New York, NY 10018-6504

3rd floor

PERSONNEL

Producer: Kevin McCollum
Book: Karey Kirkpatrick & John O’Farrell
Music & Lyrics: Wayne Kirkpatrick & Karey Kirkpatrick
Producer: 5th Avenue Theatre
Director: Jerry Zaks
Choreographer: Lorin Latarro
Musical Supevisor: Ethan Popp
General Manager: Alchemation
Casting: Telsey + Company

OTHER DATES

Rehearsals: February 3
Previews: March 9
Opening: April 5
STEPHEN SONDHEIM THEATRE

OTHER

ECC Procedures are in effect for audition.

An Equity monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

[FEMALE ENSEMBLE]
Characters are 20s—50s, any ethnicity. To appear in the ensemble playing various roles. Strong pop singers with a wide range. Strong movement ability. Tumbling is a plus. Dynamic and vivid personalities. Comic chops. Possible principal understudy assignments. ENSEMBLE

[MALE ENSEMBLE]
Characters are 20s—50s, any ethnicity. To appear in the ensemble playing various roles. Strong pop singers with a wide range. Strong movement ability. Tumbling is a plus. Dynamic and vivid personalities. Comic chops. Possible principal understudy assignments. ENSEMBLE

[FEMALE ENSEMBLE, U/S LYDIA HILLARD]
Female, 18+, any ethnicity. To appear in the ensemble playing various roles and understudy the principal role of LYDIA HILLARD (Female, 15 years old, any ethnicity. Daniel and Miranda’s daughter, has borne the brunt of their marital battles and their divorce and is angry at both of them, but she keeps a lid on it. Acerbic with a biting sense of humour but not snarky or sullen. She’s trying to keep her emotions in check as she is forced to grow up faster than she ever anticipated. She looks out for her younger siblings, and challenges both parents about their choices.) ENSEMBLE

[MALE ENSEMBLE, U/S CHRISTOPHER HILLARD]
Male, 10 – 12 years old, any ethnicity. To appear in the ensemble playing various roles and understudy the principal role of CHRISTOPHER HILLARD (Male, 12 years old, any ethnicity. Daniel and Miranda’s son, a typical pre-teen boy who is a high-energy fast talker and likes soccer and video games and doesn’t like math. Usually good natured, upbeat and even tempered, he tries to play a bit of the optimist and peacemaker between his parents. When he discovers Mrs Doubtfire’s real identity, he is not as good as his sister at keeping the big secret.) ENSEMBLE

[FEMALE ENSEMBLE, U/S NATALIE HILLARD]
Female, 7 – 9 years old, any ethnicity. To appear in the ensemble playing various roles and understudy the principal role of NATALIE HILLARD (Female, 8 years old, any ethnicity. Daniel and Miranda’s daughter is sweet, innocent, brutally honest but occasionally vulnerable about her parents’ fighting. No filter on what she says, she loves her family, she loves stories and hates kale.) ENSEMBLE

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Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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