HMONG FUTURES Equity Principal Actors - Theater Mu Auditions
HMONG FUTURES - Theater Mu
HMONG FUTURES - St. Paul, MN EPA Revised
Theater Mu | Saint Paul, MN
Notice: Audition Call Type: EPA
REVISED LOCATION
Role of FHOUA is now open. Theater Mu
755 Prior Ave N, Saint Paul, MN 55104
Audition Date: Monday, January 26, 2026
10:00 AM - 10:00 PM (C)
Parking in gravel lot across the street. Building entrance near “Yellow Lot” sign, underneath green tower.
Break: 2:00 PM - 6:00 PM
APPOINTMENTS
PERSONNEL
Sign up for a 10 minute audition slot here:
https://www.signupgenius.com/go/8050A4AABA822A5FF2-60788036-hmong#/
Expected to attend: Director: Reena Dutt; Artistic Director: Fran De Leon
OTHER DATES
Once you have scheduled an appointment, please fill out the audition form here:
https://docs.google.com/forms/d/e/1FAIpQLSdVvsxbTIVw16Kvb1PYR3FgCD95DcRgvBReLlXXCrHRPSSErg/viewform
Rehearsals: March 11–March 29, 2026
Tech: April 1–10, 2026
Preview: April 9 and 10, 2026
Opening Night: April 11, 2026
Closing Night: May 3, 2026
CONTRACT
OTHER
CONTRACT
SPT: $623 weekly minimum (SPT 6).
theatermu.org
An Equity Monitor will not be provided. The producer will run all aspects of this audition. Equity actors for roles in HMONG FUTURES (see breakdown).
PREPARATION
Preparation: Please prepare the acting sides of your desired role. Sides and audition instructions are available in this folder:
https://drive.google.com/drive/folders/1olFK-jmSXvtM1-EzTVRKea1Gb3HBUmn9?usp=drive_link
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
HMONG FUTURES
This theater project commemorates 50 years of Hmong communities in the Twin Cities and dreams about what it looks like for these communities to thrive in the next 50. Playwright Katie Ka Vang created this with the Hmong community, including interviews, story circles, workshop readings, family-style dinners, and facilitated conversations.
“As a first-generation Hmong American, my worldview was largely shaped by my refugee parents' lived experiences related to political persecution, traumatic experiences, displacement, and poverty, and I hope my work is a vessel for myself and my community to co-create ideas that point toward liberation and transformation,” says playwright Katie Ka Vang.
SEEKING
ZONG, 60s, refugee-immigrant, female — was in survival mode for too damn long but no longer; might be the only one who’s not in survival mode; mother of...
FHOUA, early 40s, refugee-immigrant female, Gen X — burned out, been surviving for so damn long she can’t even tell anymore, but she’s gonna learn; daughter of Zong, mother to Maly.
MALY, 17, nongender specific, second gen, Gen Z — non-violent communication specialist; magical.
ABEN, 19, male presenting, second gen — an econ major at a local college, surviving. Son of Zong’s late husband from another woman.
UNCLEFRIEND, 60s, male presenting, refugee-immigrant — Zong’s
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