HERE LIES LOVE (Broadway) - Equity video submissions Producing Org TBD | ,
Notice: Submission
Production (League)
$2323 weekly minimum
Equity actors for roles in HERE LIES LOVE on Broadway (see breakdown).
All stage managerial positions have been filled.
If you wish to audition in-person, please see the EPA and ECC notices.
Please prepare a VIDEO with material from
https://tinyurl.com/HLLBwayEPA or a pop, electronica/dance, or disco song of your own. To submit your tape, please fill out the following form:
https://tinyurl.com/HLLEPA . Deadline for submissions is 6pm EST, Wednesday, January 31st.
Deadline: 01/31/2023
Producer: Hal Luftig, Patrick Catullo, Diana DiMenna, Clint Ramos, and Jose Antonio Vargas
Music: David Byrne and Fatboy Slim Lyrics: David Byrne
Additional Music: Tom Gandey and J Pardo Choreography: Annie-B Parson
Director: Alex Timbers
Assistant Director: Billy Bustamante Associate Choreographer: Elizabeth Dement Music Director: J. Oconer Navarro
Casting Directors: Tara Rubin Casting/Xavier Rubiano, CSA & Gail Quintos (viewing auditions)
First Rehearsal: on/about May 1, 2023 First Performance: on/about June 17, 2023 Opening: on/about July 20, 2023
OTHER
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Follows the intertwining lives of Imelda Romualdez Marcos, Ferdinand Marcos, his political rival Ninoy Aquino, and the woman who raised Imelda, Estrella Cumpas, against the political backdrop of the Marcoses' rise to power and fortune in the Philippines, and ultimately, the Marcoses’ expulsion by the People Power Revolution of 1986. Set in the clubs of the world’s rich and famous that Imelda loved and frequented, the piece follows a period of history from poor beginnings in the 1950s to the height of her corruption and power in the 1980s, when Imelda and her family were forced to flee the Philippines by the EDSA Revolution.
Note: Multiple ethnicities are found throughout the population of the Republic of the Philippines from centuries of migrant arrivals from China, Spain, and Southeast Asia, among other nations. Producers state, “Because of the specific world of the play, we are particularly interested in considering performers to play Filipino characters.” All must have GREAT POP SINGING VOICES and move well.
IMELDA MARCOS & IMELDA ALTERNATE: 20s-40s. Filipina. Charismatic, complex. People everywhere are drawn to her superficial magnetism. At first, we meet her as a teenager, following her rags to riches story. To eventually becoming a powerful, morally bankrupt First Lady of the Philippines. Strong pop singing voice.
Videos
