EVITA Equity Principal Actors - American Repertory Theater Company Auditions

Posted December 23, 2022
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EVITA - American Repertory Theater Company

EVITA - Equity video submissions (principal) American Repertory Theater Company | Cambridge, MA

Notice: Submission

CONTRACT

LORT Non-Rep

$1008 weekly minimum (LORT B)

SEEKING

Equity actors for principal roles in EVITA (See breakdown).

Some roles will be understudied.

SUBMISSION

INSTRUCTIONS

Please prepare a musical selection that best fits your range. Please sing for the roles you'd like to be considered for (materials can be found at:
https://drive.google.com/drive/folders/1Ohu4E-lTyDfdw2xJ2_02NufMBtvnhHSH ). Additionally, you may sing a piece of your own choosing. Please submit your headshot, resume and audition video.

Deadline: 12/31/2022

SUBMIT TO

amrep.artistic@gmail.com

PERSONNEL

Music: Andrew Lloyd Webber

Book & Lyrics: Tim Rice

Viewing submissions:

Director: Sammi Cannold

ART Line Producer: Emma Watt

OTHER

DATES

First Rehearsal (New York) - April 3, 2023

Opening (Cambridge, MA) - May 25, 2023

Closing - July 16, 2023

OTHER


http://www.americanrepertorytheater.org www.americanrepertorytheater.org

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

BREAKDOWN

Synopsis: A groundbreaking revival of the Tony Award-winning rock opera that follows the adored and reviled Eva Perón’s meteoric rise to first lady of Argentina before her death at 33.

SEEKING

:

Eva Perón: Latine, female, 15–33 over the course of the musical. The first lady of Argentina. She is bold, determined, gutsy, glamorous, sharp, captivating, demanding, and quite controversial all at the same time. As the piece progresses, she evolves from a feisty, ferocious, spitfire of a teen into an elegantly fierce powerhouse of a first lady who also holds deep pain and vulnerability. Strong mixed belt.

Che: Latine, male, 40s–50s. The show’s narrator, a jaded cynic who provides a critique on Evita and her followers throughout the musical. Seeking danger, edge, belligerence, and a propensity for hostility while simultaneously – a wicked sense of humor and an ability to connect with/speak directly to the audience. In this production, Che is Che as Everyman vs. Che as Che Guevara. Rock tenor.

Perón: Latine, male, 40s. President of Argentina. A stolid, but charismatic politician who is at once authoritative and charming. He is power hungry, but unlike his wife, only to a point. Strong baritone.

Magaldi: Latine, male, 36–46. A tango singer who takes advantage of teenage Eva and her yearning for a route to the big city. He’s a showman reeking of sleaziness and manipulation – a guy whose night of easy pleasure turns into a problem in the form of a feisty teen he can’t get off his hands. “Cheesy” baritone.

Mistress: Female, 18+ to play 16-18. Juan Perón’s mistress – note the 33 year age gap and all it implies this teenager has endured and survived. Sings “Another Suitcase in Another Hall.” Vulnerable yet nursing a secret. Latine performers encouraged to audition.

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