CRITICAL MASS - Photo/Resume Request
Heiress Productions Showcase (approval pending)
Producers: Mary Willis White and Laura Faith
Playwright: Joanne Sydney Lessner
Dir/CD: Donald Brenner
Callbacks: 9/3. 1st reh: 9/27/10. Rehearses Tu – F (6 PM – 9 PM); Sa and Su (12 PM – 5 PM).
NYC appointment auditions will be held on September 1, 2010. To be considered, send photo/resume and brief cover note, indicating the role for which you wish to be considered, to
casting@heiressproductions.org
New play. Carrie Greenlea reviews live opera performances, skewering unsuspecting singers for everything from bad high notes to bad nose jobs. Her husband Norman reviews recordings and, having failed at a singing career himself, prefers to equivocate rather than hurt anyone's feelings. The cracks in their marriage and in their respective approaches to criticism are broken wide open when Stefano Donato, a mediocre Italian tenor whose career they have jointly ruined, insists on moving in with them.
Seeking:
Norman Greenlea:
30s. Opera critic. Intellectual, sensitive, equivocating. Marooned in a career and a marriage that don't quite suit him, he is liberated unexpectedly by an unfortunate turn of events.
Carrie Greenlea:
30s. Norman’s wife. Opera critic. Woman of strong opinions and high standards. Wields a razor-sharp pen. The more her desire for a baby is thwarted, the more she takes out her frustrations in her writing. Learns the hard way that true artistry is human, not divine.
Stefano Donato:
30s. Not-ready-for-prime-time, Italian-born tenor with an excellent command of English. Bent on revenge on the operatic scale, he ends up discovering his own inner critic. Some a cappella operatic singing required.
Francesca Donato:
20s. Stefano’s wife. Italian American. Naturally timid, but so fiercely devoted to her husband that when she fears she's losing him, she becomes daring, even reckless. A talented mimic.
Cedric West:
40s. Managing editor of “Opera World”. Dapper, effeminate, acerbic. Channels Bette Davis when social situations spin out of his control.
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