CINDERELLA and MILLION DOLLAR QUARTET - Alabama Shakespeare Festival Auditions

Posted: January 13, 2020

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CINDERELLA AND MILLION DOLLAR QUARTET - MONTGOMERY AL EPA

Alabama Shakespeare Festival


AUDITION DATE

Sat, Jan 25, 2020
8:00 am - 3:00 pm (CST)

APPOINTMENTS

asf.net/auditions or email auditions@asf.net

CONTRACT

LORT Non-Rep $899/week

SEEKING

Equity actor/singers.

PREPARATION

Preparation notes and sides available at asf.net/auditions.
Cinderella:
- 1 Contemporary Monologue (2 minutes or less)
- 16 bars of music

Million Dollar Quartet:
- Prepare the sides listed below for the role you are auditioning for.
- A song (Please see character breakdown for details)

LOCATION

Alabama Shakespeare Festival
1 Festival Dr
Montgomery, AL 36117-4605
Rehearsal Hall B

PERSONNEL

Artistic Director: Rick Dildine
Associate Artistic Director (in the room): Greta Lambert
Accompanist (in the room): Joel Jones

Cinderella:
Director: Shelley Butler
Choreographer: Dell Howlett
Music Director: Angela Steiner

Million Dollar Quartet:
Director: David Ruttura
Music Director: Taylor Peckham

OTHER DATES

Cinderella:
1st Rehearsal - May 20th, 2020
Opening - June 19th, 2020
Closing - July 12th, 2020

Million Dollar Quartet:
1st Rehearsal - July 15th, 2020
Opening - August 7th, 2020
Closing - August 23rd, 2020

OTHER

The Directors for Cinderella & Million Dollar Quartet will not be in the room at local auditions.
An Equity Monitor will not be provided. The producer will run all aspects of audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.

BREAKDOWN

MILLION DOLLAR QUARTET CHARACTER BREAKDOWN

ELVIS – 20s; male; actor/singer/guitar player to portray Elvis in his 20s at the beginning of his career. Must be familiar with his music and able to play guitar; should sound and look somewhat like Elvis without being an “impersonator.” Please prepare an Elvis Presley song (or a song in that style or from the era) and accompany yourself on the guitar. In the production, Elvis sings: “Memories Are Made Of This,” “That’s All Right,” “Long Tall Sally,” “Peace In The Valley,” “Party,” and “Hound Dog.”

JERRY LEE LEWIS – 20s-early 30s; male; actor/singer/pianist; he was rock ‘n’ roll’s legendary piano prodigy and celebrated “Last Man Standing.” Must be a superb piano player, able to play like Jerry Lee Lewis; fun, energetic; comic skills a plus. Please prepare a Jerry Lee Lewis song (or song in that style or from the era) and accompany yourself on the piano. In the production, Jerry Lee Lewis sings: “Real Wild Child,” “Great Balls Of Fire,” and “Whole Lotta Shakin’ Goin’ On.”

CARL PERKINS – mid 20s; male; actor/singer/guitar player (lead guitar); he was the American pioneer of rockabilly music and best known for his song “Blue Suede Shoes.” Must be an excellent lead guitarist. Please prepare a Carl Perkins or Elvis Presley song (or song in that style from that era) and accompany yourself on the guitar. An amp will be provided. In the production, Carl Perkins sings: “Matchbox,” “Who Do You Love?,” “My Babe,” and “See You Later, Alligator.”

JOHNNY CASH – late 20s-late 30s; male; actor/singer/guitar player to portray Johnny Cash at the dawn of his epic career. Must be familiar with his music and able to play guitar; tall; should sound and look somewhat like Johnny without being an “impersonator.” Please prepare a Johnny Cash song (or song in that style from that era) and accompany yourself on the guitar. In the production, Johnny Cash sings: “Folsom Prison Blues,” “Sixteen Tons,” “I Walk The Line,” and “Riders In The Sky.”

SAM PHILLIPS – mid-30s-40s; excellent actor; “Father of Rock ‘n’ Roll” and founder of Sun Records who discovered Elvis Presley, Johnny Cash, Jerry Lee Lewis, Carl Perkins, and many others including Roy Orbison and B.B. King; a towering and charismatic figure in American music; for the auditions, actors will be asked to prepare sides from the show.

DYANNE – 20s-early 30s; ALL ETHNICITIES ENCOURAGED TO AUDITION. Excellent actor and singer; she was an aspiring singer and Elvis’s girlfriend; ahead of her time and assertive, she’s a great singer with a wide range; sings solos and back-up throughout the show; sings “Fever” in her alto range and covers the high soprano part of “Riders In The Sky” (Johnny Cash song); for the auditions, actors will be asked to prepare a song from the era. In the production, Dyanne sings “Fever” and “I Hear You Knockin’.”
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RODGERS + HAMMERSTEIN’S CINDERELLA CHARACTER BREAKDOWN

ELLA (Cinderella) (Female, 20s, Soprano, Any Ethnicity) Kind hearted beauty with an infectious generosity of spirit. Though she has been flying under the radar she comes fully into herself as an articulate dynamic woman with a great deal to say Traditional musical theatre soprano.

TOPHER (Male, 20s – early 30s, Baritone, Any Ethnicity) The prince of the kingdom leads with heroic bravado but deeply naïve and not always quick on the draw. In search of his purpose. His kindhearted nature spills into an endearing goofiness at times. Light comedic touch essential. Soaring, rich musical theatre baritone to G.

MADAME (Female, Late 40s – 50s, Mezzo-Soprano, Any Ethnicity) Ella’s selfish stepmother. A vain and tyrannical climber. Deeply concerned with status and image and entirely dismissive of her stepdaughter. Comic timing essential. Traditional musical theatre character voice.

GABRIELLE (Female, 20s – 30s, Mezzo-Soprano, Any Ethnicity) Ella’s stepsister and daughter of Madame. Begins aligned with her materialistic mother and sister but her kindness and thoughtful nature emerge as she is effected by Ella and love interest John-Michel. Perhaps a bit quirky and cut from a different mold than the social climbers around her. Comic timing is essential. Strong and expressive traditional musical theatre voice.

CHARLOTTE (Female, Late 20s – 30s, Mezzo-Soprano, Any Ethnicity) Ella’s stepsister and daughter of Madame. Deeply self-involved, attention seeker. Loud, brash and delights in being cocky. Lacks self-awareness and often the last one in on the joke. Excellent comic timing required. Traditional musical theatre character belt to F.

MARIE (Female, 40s – 60s, Soprano, Any Ethnicity) First presents as a bag lady but is revealed as Ella’s fairy godmother in disguise. Warm with a spark of wackiness she lifts the magic in the show and highlights what is possible! Soaring traditional musical theatre soprano to G.

JEAN MICHEL (Male, 20s – 30s, Any Ethnicity) An enthusiastic revolutionary determined to make a difference. Energized and on his way to becoming a leader. Great comic timing. Traditional musical theatre voice.

SEBASTIAN (Male, 40s – 60s, Any Ethnicity) Topher’s Lord Chancellor. He actively shields the Prince from what is occurring in his kingdom and revels in maintaining his own power. Disregarding villagers in need he is primarily concerned with preserving the wealthy and the reach of his power. Fantastic comic timing essential. Traditional musical theatre character voice.

LORD PINKELTON (Male, 30s – 50s, Tenor, Any Ethnicity) Sebastian’s second-in- command and the herald for all balls and events. Announces royal balls, banquets and even the weather. Excellent comic timing is essential. Traditional musical theatre tenor.
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Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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