BRIDGE OF SAN LUIS REY - Miami New Drama Auditions

Posted: May 3, 2019

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BRIDGE OF SAN LUIS REY - Miami FL EPA
Miami New Drama

AUDITION DATE
Mon, May 20, 2019
10:00 am - 6:00 pm (EDT)
Lunch break TBD

CONTRACT
SPT SPT Tier 7; $530/week AEA min

SEEKING
Seeking Equity actors for various roles. Some roles have already been CAST. See breakdown.

PREPARATION
Please prepare two contrasting one-minute
monologues. Bring picture and resume.

LOCATION
Colony Theatre
1040 Lincoln Rd
Miami Beach, FL 33139-2502
Check in at Box Office to be directed to the audition room

PERSONNEL
Director: Ken Rus Schmoll

Attending EPA:
Artistic Director, Michel Hausmann, Erik Rodriguez, Ken Rus Schmoll

OTHER DATES
Rehearsal Date(s): 10/1/19
Preview Date(s): 10/24-10/25/19
Opening Date(s): 10/26/19
Closing Date(s): 11/17/19
*subject to change

OTHER
If unable attend, video auditions will be
accepted. Send the required prepared materials
to erik@miaminewdrama.org
An Equity Monitor will not be provided. The producer will run all aspects of audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.

BREAKDOWN
Camila Perichole — late 20s — Extremely beautiful. Began as an orphan, became a celebrated actress. A coquette: quick, smart, commanding, coy, sensual, brutal. Later in life suffers greatly; the actor needs to have emotional availability.

Madre Maria — 50s or 60s — Aging, but energetic. A genius and a visionary, ahead of her time. She is practical and pragmatic, always looking for opportunities to advance her causes, can come across as severe, but also has warmth.
Manuel — 20s — Comes from poverty, an orphan. He is a private person, who has great passion churning inside of him that he lets loose when not in public. He loves his brother deeply.

Esteban — 20s — Comes from poverty, an orphan. He is a simple man, an innocent. He loves his brother deeply. Later in the play he becomes stoical; the actor needs to have the capacity for great stillness and contained emotion.

Dona Clara — late 20s or 30s — Smart and impatient. Pampered and upper class. Possibly droll, but definitely fiery and outspoken. Later in life many tragedies befall her, and she winds up humbled and searching for a purpose in life. ROLE IS CAST

Pepita — early teens — An orphan. Religious and dutiful. She is passionately devoted to Madre Maria. Curious.

Don Andres et al — 40s — This actor needs to be versatile, changing roles sometimes on a dime. By turns masculine, effete, intellectual, innocent, earthy. Must be capable of tremendous gravitas. Must be funny. ROLE IS CAST

Uncle Pio/Narrator -- ROLE IS CAST

Dona Maria --ROLE IS CAST


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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