Alley Theatre 2017-2018 Season - Los Angeles EPA
Alley Theatre
AUDITION DATE
Thu, Nov 30, 2017
10:00 am - 6:00 pm (PDT)
Lunch - 2:00PM - 3:00PM
APPOINTMENTS
EPA rules in effect. In-person sign-up begins at 9:00AM on 11/30/2017.
CONTRACT
LORT Non-Rep LORT B, C Minimums - $887/wk, $823/wk
SEEKING
In addition to auditioning for specific roles in our 17/18 season productions of Satchmo at the Waldorf, Cleo, Picasso at the Lapin Agile, Holmes and Watson, and The Cake we are also looking for Alley Theatre Resident Company members for our 18/19 season. Past productions that reflect the type of work the Alley Theatre is looking to produce in its 18/19 season include Angels in America, Twelfth Night, In the Jungle of Cities, and Travesties. We encourage actors of all genders, ages, and ethnic backgrounds to audition.
LOCATION
Geffen Playhouse
10886 Le Conte Ave
Los Angeles, CA 90024-3021
Please prepare 2 contrasting monologues, 1 classical and 1 contemporary, not to exceed 3 minutes total.
PERSONNEL
Brandon Weinbrenner, Resident Assistant Director
OTHER DATES
See breakdown.
OTHER
www.alleytheatre.org
EPA Procedures are in effect for this audition.
An Equity monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
THE GREAT SOCIETY by Richard Schenkkan (a co-production with Dallas Theater Center)
Hubbard Theatre (LORT B)
First rehearsal January 2, 2018. Performances January 26 to February 18, 2018
*ALL ROLES ARE CAST AT THIS TIME
LOVER, BELOVED: AN EVENING WITH CARSON MCCULLERS by Suzanne Vega
Neuhaus Theatre (LORT C)
First Rehearsal January 9, 2018. Performances February 9 to March 11, 2018
*ALL ROLES ARE CAST AT THIS TIME
SATCHMO AT THE WALDORF by Terry Teachout
Hubbard Theatre (LORT B)
First rehearsal February 6, 2018. Performances February 24 to March 18, 2018
SATCHMO, et al
UNDERSTUDY
CLEO by Lawrence Wright
Hubbard Theatre (LORT B)
First Rehearsal March 13, 2018. Performances April 6 to April 29, 2018
RICHARD BURTON ‘RICHARD’ (40's) Welsh, tough, funny, good looking in a thuggish sort of way.
*ALL OTHER ROLES ARE CAST AT THIS TIME
PICASSO AT THE LAPIN AGILE by Steve Martin
Hubbard Theatre (LORT B)
First rehearsal April 10, 2018. Performances May 11 to June 3, 2018
PABLO PICASSO
ALBERT EINSTEIN
SAGOT
GASTON
*ALL OTHER ROLES ARE CAST AT THIS TIME
THE CAKE by Bekah Brunstetter
Neuhaus Theatre (LORT C)
First Rehearsal May 1, 2018. Performances June 1 to July 1, 2018
JEN Early-30s, with a wedding binder, who has dreamt of her wedding day her whole life.
MACY Early-30s, Jen’s reluctant fiancé.
*ALL OTHER ROLES ARE CAST AT THIS TIME
HOLMES AND WATSON by Jeffrey Hatcher
Hubbard Theatre (LORT B)
First Rehearsal May 29, 2018. Performances June 22 to July 22, 2018
WATSON late 30s to mid 50s. A classic Watson. Polite, reserved, and detail oriented. A genius of sorts who is always three steps ahead.
DR. EVANS early 40s to late 50s. Silky and officious, he is the man in charge of an Asylum on an isolated island. No nonsense and intense, but with a gentleman’s demeanor.
HOLMES 1 Early 40s to late 50s. Tall, thin, angular. The most acerbic Holmes. Threatening and dangerous.
HOLMES 2 Early 40s to late 50s. Tall, thin, angular. The most anxious Holmes. Currently unkempt and in a straitjacket. Highly intelligent.
HOLMES 3 Early 40s to late 50s. Tall, thin, angular. The most impenetrable Holmes. Steely and mysterious.
ORDERLY/ MORIARTY/ INSPECTOR 30s to 60s. Tall, well built. Menacing.
*ALL OTHER ROLES ARE CAST AT THIS TIME
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.
Videos
