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Refuge Theatre Project's THINGS TO RUIN: THE SONGS OF JOE ICONIS Coming Up at Exit Chicago

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The two-year-old Refuge Theatre Project, whose High Fidelity: The Musical is with eight nominations one of the top nominees in the upcoming non-Equity Jeff Awards, will continue its 2017 season with Things to Ruin: The Songs of Joe Iconis, playing May 12 - June 18, 2017.

As with their most recent productions, High Fidelity, performed in pop-up locations redesigned as record stores, and bare, staged in the sanctuary of Epworth United Methodist Church, the company will again mount its production in an unexpected venue: Exit Chicago, which describes itself as "Chicago's Original Punk Bar since 1981." Exit Chicago is located at 1315 W. North Avenue.

Described as a "theatrical rock concert," Things to Ruin has been performed in New York City venues including the Second Stage and Joe's Pub and features 19 songs by the 35-year-old Iconis, possibly the best and most famous musical theater songwriter you've never heard of. Iconis's musicals include Be More Chill, Annie Golden: BounTy Hunter, Yo!; Bloodsong of Love, The Black Suits, ReWrite, The Plant That Ate Dirty Socks and We The People. "The Untitled Hunter S. Thompson Project" is currently in development for La Jolla Playhouse and Broadway Across America. His concert act, "Joe Iconis and Family," frequently plays the hot NYC clubs The Beechman Theater, 54 Below, and Joe's Pub. Two of his songs were featured on the NBC-TV series Smash as part of that series' fictitious musical "Hit List." He's been nominated for two Drama Desk Awards, a Lucille Lortel Award, and is the recipient of an Ed Kleban Award, a Jonathan Larson Award, a Doris Duke Grant, and several other awards.

Things to Ruin will be directed by Matt Dominguez, director of Refuge's bare from fall 2016 and Glory Days from fall 2015. Mike Evans, the company's resident music director will provide music direction, with musical staging by Shelby Westart.

Dominguez says, "Things to Ruin is filled with irresistibly catchy music that's messy, angry, conflicted but then can turn on a dime with dark, quirky humor that knows exactly how to have a good time. I'm thrilled to introduce Chicago to Joe's work, and incredibly excited we're partnering with Exit Chicago, which promises to be another standout venue for a Refuge production."

The cast will include Madison Kaufman (The Little Mermaid, Paramount), Jeff Meyer (Bat Boy, Griffin Theatre; Assassins, Kokandy Productions), Lauren Paris (Priscilla, Pride Films and Plays; Story of a Story, Underscore), Kedgrick Pullums Jr. (Refuge's High Fidelity and bare), Deanalis Resto (Rent, Theo Ubique; The Wiz, Emerald City), Maisie Rose (Giggle, Giggle, Quack, Lifeline; Loving Repeating, Kokandy) and Thomas Squires (Little Me, Porchlight Revisits).

Top row, left-to-right: Madison Kaufman, Jeff Meyer, Lauren Paris
Bottom row, left-to-right: Deanalis Resto. Maisie Rose, Thomas Squires

The design team and production staff include Ross Egan (set design), Jos N. Banks (costume design), Mark Bracken (lighting design), Drew Donnelly (stage manager) and Becca Holloway (assistant director).

Preview performances will be Friday, May 12 and Saturday, May 13 at 7:30 pm both nights. Press opening will be Sunday, May 14 at 7:30 pm. Performances for the regular run, which will continue through June 18, will be Fridays, Saturdays and Sundays through February 28th. Ticket prices for all seats are $20.00 plus applicable fees and may be ordered online at www.refugetheatre.com.

Refuge Theatre Project was founded in 2015 by Ross and Morgan Egan with the goal of utilizing the appeal of musical theatre to foster a broader and more accessible theatre community. We produce contemporary musical theatre in found spaces creating a unique, affordable, only-in-Chicago theatrical experience. www.refugetheatre.com.

The company's previous productions include the musicals Next Thing You Know, produced in February 2015; Glory Days, which opened in August 2015; High Fidelity: The Musical, originally staged in February 2016 and remounted in January-March 2017; and bare: a pop opera, in October-November 2016.

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