The Imperial Sound to Release THE NEW AM August 31
The Imperial Sound's blithe synthesis of 21st-century irony and bright, unselfconscious AM-radio pop is both brave and unique. And catchy as hell. The band's debut album, The New AM, showcases songwriter Frederick Mosher's hook-driven heritage - with influences from Todd Rundgren and Carole King to The Replacements and Elvis Costello - delivering infectious, shimmering songs that celebrate the craft and style of the best pop music.
Kenn Goodman (keyboards) and Mosher (guitars and vocals) have been partners in a variety of musical ventures, from the Chicago-based Pravda Records store and label to the legendary trash-rock trio The New Duncan Imperials, for many years. Their latest incarnation, as the founders of The Imperial Sound (sometimes shortened to ImpSo by its fans), puts them at the center of a group of seasoned musicians with years of experience and a drive for self-reinvention.
The band's debut full-length album was recorded with Mike Hagler at Kingsize Sound Labs (Wilco, Neko Case, Mekons) and mixed by John "Strawberry" Fields (Miley Cyrus, Demi Lovato, the Dollyrots). The twelve songs on the Imperial Sound's debut forge an immediately identifiable sound and style: songs bristling with pop hooks, taut arrangements driven by an all-star horn section, and heavenly harmonies courtesy of a who's-who in Chicago pop. Guests on the album include Peter Himmelman, Poi Dog Pondering's Dag Juhlin, Singing legends Kelly Hogan and Nora O'Conner (Neko Case, Mavis Staples, the Flat Five), and Kathy Ruestow (Diplomats of Solid Sound).
Some album highlights from The New AM:
"Yesterday" is a swinging pop song about the time and memory. It sounds a little like Carole King but with more drive and a brilliantly deployed horn section. "A Man Like You" is a classic Chicago soul song about non-toxic masculinity that sounds like an updated, high-powered Sam and Dave track.
"Daylight" is a dreamy pop song about survival in a dark age, and it sounds like a cross between classic AM radio and the New Pornographers.
A little history:
The roots of this band are long and strong. Kenn Goodman and Rick Mosher met in college; they started a new wave band, and also published a phony college newspaper that ridiculed frat culture. But Kenn and Rick had bigger ideas. Soon they had dropped out of college, started a new band, and relocated to Chicago, where Kenn led the way in starting Pravda Records, a label and store located in the Cabaret Metro building. Soon Pravda was one of the most recognized record stores in the city. Kenn and Rick were busy with the Pravda label as well, releasing records by a number of bands. During this time the label was perhaps best known for producing a pair of tribute albums to K-tel Records, a nostalgic compilation of 1970's one-hit wonders performed by well-known local and national bands including The Smashing Pumpkins, Mojo Nixon and The Young Fresh Fellows.
Along with running the store and the label, Kenn and Rick were busy with their new band, The Service, which by now included Gary Schepers on bass (Gary would later join them in the Imperial Sound). The Service was a mainstay of Chicago's new-music club scene, and the band's four albums are full of sturdy, no-nonsense songs and inventive arrangements. Their music has aged well, as critic Peter Margasak noted in the Chicago Reader __on the occasion of Pravda's 25th Anniversary: I still have an awful lot of underground rock records from the mid- to late 80s, before media and marketing geniuses cooked up terms like "alt-rock" and "indie rock," and few of them have aged as well as my Service albums. They were the epitome of the midwestern rock of the time: unfussy, exuberant, and with a certain elegance in its simplicity.
They had a good run, but after several years the pressure got to them. Kenn, Rick, and drummer John Smith split off to form The New Duncan Imperials, a band as noisy and irreverent as the Service were earnest and poetic. NDI enjoyed a meteoric rise to the top of the city's club scene, and were soon selling out shows throughout the country; making inroads into Europe as well. Their recorded output - 10 releases in all -- is an avalanche of chaotic, absurdist power pop. These days the band is sometimes referred to as "legendary." No one is arguing.
Fast forward: NDI performs when the feeling is right. Kenn runs Pravda as a successful indie label and publishing company. Rick is still writing songs. The two men share a history and a sensibility, and now they have a new project in which to pour their remarkable energy. The Imperial Sound is a band with years of shared experience, yet they sound anything but tired -- the songs are fresh and the vibe is driving and melodic. This may be a band with a past, but it's also a band with a future.