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UK / West End Dance News Coverage — Page 9

The latest news on performances of Dance in UK / West End.

Review: ZOONATION: MIXTAPE, Sadler's Wells Interview

Review: ZOONATION: MIXTAPE, Sadler's Wells

by Vikki Jane Vile — October 10, 2022

A celebration of ZooNation and their greatest hits from the last 20 years was always going to pack a punch, but Kate Prince’s Company of charismatic hip-hop dancers can do wit, comedy, pathos and poignancy too.

BWW Review: WILD TANGO at Peacock Theatre Interview

BWW Review: WILD TANGO at Peacock Theatre

by Vikki Jane Vile — May 17, 2022

Save for COVID, German Cornejo and his company of Tango dancers have thrilled audiences with their sultry, authentic displays of the much loved Ballroom dance for countless seasons in London.

BWW Review: BALLET BLACK at Theatre Royal, Stratford East Interview

BWW Review: BALLET BLACK at Theatre Royal, Stratford East

by Vikki Jane Vile — May 16, 2022

Cassa Pancho’s Ballet Black turned 20 last year and to mark this milestone they celebrated with a double bill of two works seen at the Barbican earlier this year and now touring; one an out and proud affirmation on their journey as a company and the second a tribute to their ancestry and heritage.

BWW Review: CASANOVA at Sadler's Wells Interview

BWW Review: CASANOVA at Sadler's Wells

by Vikki Jane Vile — May 12, 2022

Five years since its premiere, Kenneth Tindall’s Casanova remains a distinctive and highly engaging addition to Northern Ballet’s repertoire.

BWW Review: SWAN LAKE, Royal Opera House Interview

BWW Review: SWAN LAKE, Royal Opera House

by Vikki Jane Vile — March 11, 2022

​Some nights at Covent Garden feel heavy with a sense of occasion and this particular performance of Swan Lake, taking place a week after opening night, was certainly one of them.

BWW Review: DANCE, Sadler's Wells Interview

BWW Review: DANCE, Sadler's Wells

by Franco Milazzo — March 10, 2022

This rare revival of Dance is the epitome of Philip Glass' artistic ethos, combining minimalism and layered music with huge projections and skilful dancing.

BWW Review: RAYMONDA, London Coliseum Interview

BWW Review: RAYMONDA, London Coliseum

by Gary Naylor — January 20, 2022

Tamara Rojo doesn't go far enough in re-inventing Raymonda, its new story lacking the boldness of its new setting in the Crimean War.

BWW Review: ROMEO AND JULIET, Royal Opera House Interview

BWW Review: ROMEO AND JULIET, Royal Opera House

by Vikki Jane Vile — January 13, 2022

The opening night for MacMillan’s Romeo and Juliet, a production much loved by the audiences of Covent Garden, saw another dubious opportunity for Artistic Director Kevin O’Hare to take to the Opera House stage and announce “significant changes” to the billed cast.

BWW Review: BALLET BLACK, Linbury Theatre, Royal Opera House Interview

BWW Review: BALLET BLACK, Linbury Theatre, Royal Opera House

by Vikki Jane Vile — November 09, 2021

Celebrating their 20th anniversary this year, Black Black return to the Linbury Theatre with a double bill of new work, and in signature style you’ll be hard pressed to leave without your heart feeling a little fuller than before.

BWW Review: GISELLE, Royal Opera House Interview

BWW Review: GISELLE, Royal Opera House

by Vikki Jane Vile — November 06, 2021

Sir Peter Wright's Giselle is one of the Royal Ballet's most recognisable productions and offers the most coveted of roles for any ballerina.

BWW Review: AKRAM KHAN'S CREATURE, Sadler's Wells Interview

BWW Review: AKRAM KHAN'S CREATURE, Sadler's Wells

by Vikki Jane Vile — September 24, 2021

​Akram Khan’s third work for English National Ballet finally debuted after numerous COVID-related false starts to a vocal Sadler’s Wells audience this week.

BWW Review: REUNION - ENGLISH NATIONAL BALLET at Sadler's Wells Interview

BWW Review: REUNION - ENGLISH NATIONAL BALLET at Sadler's Wells

by Vikki Jane Vile — May 18, 2021

Before we get to the main business of the dancing, let’s focus on what tonight is really all about: the moment the lights go down and there is an announcement, “Welcome to this performance of Reunion by English National Ballet”, and followed by that unique sound of applause and cheering from a



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