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Dance Theater Reviews

The latest reviews and critic recommendations from Dance.

BWW Review: ENGLISH NATIONAL BALLET - BROKEN WINGS, Sadler's Wells

BWW Review: ENGLISH NATIONAL BALLET - BROKEN WINGS, Sadler's Wells

by Vikki Jane Vile — April 23, 2020

Admirably enhancing their “at home” offering, in addition to regular live streams of company class and chair-based dance classes for those with limited mobility, English National Ballet now bring us Wednesday Watchalongs, a weekly opportunity to experience key work from their back-catalogue for

BWW Dance Book Review: DAMIEN SIMON'S THE COLLABORATION

BWW Dance Book Review: DAMIEN SIMON'S THE COLLABORATION

by Barnett Serchuk — April 27, 2020

Damien Simon's The Collaboration is an elegant and entertaining book, introducing those in the know--and those who may not know very much--to the sometime quicksand process known as collaboration.

BWW Review: SWAN LAKE, Royal Opera House

BWW Review: SWAN LAKE, Royal Opera House

by Vikki Jane Vile — March 7, 2020

Enough words have been given to the controversy surrounding this run of Liam Scarlett's Swan Lake, its first revival since a largely triumphant premiere in 2018.

BWW Review: NEW DIALECT at Oz Arts Nashville

BWW Review: NEW DIALECT at Oz Arts Nashville

by Melia Kraus-har — February 25, 2020

Oz Arts Nashville presented New Dialect with the return of choreographer and Artistic Director Banning Bouldin's The Triangle and the world premiere of Rosie Herrera's First Fruit on Thursday, February 20 at 8pm.

BWW Review: ALINA COJOCARU, Sadler's Wells

BWW Review: ALINA COJOCARU, Sadler's Wells

by Vikki Jane Vile — February 23, 2020

A busy week of dance in London is brought to a radiant conclusion by the perfect delicacy of English National Ballet Lead Principal Alina Cojocaru, with support from some esteemed friends.

BWW Review: ACOSTA DANZA UP CLOSE, Royal Opera House

BWW Review: ACOSTA DANZA UP CLOSE, Royal Opera House

by Gary Naylor — February 20, 2020

This show, by the company of ex-Principal dancer at The Royal Ballet, Carlos Acosta, gives the audience a mixed bill, as up close as the title suggests, with as much Cuba as you would find in a hand-rolled cigar.

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