Los Angeles Chamber Orchestra Presents World Premiere Of SHIVER AND BOOM, 3/18-19
Los Angeles Chamber Orchestra Music Director Jeffrey Kahane conducts some of his top musical picks in this deeply personal orchestral program that includes the world premiere of Shiver and Bloom by rising composer Julia Adolphe on Saturday, March 18, 8 pm, at Glendale's Alex Theatre, and Sunday, March 19, 2017, 7 pm, at Royce Hall. The work by Adolphe, whose style is "a neat fusion of shimmering textures and cataclysmic climaxes" (Financial Times), is part of LACO's singular and highly successful "Sound Investment" commissioning program, initiated during Kahane's tenure 16 years ago to engage LACO audiences in developing new works. Kahane also conducts Brahms's Piano Concerto No. 2, written for extended chamber orchestra and featuring acclaimed pianist Jon Kimura Parker, "known for his liquid tone" and "dazzling showmanship" (Winnipeg Free Press). World-renowned mezzo-soprano Sasha Cooke, a "luminous standout" (New York Times), also returns to LACO to perform selections from Mahler's tender and intimate Rückert Lieder, as well as the arias "Deh, per questo istante solo" from Mozart's opera Le clemenza di Tito, and "As with rosy steps the morn" from Handel's oratorio Theodora.
Adolphe, a "remarkably assured" composer of works "alive with invention," (The New Yorker), is also an active writer, producer, teacher and band-leader. Her works have received performances across the U.S. and abroad by the New York Philharmonic, Inscape Chamber Orchestra, Grammy-nominated pianist Aron Kallay and the Great Noise Ensemble, among many others. Her awards include a 2016 Lincoln Center Emerging Artists Award, a 2015 Charles Ives Scholarship from the American Academy of Arts and Letters, as well as grants from New Music USA and American Composers Forum. Adolphe, a native New Yorker, is currently pursuing a Doctor of Musical Arts degree from the USC Thornton School of Music. Adolphe says of her new work, "Shiver and Bloom evokes the perceived divide between the mind and the body. A high, floating, ethereal soundscape captures the wandering thoughts of the mind while a low, grounded, striving motif suggests the physical world of the body. These two contrasting realms swerve together and apart, creating the images of the work's title. The blooming of the low strings, bassoon, and horn yearns for unity with the icier, shivering, detached gestures of the high strings, flute, and clarinet. Over the work's twelve minutes, the worlds intersect and transform one another, melding into a more holistic entity."Videos
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