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Boston Theater Reviews

The latest reviews and critic recommendations from Boston.

BWW Review: RIPCORD: Nancy and Annie's Excellent Adventure

BWW Review: RIPCORD: Nancy and Annie's Excellent Adventure

by Nancy Grossman — June 13, 2017

Laughs in abundance are in free fall in the Huntington Theatre Company's production of Pulitzer Prize winner David Lindsay-Abaire's RIPCORD, a bejeweled vehicle for a pair of women of a certain age that is polished to a shine by the brilliant performances of Nancy E.

BWW Review: DAYS OF ATONEMENT: The Strength of Sisterhood

BWW Review: DAYS OF ATONEMENT: The Strength of Sisterhood

by Nancy Grossman — June 6, 2017

Israeli Stage presents the North American premiere production of Hanna Azoulay-Hasfari's DAYS OF ATONEMENT, a dramatic exploration of the Moroccan-Israeli immigrant experience through the eyes of four estranged sisters who reunite when their mother goes missing on the eve of Yom Kippur.

BWW Review: BANK JOB: For Want of an Exit Strategy

BWW Review: BANK JOB: For Want of an Exit Strategy

by Nancy Grossman — June 2, 2017

Gloucester Stage Company opens it 38th season with the New England premiere of John Kolvenbach's play about a pair of brothers who decide to try robbing a bank in an unwise career move.

BWW Review: CAMELOT: Feeling Nostalgic for JFK

BWW Review: CAMELOT: Feeling Nostalgic for JFK

by Nancy Grossman — May 23, 2017

The Lyric Stage Company of Boston closes out the season with David Lee's adaptation of Lerner and Loewe's CAMELOT, a revision that hones in on the relationships among the three principals and retains the glorious score, while jettisoning considerable weight from the historically burdensome book.

BWW Review: THE BRIDGES OF MADISON COUNTY: Love or Marriage?

BWW Review: THE BRIDGES OF MADISON COUNTY: Love or Marriage?

by Nancy Grossman — May 13, 2017

SpeakEasy Stage Company's Boston premiere of Marsha Norman's (Book) and Jason Robert Brown's (Music and Lyrics) adaptation of Robert James Waller's novel is elevated by the luminescent Jennifer Ellis and hunky Christiaan Smith.

BWW Review: Gold Dust Orphans Go Greek

BWW Review: Gold Dust Orphans Go Greek

by Nancy Grossman — May 9, 2017

GREECE is the word and the place where Ryan Landry and his Gold Dust Orphans take you for their latest musical extravaganza.

BWW Review: DESIRE: Tennessee Williams in Others' Words

BWW Review: DESIRE: Tennessee Williams in Others' Words

by Nancy Grossman — May 4, 2017

Zeitgeist Stage Company introduces new faces that meld into an impressive ensemble to convey the unusual and flawed characters from the mind of Williams and the pens of half a dozen eclectic playwrights in DESIRE: AN EVENING OF PLAYS BASED ON SIX SHORT STORIES BY TENNESSEE WILLIAMS.

BWW Review: THE WHO & THE WHAT: All in the Muslim Family

BWW Review: THE WHO & THE WHAT: All in the Muslim Family

by Nancy Grossman — April 23, 2017

Pulitzer Prize-winning playwright Ayad Akhtar returns to the Huntington Theatre Company with THE WHO & THE WHAT, a provocative drama that looks at differences around faith and identity within a Muslim-American family.

BWW Review: THE KING AND I: Still Something Wonderful

BWW Review: THE KING AND I: Still Something Wonderful

by Nancy Grossman — April 14, 2017

The National Tour of the Tony Award-winning Lincoln Center Theater production of Rodgers and Hammerstein's THE KING AND I brings its parade of adorable children, a pair of star-crossed lovers, an imperial ruler, and a strong-willed, warm-hearted educator to the Boston Opera House through April 23rd.

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