By and large, the new edition of Opera as Drama retains the spirit and format of the original ( LJ 11/1/56). However, in an effort to generalize the methodology used throughout the work, Kerman has added an interesting section outlining a viable method of opera criticism. In addition, he has modified the chapter devoted to Mozart to include a penetrating discussion of Idomeneo. The thoughtful withdrawal of somewhat callow remarks on various composers, operas, etc., will also be regarded as a welcome revision by many readers. Alterations notwithstanding, Kerman's study remains one of the most captivating books on opera to date. Highly recommended.
Joseph Kerman
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Tony Award nominee Kevin Chamberlin, Caroline Bowman, Timothy H.
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